The government of New South Wales have announced plans for Sydney’s largest program of urban renewal since the 2000 Summer Olympics. The proposal seeks to utilise and regenerate a series of former docklands from the area of Blackwattle Bay, through the Sydney Fish Market, Rozelle Bay and Rozelle Rail Yards, to White Bay Power Station (a protected building).
With conscious material choices, Australian architects Tonkin Zulaikha Greer are known for their ability to integrate buildings into a city’s existing fabric. Michael Holt, editor of the Australian Design Review, caught up with partner Tim Greer, for the following interview, picking his brain on materiality, site, history and more.
Since the practice’s inception in 1988, Tonkin Zulaikha Greer (TZG) has become expert in the reuse of existing built fabric and how best to reintroduce the past into the contemporary. Through projects such as the restoration of Hyde Park Barracks, the National Arboretum Canberra (featured in AR131–Present), Carriageworks, and Paddington Reservoir Gardens, certain design characteristics are notable: volumetric boxes, a shifting in typology, an overarching and encompassing ceiling or roof plane, a restricted material palette, and working-off the existing while simultaneously revealing the existing.
The Australian Institute of Architects has announced the winners of its 2014 South Australia Awards. This year, the star of the show was the South Australian Health and Medical Research Institute (SAHMRI) by Woods Bagot, which won a total of five awards: COLORBOND® Award for Steel Architecture, the Keith Neighbour Award for Commercial Architecture, the Robert Dickson Award for Interior Architecture, Jack McConnell Award for Public Architecture, and the Derrick Kendrick Award for Sustainable Architecture.
The jury commended Woods Bagot‘s project, saying that it “operates as a catalyst on multiple levels – a catalyst for the urban regeneration of the precinct; a catalyst and new exemplar for the city; and a catalyst for the state, evidencing step change in attitudes to both design and research.”
Read on after the break to see all the winners
Australia’s new pavilion for the 2015 Venice Art Biennale will be, in the words of featured artist Fiona Hall, “a minefield of madness, badness, and sadness in equal measure.” Designed by firm Denton Corker Marshall, (who also designed the Stonehenge Visitor Centre), the project will replace the 25 year old temporary pavilion designed by Phillip Cox and will be the first building constructed on the Giardini in two decades.
The winners of the Australian Institute of Architects‘ 2014 Northern Territory Awards were announced last night – continuing a strong year for Troppo Architects, who won four awards to add to their Australian Institute of Architects Gold Medal, which they received in March. Troppo took home the Territory’s top award, the Tracy Memorial Award, in addition to the COLORBOND® Award for Steel Architecture, the Enduring Architecture Award, and the award for Residential Alterations & Additions.
Other winners on the night included Mode Design and Dunn & Hillam Architects, who each took home one award and one commendation. Neeson Murcutt Architects also bagged a Small Projects Award just a day after a very successful outing in the New South Wales Awards.
Read on after the break for all the winners
The Australian Institute of Architects announced its 2014 NSW Architecture Awards in a ceremony held in Sydney last night. Among the 42 Awards and 18 Commendations given out, perhaps the biggest winner was Neeson Murcutt Architects, whose Prince Alfred Park + Pool Upgrade won the Sulman Medal for Public Architecture, the Lloyd Rees Award for Urban Architecture, and was a joint winner of the City of Sydney Lord Mayor’s Prize.
In awarding the scheme by Neeson Murcutt Architects, the jury noted that it was “a rare synthesis of art and landscape, urban design and architecture” making the experience ”a delight in every detail.”
See the full list of 69 Awards, Prizes and Commendations after the break