“We borrow from nature the space upon which we build.”
It is quite controversial that in general terms 80% of architects are entrepreneurs. This potentially could be the highest share in comparison to other professions. Yet if you think about it, it is still true that architects don’t receive special training in managerial skills & that the market is already is prepared for an evolution. IE School of Architecture & Design is keen in being at the edge of this reinvention. In 2010 IE was ready to launch its unique Master in Architectural Management & Design, a blended format program that combines online & onsite periods taking place in Madrid & London in collaboration with the Royal College of Art. Since then IE has been leading debates with top practitioners worldwide about bridging the gap between management & design.
Great leaders such as OMA, SCB, Aedas, Zaha Hadid, SOM, Foster & Partners are part of the structure of the master program, among others top tier global practices in a module called “The Architect’s Backstage” (brief video below). Each one of these practices excels in coupling their management and design strategies and share with students their experience in the necessary back office work to achieve outstanding design. IE School of Architecture & Design started an unexpected shift in education that has been recognized by the Design Intelligence Report of 2010 where it is ranked as “Hidden Gem of Global Architecture” (among few non-US schools to receive mention).
More after the break.
Your Macbook Air has come at a price. And I’m not talking about the $1,000 bucks you shelled out to buy it.
I’m talking about the cost of lightness. Because the dirty secret of the “Cloud” – that nebulous place where your data goes to live, thus freeing up your technological devices from all that weight – is its very physical counterpart.
Data Centers. Giant, whirring, power-guzzling behemoths of data storage – made of cables, servers, routers, tubes, coolers, and wires. As your devices get thinner, the insatiably hungry cloud, the data centers, get thicker.
So why are you struggling to picture one in your mind? Why do we have no idea what they look like? What they do? Where they are? Because Data Centers have been hidden away and, although carefully planned, intentionally “undesigned.” The goal is to make the architecture so technologically efficient, that the architecture becomes the machinery, and the machinery the architecture. In the words of author Andrew Blum, Data Centers are “anti-monuments” that ”declare their own unimportance.”
But if architecture is the expression of our society’s values and beliefs, then what does this architectural obliteration mean? That we are willfully ignoring the process that creates the data we daily consume. As long as the internet works, who cares where it came from (or at what cost — and there is a considerable cost)?
So can design change our alienated relationship to our data? Should it? And if so, how?
Tonight, Renzo Piano’s Shard will officially celebrate its opening complete with an amazing light show. A dozen lasers and thirty searchlights will beam streams of light across the city, creating a network between 15 other significant landmarks in London, such as the Gherkin, London Eye, Tate Modern, and Tower Bridge. (So, if you are in London, don’t miss the event at 10.15 this evening, and be sure to share some photos with us!)
Capping out at 310 meters, the Shard has become the tallest building in London, as well as the entire European Union. We have been following the history of Renzo Piano’s creation, and although laden with financial troubles, a change in developers, and criticism from Londoners, the project has finally reached completion.
More about the history of the tower after the break.
With less than a week left to register, the HOME design competition, hosted by Building Trust International, seeks to find well designed homes for the elderly or homeless within some of the World’s richest countries. The growing rate in single…
Situ Fabrication… was hired by MA3 Agency to engineer and build six display structures for Audemars Piguet’s Royal Oak 40th Anniversary Exhibition. Designed by Sebastien Leon Agneessens, the structures, entitled ‘Fragments’, house a number of historic Audemars Piguet watches, media
As a main event of the 2012 Daegu Architectural Culture Biennale, the committee just launched the International Architectural Competition for a Public Library in Daegu, Korea. Open to all unregistered or registered architects and students of architecture schools from all…
Hong Kong is often referred to as one of the densest cities in the world, lined with an impressive array of skyscrapers along its shores. The latest supertall addition by architects KPF reaches an altitude of 484 meters above the Victoria Harbor in Kowloon. Located atop the new Kowloon Station, a transportation hub that feeds a network that ferries over 11 million passenger journeys per day, the International Commerce Centre is an integral part and centerpiece of the Union Square reclamation project. Internal programming includes office space, 2 hotels, and an observation deck amongst other mixed-use functions. More details after the break.
The City of Almere has revealed it’s MVRDV-designed proposal for the Floriade 2022 candidature! Almere is one of four Dutch cities competing to be the next location of the prestigious horticultural Expo, which takes place once every ten years in the Netherlands and is currently open in Venlo.
Rather than creating a temporary expo site, MVRDV has designed a lasting Cité Idéale, which would serve as a green extension to Almere’s city center. Drawing upon research from the radical DIY urbanism plan for Almere Oosterwold and the Almere 2030 master plan, MVRDV has designed an ambitious sustainable city that strives to be a 300% greener exhibition than the current standard.
Continue reading for more on this potential, exemplary green city!