Yesterday, during the opening of a new photography gallery, Centre Pompidou president Alain Seban announced the contemporary art museum will soon open a new design and architecture gallery inside the famed Renzo Piano- and Richard Rogers-designed building. “Eventually, there should be almost no offices in the building, and we’ll keep only the technical facilities that are strictly indispensable,” said Seban. “When allocating the spaces, the works and the visitors have to take precedence.”
The City of Paris has called upon the architects of the world to propose “innovative urban projects” to reimagine the city’s urban future. As the first competition of its kind in the world, Mayor Anne Hidalgo and her Deputy, Jean-Louis Missika, will ”select and implement the new forms of buildings that will shape the future of Paris,” putting innovation at the top of the criteria. Offering 23 sites, located in the centre of Paris and on the peripheries, the City is convinced that “the challenges faced by the world can be addressed through local answers.” According to the Mayor, “from today, world creators are given carte blanche to reinvent the ways of living, working and trading in Paris.” “Surprise us!”
The French government has cancelled its £8 million contribution towards the £43 million Musée des Beaux-arts by David Chipperfield Architects, causing the Reims’ mayor to “shelve” the museum for being too costly. As reported by the Architects’ Journal, the funds will be reallocated towards the redevelopment of a recently closed sports complex. The museum, originally awarded to Chipperfield following an international competition, was intended to be built on an excavation area and display mediaeval relics. You can review the design, here.
In celebration of the Fondation Cartier pour l’art contemporain’s 30th anniversary, Diller Scofidio + Renfro has installed an immersive exhibition that encourages visitors to experience the Jean Nouvel-designed, glass and steel museum building in an entirely new way.
“The Fondation Cartier building designed by Jean Nouvel will be used as raw material for their work, a first in the history of the institution. Musings on a Glass Box is a complex work occupying the entire ground floor of the Fondation Cartier, where a disturbance in the ceiling will trigger a surprising reaction. The result is an immersive environment, including an integral acoustic component by American composer David Lang and sound designer Jody Elff, that works with the building’s architecture to raise questions about transparency, perception, and one’s relation to space.”
A statement from Diller Scofidio + Renfro, after the break.
These mesmerizing time-lapse videos by photographer Mayeul Akpovi allow you to see several French cities like never before. Combined with captivating soundtracks, the videos show the architecture of Paris, Marseille and Lyon throughout the day with changing light and varying levels of activity. Above, Part I of Paris in Motion displays shots of clouds moving across the sky, reflections on the Le Grande Louvre, La Grande Arche. Check out the remaining six videos after the break.
Over the weekend, Japanese architect Sou Fujimoto exhibited an inhabitable sculpture of stacked and suspended aluminum cubes as part of the FIAC art fair in the Parisian Jardins des Tuileries’ gardens. The installation, “Many Small Cubes” is his first project in Paris and was commissioned by the Philippe Gravier art gallery as an exploration of nomadic structures and Sou Fujimoto’s concept of bringing architecture closer to nature.
“The floating masses of Many Small Cubes creates a new experience of space, a rhythm of flickering shadows and lights like the sun filtering through leafy trees,” described Sou Fujimoto.
Piuarch and Stefano Sbarbati Architecte Designs New Headquarters For IDF Habitat in Champigny-sur-Marne
Piuarch and Stefano Sbarbati Architecte have won an international design contest to design the new headquarters of the French housing company IDF Habitat in Champigny-sur-Marne. Designed in collaboration with Stefano Sbarbati, the new building is described as “linear and efficient,” but it also acts as a defining building in a new public square, offering “an example of how architecture can contribute to defining empty spaces, transforming them into social areas,” according to the architects.
The people behind Frank Gehry’s Fondation Louis Vuitton (FLV) in Paris, which is set to officially open on the 27th October 2014, recently invited a band of architecture critics to take a look around and pen their thoughts. Gehry’s bold approach to architectural form, most evident in buildings like the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in LA, matches the foundation’s aim to “promote and support contemporary and artistic creation” in France. According to their website, they in particular embody “a passion for artistic freedom.” How, then, has the enormous sailed structure, challenged by local opposition from the outset, settled into its Parisian parkland surroundings?
See what The Guardian’s Oliver Wainwright, The Observer’s Rowan Moore, Vanity Fair’s Paul Goldberger, The LA Times’ Christopher Hawthorne, as well as the Architectural Digests’ Mayer Rus, had to say about Gehry’s latest completed building after the break.