GM Architects Cut Through Beirut’s Multicultural History at 2014 Venice Biennale

A view of the museum from the monolith. Image © GM Architects

Lebanese design firm GM Architects will be presenting its “Museum of Civilization” at the Time Space Existence exhibition of the 2014 Venice Biennale. The firm will be the only group representing Lebanon at this year’s exhibition. Their museum design addresses the Biennale’s theme of fundamentals by exploring the historical basis of architectural culture in the rich and varied context of their home country.

Daniel Libeskind on Italy, Design, & the State of Architecture Today

Rendering of the CHAU 43 residential project in Berlin, whose facade will be clad in Libeskind’s titanium ceramic porcelain tile.. Image Courtesy of Studio

In this interview with Daniel Libeskind, originally featured on Metropolis as Q&A: Daniel Libeskind on Italy, Product Design, and the State of Architecture Today, talks to Libeskind about his perspective on Italian culture, its influence on his career, and his most recent foray into product design.

When you talk to Daniel Libeskind, no single question has a simple answer. From his days as a young musical prodigy (he played the accordion) to his directorship at Cranbrook Academy, not to mention his voracious passion for literature, the fascinating episodes of his life all come together, informing his approach to design and architecture. His career path is an unusual one. And while that is true for many architects, his is particularly interesting, where each twist and turn, no matter how ostensibly disconnected, seem to have always prepared him for his next step. Take his two highest profile jobs, the Jewish Museum in Berlin and the master plan for Ground Zero. The two are intrinsically linked—the museum’s official opening to the public in 2001 was originally scheduled on September 11. The project had taken 13 years of political maneuvering to realize. Similarly, Libeskind’s World Trade Center site master plan was marred by a decade of delays and alterations, which threatened to blot out his original design intentions. One monumental task after the other, eerily similar in challenging circumstances, both offering the architect a rare opportunity to helm projects richly entrenched in emotion, symbolism, and historical significance.

Now as his career moves beyond these two important projects, the architect’s connection to Italy is beginning to play a pivotal role in his work. He moved there after his time at Cranbrook, when he was looking for new career challenges. Libeskind has been back in America since he was commissioned the Ground Zero project, but he recently opened up a studio in Milan, where he, his wife, and son oversee the firm’s forays in product design.

I caught up with Libeskind at his Lower Manhattan office overlooking Ground Zero to talk about Italy and his involvement in upcoming design fairs there, Milan Design Week and the Venice Architecture Biennale.