OFFICETWENTYFIVEARCHITECTS (O25) has won second prize the Prologis’ 2030 Design competition, which challenged participating firms from seven European countries to redefine what logistics buildings may look like in the future.
O25′s proposal utilizes a site similar to characteristic distribution sites, under the assumption that future demands will be closely aligned with current one. With this mentality, the design utilizes a greenfield site within close proximity to major transportation systems, but is not directly in the heart of the urban environment. Due to its semi-rural locality, the goal of the design was to create a functional and efficient distribution system that would not compete with, but rather complement, its surroundings, so unsightly features (storage areas) are located underground. Additional nods to the landscape are made by the integration of green space atop the loading bays.
This year’s Goethe Documentary Film Prize winner is Concrete Love: The Böhm Family. The German film, directed by Maurizius Staerkle-Drux, follows the daily routine of 93-year old architect Gottfried Böhm, documenting interactions with his family (and colleagues) and the inspiration for his work. It delves into the lifelong fervor Böhm has developed for design, family, and life. The jury acclaims, “the film tells a multi-layered tale of love, the passion for architecture and four generations of German history. With sensitive observations, intimate interviews and stirring filmic explorations of an extraordinary architectural legacy, the film creates a lasting impression of the buildings and the people.”
Berlin Art Link recently sat down with Russian-born, German architect Sergei Tchoban. In the interview above, he discusses his career, including working on the design for the Vostok Tower, Europe’s tallest skyscraper, and the recent opening of the Tchoban Foundation Museum for Architectural Drawing. This building houses his extensive personal works, as well as exhibitions by other artists. “What is very important for me is the quality of all details, so you create a building from outline, from the silhouette, to the door lever. This building brings out a lot of our and my personal ideas about architecture and about details in architecture,” Tchoban said regarding his design for the Museum for Architectural Drawing. The exterior of the building expresses Tchoban’s devotion to draftsmanship– the facade of the building is etched with a graphic pattern based on sketches from artists Angelo Toseli and Pietro di Gottardo Gonzaga. “I’m very active in drawings, as a draftsman myself. Drawing is a result of our thinking process and our thinking process is not only a thinking process with the head, with the mind, but also the process where you think with the whole body.”
Architects: Carpaneto Architekten, Fatkoehl Architekten, BARarchitekten
Location: Berlin, Germany
Collaborators: Die Zusammenarbeiter, Christian Schöning, Angelika Drescher
Area: 7400.0 sqm
Photographs: Ute Zscharnt, Daka, Michael Matuschka, Andreas Trogisch, Eric Tschernow, Johannes Dumpe
When fears regarding environmental pollution and potential catastrophe were at a high in the 1970s, Haus-Rucker-Co set out to develop a “new concept of architecture.” Based in Vienna, the group was known for their interactive exhibitions and their development of utopian architectural ideas, which showed how people could affect their own environment. Now, their work between 1967 and 1977 is the theme of “Architectural Utopia Reloaded,” the latest exhibition on display at the Haus am Waldsee in Berlin.