Architects: Estudio Cella
Location: San José, Misiones Province, Argentina
Architects In Charge: Daniel Cella, Lucia Cella
Area: 130.0 sqm
Project Year: 2014
Photographs: Ramiro Sosa
In our article for this cliff-hanging project by Modscape published last year, we said that all it really needed was James Bond and an invisible Aston Martin in the garage. Well, the images presented by OPA (Open Platform for Architecture) for their new project offer us James Bond and a (sadly visible) Ferrari. Perhaps it's not quite what we expected, but either way it's a big step forward for the super-villains lair market: Casa Brutale gives us wall-to-wall water and concrete set into cliffs above the Aegean Sea in what OPA promises will be a literally ground-breaking development.
Currently under renovation in order to turn its soaring shell into a hotel, Eero Saarinen's iconic TWA Flight Center has been off limits to the public since 2001. However last week, while a team of digital preservationists were making scans of the swooping curves of the building's interior, photographer Max Touhey was allowed access, camera in hand, to catalog the building's mid-century elegance. The photoset, published in full on Curbed NY, shows the building in a generally good condition considering its decade-long slumber. Read on after the break for a selection of these images.
In 1951, Mies van der Rohe completed a house in Plano, Illinois that was the epitome of his modernist ideals; with a steel structure surrounded entirely by glass walls the building perfectly connected the user with its idyllic natural setting, and it was - and is - venerated as a masterwork. A lesser-known story about the work is how its owner Dr Edith Farnsworth attempted to sue her architect, in a story of bitterness and unrequited love - but even less well-known, argues Nora Wendl, is the story of what really happened. In this excerpt from her essay "Uncompromising Reasons for Going West: A Story of Sex and Real Estate, Reconsidered," published in Thresholds issue 43: "Scandalous," Wendl examines the overblown and dubious assertions made about Farnsworth's intentions, finding that the truth may be much more simple: perhaps the Farnsworth House is just not a pleasant place to live.
“I have decided to speak up.”
Such is the threshold between a private affair and a public scandal: one person speaks. These are also the opening lines to “The Threat to the Next America,” which appears in the April 1953 issue of House Beautiful. Penned by editor Elizabeth Gordon, the article describes an unnamed, but “highly intelligent, now disillusioned, woman who spent more than $70,000 building a 1-room house that is nothing but a glass cage on stilts.” Gordon warns readers of a design movement sweeping the nation:
Something is rotten in the state of design—and it is spoiling some of our best efforts in modern living. After watching it for several years, after meeting it with silence, House Beautiful has decided to speak out and appeal to your common sense, because it is common sense that is mostly under attack. Two ways of life stretch before us. One leads to the richness of variety, to comfort and beauty. The other, the one we want fully to expose to you, retreats to poverty and unlivability. Worst of all, it contains the threat of cultural dictatorship.
Hoping to reverse the fortunes of this small but distinctive area of Chicago, real estate development firm R2 Companies and urban planning group PORT Urbanism have teamed up to devise a plan to renew Goose Island. A man-made island with a long history of manufacturing, Goose Island lacks the revenue stream of many other Chicago regions, but the development team hopes to improve conditions by 2025 by enabling it to develop into a sustainable, high-tech neighborhood connected to Chicago’s urban grid.
When thinking of metro stations, the word quiet generally doesn’t come to mind—with all of the train and pedestrian traffic, not only is noise produced in high quantities, but it is also echoed. With this issue in mind, London-based Variant Studio created their proposal for the competition to design the new Novoperedelkino station in Moscow, Russia. Although not selected as the winning design, Variant was one of five shortlisted teams. Learn more about their silent proposal after the break.
The acclaimed Whitworth Art Gallery in Manchester, northern England, has been named by the Art Fund as the 2015 Museum of the Year. The project has been hailed by the jury as "one of the great museum achievements of recent years," citing its "transformation – architecturally, curatorially, and as a destination" – as a key reason for its success. The building, which has been received well by critics, was comprehensively restored and extended by MUMA (McInnes Usher McKnight) and re-opened to the public earlier this year. Since then it has seen record-breaking visitor numbers, partly due to the appeal of the building and partly due to "the creativity and originality of its outreach programmes during closure."
Join the CTBUH New York City Chapter for a discussion on the VIA 57 West building. Guest speakers Bjarke Ingels (BIG), Aine Brazil (Thornton Tomasetti), and Jeff Crompton (Hunter Roberts) will discuss the architecture, engineering and the construction process behind this unique structure. VIA stands tall at 467 feet and is one of the most architecturally distinctive buildings constructed in New York City. The building provides a dramatic visual gateway to Manhattan’s skyline along the Hudson River. VIA is a hybrid between the European perimeter block and a traditional Manhattan high-rise development. The building’s unique shape combines the advantages of both: the compactness and efficiency of a courtyard building providing density, a sense of intimacy, and expansive views. The form of the building shifts depending on the viewer’s vantage point. While appearing like a pyramid from the West Side Highway, it turns into a dramatic glass spire when seen from West 58th Street.