This project is located in the Gebze/Kocaeli Tübitak MAM (Marmara Research Center) area. The fact that the present operational structure of the company demanded a campus style layout which relies on the coalescence of office space, recreational areas and meeting and service facilities, led us to a more diverse design concept rather than a conventional office building.
Architect: CM Mimarlık
Location: TÜBİTAK MAM / Gebze – Kocaeli, Turkey
Project Team: Cem Sorguç (Lead Architect), Çağrı Küçükay, Barış Kıldiş, Ceylan Elgin, Zeynep Onuktav
Client: IBTECH / Finansbank
Construction Contractor: Tefirom Group
General Contractor: Diem
Statics: İmar İnşaat Yapı Mühendisliği
Electrical: ERK Proje Mühendislik Ltd.Şti.
Mechanics: OMS Tesisat İnşaat Taahhüt Tic. ve San. Ltd. Şti.
Project Year: 2009
Project Area: 8,274 sqm
Photographs: Cemal Emden
We’ve been covering CEBRA + JDS + SeARCH + Louis Paillard’s geometric harbor project for Arhus, Denmark. The huge project, which measures over 21,000 sqm, will include mixed dwellings types and commercial space. CEBRA has shared a few short video clips with us, highlighting the progress of the project. This featured clip is shot from the bridge connecting the future harbor promenade across the nearby canal. The grey concrete wall shown is the beginning of the southern facade (the actual floor is on top of the wall) and behind the wall is where the parking is situated.
Another video, as well as a few construction photos, after the break.
Inspired by the unprecedentedly rapid urbanization process undergoing in China, Beijing-based Chinese architect and artist Li Han of Atelier 11 | China has developed a series of drawings on the subject of urban landscapes. The purpose of the series is to record the phenomena Li found interesting and representative in this urbanization process. With techniques and visual languages borrowed from architectural drawings, Li tries to present the spontaneous interaction between the urban environment and human activities. The drawings are not only objective documentations, but also reflections and scenarios on the future development based on the current facts. More images and architects’ description after the break.
The career of eminent architect and educator Stanley Tigerman is the subject of a retrospective exhibition that opened at the Yale School of Architecture Gallery, in historic Paul Rudolph Hall, on August 22, 2011. Ceci n’est pas une rêverie*: The Architecture of Stanley Tigerman, which remains on view through November 5, 2011. The exhibition celebrates Tigerman’s distinguished career with a diversity of original artworks, models, photographs, and archival documents, among other items. It is curated by Yale School of Architecture Associate Professor Emmanuel Petit. In January 2012, the exhibition will travel to the Graham Foundation’s Madlener House, in Chicago, and then onto the School of Architecture at the University of Illinois Urbana-Champaign. More information on the exhibition after the break.
The Basler Residence, titled Twist by the architects, sits on a corner lot with two faces to the street. Its exterior facades blend well into the surrounding area, but the house is different from its neighbors. The client sought out Randy Brown Architects of Omaha, Nebraska to design a modern family home. The resulting house is a hybrid with attention to context, and a sleek, modern interior.
International architecture firm, Kohn Pedersen Fox Associates (KPF) recently presented a selection of Chairman and Founder A. Eugene Kohn’s watercolours in Hong Kong this fall. The artists’ proceeds from the works sold were donated to the Memorial Sloan-Kettering Cancer Center and Cancer Research at the University of Michigan. The proceeds from a silent auction of several noteworthy pieces during the opening reception on October 3rd will also be donated to the Hong Kong Cancer Fund (HKCF). More images and a brief description of the exhibition after the break.
The NASDAQ equivalent Shenzhen Stock Exchange by OMA, continues to progress forward nearing completion. The latest photographs of the new building, which poses a strong representation of capitalism in China, highlight the robust exoskeletal grid and the and complexity of construction.
“For millennia, the solid building stands on a solid base; it is an image that has survived modernity. Typically, the base anchors a structure and connects it emphatically to the ground. The essence of the stock market is speculation: it is based on capital, not gravity. In the case of Shenzhen’s almost virtual stock market, the role of symbolism exceeds that of the program – it is a building that has to represent the stock market, more than physically accommodate it. It is not a trading arena with offices, but an office with virtual organs that suggest and illustrate the process of the market.”
More construction photographs of the Shenzhen Stock Exchange after the break.
Sid Lee Architecture was asked to create the architectural designs for Bota Bota, spa-sur-l’eau, a modern twist on the traditional urban spa. This ambitious project, led by the Émond family—also owners of Balnea spa, located in Bromont-sur-le-Lac—is now up and running, following a whirlwind two-year adventure. Located at the foot of rue McGill in the Old Port of Montreal, Bota Bota is the new name given to a ferryboat that used to link Sorel and Berthier in the 1950s and that’s been renovated into a floating Scandinavian spa. The boat’s architecture, redesign and visual identity are the fruit of a collaborative effort between Sid Lee Architecture and Sid Lee.
Architect: Sid Lee Architecture
Location: 358 de la Commune West, Quays of the Old Port of Montreal, Canada
Naval engineering: Raymond Daoust
Structural engineering: Anand Swaminadhan enr.
Mechanical engineering: Blondin Fortin
General contractor: Mikado Construction
Graphics and signage: Sid Lee
Project Area: 3150 sqm
Project Year: 2010
Photographs: Stephane Brugger and Sid Lee Architecture
And now a controversial look back… way back.
Physicist Amelia Sparavigna recently identified an artifact in a Turin museum as the world’s first known protractor. Sparavigna argues that the artifact’s ornate decoration, which resembles a compass rose with 16 evenly spaced petals surrounded by a zigzag with 36 corners, was used in combination with a plumb line to measure the slope angle of an object beneath it.
The new centre for youth and culture right next to the station in Ieper aspires primarily to be an informal meeting place for all ages and nationalities, an objective that pays tribute to the city’s tradition as a tolerant city of peace. The recent disappearance of the cattle market has freed up space for a use which will impart a new momentum to the area, both by day and by night. The programme offers a unique synergy between public and private functions: bringing together a cultural centre (CCI), the youth meeting centre (JOC) and the centre for educational projects and activities (ARGOS).
Architectuur: BURO II & ARCHI+I
Location: Ieper, Belgium
Project Management: THV Vanhaerents – Alheembouw
Stability: Establis nv, Roeselare
Technical: Studiebureau Boydens, Loppem
Theater: TTAS, Gent
Safety Coordinator: VeCoBo bvba, Waregem
Photographs: Klaas Verdru