Earlier this week, we announced the completion of the world’s narrowest house in Warsaw, Poland. The Keret House was first conceived as a seemingly impossible vision of the Polish architect Jakub Szczesny of Centrala, who first presented the idea as an artistic concept during the WolaArt festival in 2009. Now, three years later, the vision has become a reality and is drawing a significant amount of international attention to the city of Warsaw.
Built between two existing structures from two historical epochs, the narrow infill is more of an art installation that reacts to the past and present of Warsaw. Although the semi-transparent, windowless structure’s widest point measures only 122 centimeters, it’s naturally lit interior doesn’t seem nearly as claustrophobic as one would think.
The Keret House will serve indefinitely as a temporary home for traveling writers, starting with Israeli writer Etgar Keret.
Images and the architects’ description after the break…
Last year, we brought you images of what was planned to be the world’s narrowest house: The Keret House, in Warsaw, Poland.
Well, against the odds, this skinny project has actually come to see the light of day, thanks to funding from The Foundation of Polish Modern Art and Warsaw Town Hall.
The Architect, Jakub Szczesny of Centrala, designed the home with a semi-transparent, polycarbonate surface so light would enter and the resident wouldn’t feel claustrophobic. However, that fate may be difficult to avoid – after all, the 3×5 ft structure is wedged between two buildings, can only be entered via ladder, and has no windows. Even the fridge can only hold two drinks at a time.
Check out the images and renderings of the world’s skinniest house, after the break…
Nowa Huta of The Future, designed by BudCud, Centrala, and ARUP, is aimed at being a brand new direction of touristic experiences and a recreational map of Krakow. Their strategy has a potential of engaging new groups of potential investors and the residents of whole region. Nowa Huta of The Future is what the city needs to become world class metropolis. More images and architects’ description after the break.
Garden of Nations in Ramallah, one of the first modern public spaces in booming Palestinian capital was meant to become a representation space, where art pieces donated by different countries would coexist. The relatively small scale of the park leads to the inevitable effect of visual overcrowding and competition of free-standing sculptures donated by different national representatives. To minimize the danger of entering into the same logic The Lace is a shadow-maker “glued” to the wall encompassing the park. It allows people to hide from the sun being a sort of tridimensional pocket. The Lace is a steel structure made out of 220 circular modules referring to a decorative Polish folk art motive used for Christmas tree decorations made out straw.
Location: Ramallah, Palestine
Designer: Jakub Szczęsny
Collaborator: Tomasz Gancarczyk
Project Coordination: Barbara Urban, Office of the Representative of the Republic of Poland
client: Office of the Representative of the Republic of Poland to the Palestinian National Authority
Photographs: Barbara Urban and Centrala
Tamaguchi Park relates to Tamagotchi, a toy from mid-90 of XXth century, the first one to address the question of educating children on care and responsibility through direct feedback from an artificial pet “fed” and”caressed” by its young owner. Centrala and Eifo Dana Group wanted to create the analogous relationship between the caring user and an artificially created landscape on a sandy slope facing the beach in BatYam. The intervention is therefore composed out of two physical elements; the water producing installation, the “park” and an accompanying educational program for kids from local schools headed by ten volunteers.
Most design and building processes relay on pre-determination and accuracy, plus an efficient coordination of data input leading to a physical realization representing previously conceived ideas as closely as possible. Parametric and generative design add an extra element of “objective” formulae playing role of legitimizations of designer’s intentional design, while the choice of data pools, algorithms or auto-generative formulae is in fact another intentional element.
In Warsaw, Poland in the district of Wola lies a small crack of space between the buildings on 22 Chłodna Street and 74 Żelazna Street. Jakub Szczęsny of Centrala, recognized the potential to create something unique within this narrow area, and derived a design of an art installation entitled Keret House. The house upon completion shall become the narrowest house in Warsaw, measuring an interior that will vary between 122 centimeters and 72 centimeters in its narrowest spot.
Location: Wola, Poland
Designer: Jakub Szczęsny
Project Area: 14,5 sqm
Project Year: December 2011
Project Curators: Sarmen Beglarian, Sylwia Szymaniak
Project Announcement: Wola Art Festival “CityProjectWola“
Organizers: Modern Polish Art Foundation, President Piotr Nowicki, Wola District Office of the Capital City of Warsaw; Coordinator Anna Fiszer-Nowacka; Gmina Wyznaniowa Żydowska w Warszawie, Coordinator Judyta Nekanda-Trepka