When did you first know that you wanted to become an architect and why?
After more than 400 comments, we now have the winners: Dina Moutafi, Andrea Alejandra Esquivel Velázquez, and Beth Sass. Congratulations to the winners, you will be contacted through your emails. Thanks everyone for participating and stay alert… more giveaways to come!
As reported by David W Dunlap for the NYTimes, the safety-restoration applied to Philip Johnson and Richard Foster’s Elmer Holmes Bobst Library on the NYU campus near Washington Square is close to completion. While the library, which was constructed in the early 1970s, remains intact, the tremendous atrium space – a soaring 150 ft void – is proving to be more of a safety hazard than the magnificent architectural experience the architects intended. Since 2003, the library has been marred by claiming the lives of three students who leaped to their deaths (even after the university installed 8ft polycarbonate barriers). Charged with the task of eliminating the possibility for such a future occurrence, Joel Sanders Architect responded with a perforated alumium screen that completely walls off the atrium from the library’s levels.
More after the break.
I spent much of the nineties living in Tokyo, but it wasn’t until I had left that Ryuichi Sakamoto’s(1) music began to inform me about its complex environments.
His album, somewhat ironically (I think) titled BTTB, or, Back to the Basics, came out way back in 1999. Though post-dating my Tokyo Period, it sonically completed my memories of that city. Having leapt through time, it resolved my incomplete Tokyo soundtrack.
BTTB tries to be minimal, but, like the city it came from, struggles with complexity(2). Its opulent density made it seem like the piano had been miked on the inside, my ear forced down to the machinery of strings. The tension between richness and absence I perceived reminded me of trying to find my way in and around all of Tokyo’s jumbled systems.
Architects: José M. Martínez + Inés Escudero + Fernando Nieto
Location: Boecillo, Spain
Architects: José Manuel Martínez Rodríguez, Inés Escudero Conesa, Fernando Nieto Fernández
Photographs: Pedro Iván Ramos Martín
Architectural firm Populous specialises in monumental sporting and entertainment structures and was responsible for the Olympic Stadium at the London 2012 Games. The structure has changed the face of East London and is the focal point of the world’s biggest sporting activity until 13 August. We meet Rod Sheard, the architect behind the build at Populous’ studio to discuss how they approached the project with legacy and sustainability in mind, and why sport is one of the few tools left that still brings people together.
Taking place October 6, Woodbury University in Burbank, CA is hosting the Advancing Sustainability 2012 Business + Design Symposium that focuses on the “cardiovascular system” of a city—its infrastructure. The discussion will investigate how various infrastructures—providers of core operational supply…
Architects: Ishimoto Architectural & Engineering Firm, Inc
Location: Yawata city, Kyoto, Japan
Architect In Charge: Kou Ohashi
Project Team: Tsutomu Kobayashi, Yoshihiko Taniguchi, Kou Ohashi, Hiroyuki Nagaoka, Hiroki Tanaka, Toshihiko Sawamura, Mitsuo Ichikawa
Project Year: 2012
Project Area: 3,069.88 sqm
Photographs: Daici Ano
The Greek pavilion for the 2012 Venice Biennale will focus on the particular dynamics of Athens during a period of economic meltdown by addressing the deterioration of Athenian urban space, plummeting standards of living, and the need to redefine the priorities of architectural design. Architects and creative groups have already begun to shape a new “common ground” within Athens. With the exhibition “Made in Athens”, the Greek pavilion aims highlight these positive forces emerging during this crucial present moment in an effort to foreshadow a better future for the city and its architecture.
Continue after the break to learn more about “Made in Athens”.
By invitation of Director David Chipperfield, MVRDV and The Why Factory will participate in the 2012 Venice Biennale. The main contribution consists of the collaborative project ‘Freeland’ forming part of the single exhibition in the Central Pavilion at the Giardini. Further contribution is made by Winy Maas and The Why Factory with ‘Porous City’ to the EU CITY Program, initiated by the European Forum for Architectural Policies (EFAP) representing Europe for the first time at the Venice Architecture Biennale.
More details on the two exhibitions after the break.
99% Invisible is, by far, our favorite radio show on architecture and design. Although, granted, there aren’t that many. As Roman Mars, the show’s host and producer, admits: ”since these are disciplines usually appreciated through the eye, you might be thinking: well, that’s the stupidest idea I’ve ever heard. Fair enough. It turns out [though], I don’t need pictures to talk about design, [...] I like making stories that tell us about who we are through the lens of the things we build.”
Despite being an auditory medium (and a low-budget project, sponsored by KALW and AIA San Francisco, but produced in Mars’ garage), the show works because it gets to the heart of any design project: its story.
Well, it turns out we’re not the only ones into Mars’ quirky approach (Aside: if you are too, stay tuned, we’ll be interviewing him for our Disruptive Minds series next week). After launching a modest Kickstarter campaign to help offset costs, a goal promptly smashed in 24 hours, Mars upped the ante. But not to a price tag. Rather, he wanted a show of support. 5,000 backers.
The results for this little-show-that-could were nothing short of extraordinary.
Read More about 99% Invisible’s Kickstarter Campaign, including the very cool design prizes that went with it, after the break…
Josep Lluís Mateo is one of Spain’s-and Europe’s-most prolific and visible architects. Mateo has designed corporate headquarters, housing units, office blocks and hotels throughout Western Europe, and has also renovated urban centers in Gerona (Spain) and Castelo Branco (portugal). this volume looks back at nearly 30 years of Mateo’s built structures, as portrayed by the architectural photographer Adrià Goula. As well as buildings from the 80s and 90s, it also looks at his most important projects of the past few years, from the Banc Sabadell Headquarters renovation (2004) and the Factory office building in Boulogne-Billancourt, France (2010) to the PGGM Headquarters in Zeist, Holland (2011) and the Catalonian Film Theater in Barcelona (2011). Interspersed among Goula’s photographs are Mateo’s observations and musings on architecture.
In celebration of the Nordic Pavilion’s fiftieth anniversary, thirty-two architects born after the year 1962 have been invited to present a model of a conceptual “house” that reflects their personal philosophy of architecture at the 2012 Venice Biennale exhibition “Light Houses: On the Nordic Common Ground”. Eleven architects from Finland and Sweden, along with ten architects from Norway will each respond to the sobering economic constraints and diminishing environmental resources that challenge architects today.
Contemporary Nordic architectural culture offers both exemplary approaches and significant constructed works addressing these challenging circumstances. The classic hallmarks of Nordic architecture – simplified form, frugal use of materials and sensitive treatment of daylight and the natural setting – embody the basic principles of responsible, sustainable architecture.
Continue after the break to learn more.