In the introduction to Architecture for Humanity’s 2006 book Design Like You Give a Damn, founder Cameron Sinclair recounts a story from the early days of the organization. Half-joking yet deadly serious, he describes the day when, while still running Architecture for Humanity from a single cell phone around his day job at Gensler, he was contacted by the UN High Commissioner for Refugees who told him that Architecture for Humanity was on a list of organizations that might be able to help a potential refugee crisis in Afghanistan should the US retaliate in the wake of September 11.
“I hope it’s a long list,” says Sinclair. “No,” comes the answer.
“We’d like to think it was because we had already become a voice for humanitarian design – an unexpected touchstone in the movement for socially conscious architecture,” writes Sinclair of the incident. “The sad truth is that until 1999, when our fledgling organization got started along with a handful of others, there was no easily identifiable design resource for shelter after disaster.”
Now, after their sudden and rather unceremonious demise, Architecture for Humanity has left architecture a very different world from the one it entered almost sixteen years ago.
The winners of Metropolis Magazine’s Workplace of the Future 2.0 Design Competition have been announced. This year’s competition challenged participants to redefine the idea of the office, illustrating their interpretation of the evolution of workplaces within the next 15 years.
Although their approaches are different, each of the winning designs, selected from 153 entries, shows innovation in how they develop new office prototypes by employing technological ingenuity, maintaining much of the same construction while providing different experiences to suit the employees’ unique needs. The winning entry (Organic Grid +) and the runner-up (the Hybrid Office) both reflect architecture which is highly receptive to its inhabitants.
Learn more about the winners after the break.
It is expected that by 2050, 70 percent of the world’s population will live in cities. However, as FastCoDesign points out, it is unlikely that cities will look the same as they do today. In a recent article, the company outlined six major design trends in 2015 that are shaping city life, including restaurants starting to double as living rooms, healthcare become a retail product and smarter transportation systems. Find out all six trends, here.
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for December 2014 has revealed little month-on-month change in indexes with the acknowledgement of a growing level of optimism. After falling back slightly in November 2014, the workload index has remained consistent at +29 (from +37 in November). Workload forecast balance figures have remained extremely positive, with practices reporting +50 in Northern Ireland and up to +75 in Scotland. Furthermore, practices of all sizes have been responding with “optimistic” workload prospects heading into the next quarter. The percentage of respondents reporting that they had personally been under-employed fell to 9% from 12%.
The National Council of Architectural Registration Boards (NCARB) has formed an agreement with the Conselho de Arquitetura e Urbanismo do Brasil (CAU/BR) to “exchange information and share best practices” regarding the regulation of architectural licensure and professional standards.
“NCARB is pleased to be in a position to help Brazil strengthen and solidify its regulatory approach governing architects,” said NCARB President Dale McKinney, FAIA, NCARB. “We are also excited to learn from Brazil’s activities, including its effective national system of monitoring various aspects of architectural practice.”
When first commissioned by Miuccia Prada and Patrizio Bertelli to design Fondazione Prada’s new space in Largo Asarco, OMA set out to “expand the repertoire of spatial typologies in which art can be exhibited and shared with the public.” The result, an “unusually diverse environment” staged within a historic 20th-century distillery south of Milan’s city center that goes beyond the traditional white museum box.
MVRDV has been announced as winner of a two-stage, BAI-backed competition for a new “spatially-flexible” tower with a twisting “hourglass figure” near Vienna’s world famous Gasometers. The 110-meter “Turm mit Taille” (Tower with Waist) was shaped to minimize the effect of the building’s shadow cast onto neighboring buildings and an adjacent metro station.
Architects: OBRA Architects
Location: Osa Peninsula, Costa Rica
Architect In Charge: Pablo Castro and Jennifer Lee
Project Architect: Shin Kook Kang
Project Team: Atsushi Koizumi, Patricia Bohrer, Stefan Goossens, David Karlin, Doreen Lam, Edina Nathania, Mia Thomsen
Area: 4000.0 ft2
Photographs: Courtesy of OBRA Architects
Architects’ Journal has released the shortlist of their annual Women in Architecture awards, naming 17 established and emerging practitioners who have raised the profile of women architects “in a sector where women still face an alarming degree of discrimination.” In honor of their selection, the nominees have shared their advice for aspiring female architects.
See who was shortlisted and find out what they believe takes for women to succeed in the profession of architecture, after the break.