In the context of the ongoing financial crisis, cities and citizens are going through profound and as yet uncharted transformations. Tomorrow in Naples, Italy, UN-Habitat’s World Urban Forum will bring together mayors, international organizations, governments and civil- society organizations to…
Architects: EDU Medellín
Location: Medellín, Colombia
Design Team: Juan Mejia, Gustavo Adolfo Restrepo, John Octavio Ortiz, Alejandra Gomez, Maria Elena Arango, Adolfo Emilio Arboleda, Julian Yepes, Isabel Mejia, Alba Milena Garcia, Diego Alberto Serna, Victor Hugo Garcia, Jerónimo Franco, Jose Puentes, Andres Montoya, Gustavo Ramirez
Project Year: 2011
Photographs: Courtesy of EDU Medellín
We’ve already introduced you to the Danish Pavilion exhibition Possible Greenland, on display at the 2012 Venice Biennale, featuring possibilities that lay in store for Greenland in light of geographic changes caused by the increased rate of ice and snow melt. Henning Larsen Architects has now shared with us their portion of the exhibit, Greenland Migrating, a project developed in collaboration with David Garcia Studio and KITAA Architects. Curating the exhibit are Danish-Greenlandic Professor in geology Minik Rosing and Copenhagen-based NORD Architects.
Join us after the break for a closer look at the project.
In his Op-Ed for The New York Times, called “Architecture and the Lost Art of Drawing,” American architecture legend Michael Graves laments the loss of drawing in our computer-dependent age. While Graves realizes the usefulness of computer technology to present a final product, he maintains that the act of sketching (particularly those first, fleeting “referential sketches”) is vital to the process of design:
“Architecture cannot divorce itself from drawing, no matter how impressive the technology gets. Drawings are not just end products: they are part of the thought process of architectural design. Drawings express the interaction of our minds, eyes and hands. This last statement is absolutely crucial to the difference between those who draw to conceptualize architecture and those who use the computer.”
Do you think the art of drawing is actually lost? Is drawing vital to the work you do? Or has technology become so sophisticated that it has “rendered” sketching unnecessary?
Let us know your thoughts in the comments below.
Story via The New York Times
When Pritzker-Prize Winner Eduardo Souta de Moura faces unemployment in his own home country, you know things must be bad.
Due to the dissolution of its Parliament in 2005, Portugal has been in economic slow-down even before the 2008 global Recession…
The 2012 IIDA Best Interiors of Latin America Competition was created to recognize, honor and celebrate outstanding Interior Design/Architecture projects that represent the highest level of creativity, originality and design excellence in the following countries: Argentina, Aruba, Belize, Bolivia, Brazil,…
The Palace of International Forums is a centrally located venue in the cityscape of Tashkent , Uzbekistan for hosting official state receptions, conferences and concerts. With the request from the client for an atmosphere of festive glamour, pfarré lighting design…
Photographer Patricia Parinejad has shared with us her images from the Japanese Pavilion at the 13th Venice Architecture Biennale. Presenting “Architecture. Possible here? Home-for-all”, the exhibition tells the story of three emerging architects collaborating with the exhibit’s curator, Toyo Ito, to design for the Rikuzentakata residents who lost their homes during the devastating 2011 tsunami. “The humanity of this project” impressed the Biennale jury and was awarded the top honor of the Gold Lion.
Check out our previous coverage on the exhibit for more information and continue after the break for more images.