+ 30

Every two years, starting in 1998, the Saint-Gobain International Gypsum Trophy has awarded the most recent developments for quality craftsmanship in drywall systems and plastering. This year, the 13th edition of the Gypsum Trophy took place in Athens on April 28th, 2023. From the Americas to Asia, from Europe to Africa, 73 projects from 27 countries competed in six categories to win one of the 15 prizes of the competition.

Participating contractors combine their know-how and creativity with Saint-Gobain plaster and dry lining systems to carry out high-performance projects. Whereas some are built on existing historical structures, others create something completely new. Similarly, some projects were completed with the help of over a thousand employees/teammates, while others by just a few.

See this year's winners below, as well as the details of the Awards.

Architect Tadao Ando has been commissioned to design this year’s Costume Institute exhibition highlighting the work of Karl Lagerfeld. The opening of the exhibition titled “Karl Lagerfeld: A Line of Beauty” was marked by the world-renown Met Gala, a fundraising event attended by celebrities and personalities perceived to be culturally relevant in the fashion scene. Perceived as a thematic and conceptual essay on Lagerfeld’s work, rather than a traditional retrospective, the exhibition aims to illustrate the designer’s method of creative expression and its significance in the industry.

+ 10

+ 30

Organized and hosted by the European Cultural Centre (ECC), a non-profit organization committed to promoting culture through international exchanges, the sixth edition of the Time Space Existence exhibition "will draw attention to the emerging expressions of sustainability in its numerous forms, ranging from a focus on the environment and urban landscape to the unfolding conversations on innovation, reuse, community, and inclusion.".

Architects, designers, artists, academics, and photographers, from 52 different countries will come together to explore and contemplate the philosophical concepts of Time, Space, and Existence, through different mediums and from diverse perspectives. Highlighting a total of 217 projects, the exhibition will run from the 20th of May until the 26th of November, 2023, at Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens, in Venice, during the 2023 Venice Architecture Biennale. Throughout the six months of opening, the show will be complemented by a program of talks, conferences, and workshops.

+ 19

The skin absorbs matter, and the world is contemplated, touched, heard, and measured through our bodily existence. Juhani Pallasmaa, a Finnish architect known for propagating sensory architecture, defends the notion that, unlike vision, touch is the sense of proximity, becoming a main axis by covering the entire body. It is a fact that, when speaking of touch, the first image that comes to mind is usually contact with hands. However, there are other ways to feel architecture that can be developed in projects, such as the touch of bare feet on a particular surface.

+ 13

The legacy of the Modernist movement is a complicated one. Spanning a diverse assortment of fiercely debated sub-categories and styles, the Modernist style has established its presence in virtually every continent. Although the movement's origins may be rooted in Europe and the U.S., outside of the Eurocentric canon architects have redefined and re-established the definition of a "Modernist" building. In Sri Lanka, for example, architect Geoffrey Bawa's sensitive, nature-inspired architectural responses gave rise to the "Tropical Modernism" label. Over in the African continent, it is in the East-African country of Tanzania that some highly unique examples of Modernist architecture are found – headed by architects Anthony Almeida and Beda Amuli.

+ 12

This article was originally published on Common Edge.

This year marks the centennial of the first edition of Vers Une Architecture, Le Corbusier’s epoch-making book. Though a new English translation appeared in 2007 to much acclaim, most other practicing architects read the first English edition that appeared in 1928, entitled Towards a New Architecture. Comparing the three editions is instructive, particularly in one crucial respect: the insertion of the word “new” in the title. The book wasn’t really about new architecture, because very little of it showed buildings in the International Style. Instead, it was in many respects a clever diatribe intended to convince Europeans that they had no choice but to renounce every kind of architecture that had been built before the Great War and begin anew. It was remarkably successful in fulfilling that aim.

+ 9

Videos

+ 40

+ 11

+ 18

+ 17

+ 18

Housing is not just the place where we live. It is a reflection of our society, our culture, and our aspirations. It is a space that influences our quality of life, our health, and our well-being. And in a world changing at an unprecedented pace—where technology advances by leaps and bounds, population grows, and resources become scarce—it is crucial to reflect on how we inhabit our homes and how we can make them better.

Throughout the month of April, ArchDaily opened up the debate on the topic of contemporary housing. We extended an invitation to our readers to join the discussion on its current state and future. After reviewing an immense number of comments and opinions from construction professionals, students, and architecture enthusiasts alike, we were surprised to find a strong consensus: above all, contemporary housing speaks as much to adaptability, innovation, and diversity as it does to real estate speculation, a lack of adequate public policies, and economic inequality. Read the main viewpoints in detail below.

+ 18

+ 8

+ 30