The simple concrete-hewn structures designed by Tatiana Bilbao acknowledge their context in a way that most buildings don’t. In a recent interview with uncube Magazine, Bilbao explains how her outlook on design shifted after she realized that “the quality of architecture relies heavily on the people who build it and what techniques and materials they are used to.” And it seems this novel approach hasn’t gone unnoticed – she recently showed her work at Berlin’s Architekturgalerie and is on a star-studded shortlist to design the Menil Drawing Institute. Read the full interview here.
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Isay Weinfeld, the multi-award winning Brazilian architect and designer, will be opening his first ever US exhibit at Espasso in conjunction with the launch of a new monograph that takes a closer look at his recent projects.
Isay is behind some of Brazil’s most visionary buildings and this year marks his 40th year practicing architecture. Over the last few years he has designed the award-winning 360° Building, the Fasano Porto Feliz, winner of Interior Design’s award for best resort hotel, numerous retail spaces along the Rua Oscar Freire and stunning residential projects that showcase contemporary art. The A to Z exhibit is being premiered in the US at Espasso and also serves as the launch for the monograph titled Isay Weinfeld.
A portion of Santiago Calatrava’s $4 billion PATH station has opened. According to NY Daily News, the Western Concourse will now relieve New Yorkers from “cramped sidewalks and temporary bridges” crossing West St. with a 600-foot underground passage lined in “bright white marble” that connects the World Trade Center to the neighboring office complex formerly known as the World Financial Center. Once complete in 2015, the controversial transit hub will double as a massive shopping and retail complex, which aims to “transform” the cultural experience of lower Manhattan.
Chinese city-dwellers are waking to find eight stories of construction debris outside of their homes. Over two billion tons of waste, outside Beijing and other major cities, is a result of a booming construction industry. “There’s no systematic way to deal with [the garbage],” says Wilson W.S. Lu, architecture professor at the University of Hong Kong, “The illegal dumping is everywhere.” Recycling efforts have just begun, but local activists believe it will require a radical paradigm shift in the way Chinese residents reclaim material. Read the full New York Times article, “China’s Mountains of Construction Rubble.“
The Buckminster Fuller Institute (BFI) is proud to partner with The Irwin S. Chanin School of Architecture of The Cooper Union and The Cooper Union Institute for Sustainable Design to exhibit DYMAX REDUX, a crowdsourcing design contest to highlight today’s graphic designers, visual artists and citizen cartographers own interpretation of Buckminster Fuller’s Dymaxion Map. Originally published 70 years ago, Fuller’s map was a cartographic breakthrough showing one island in one ocean; an iconic design that has inspired generations since.
The exhibit will feature mounted prints of all 11 finalists from the DYMAX REDUX contest, whose submissions offer a variety of beautifully original, informative and radical projections onto the Dymaxion world map. By using map as canvas these finalists explore a range of topics including deforestation, climate and atmospheric conditions, historic events, migration routes, water use, gun violence, urbanization, time zones and even lunar topography. Also exhibited will be a selection of Fuller’s own maps to provide background and context for the project.
More information can be found here.
Title: Dymax Redux: Crowd.Sourcing a New Map for the Buckminster Fuller Institute
Organizers: The Cooper Union
From: Tue, 22 Oct 2013
Until: Wed, 27 Nov 2013
Venue: The Cooper Union
Address: 7 East 7th Street, New York, NY 10003, USA
The latest Future Trends Survey, published by the Royal Institute of British Architects (RIBA), indicates both stability and optimism. The Future Trends Workload Index increased to +26, a rise of four balance points from August 2013, “building upon the steadily increasing positive trend” seen since the start of this year. The survey also shows evidence that “the growing optimism about an upturn in overall workloads is now widespread” throughout the UK.
After sitting derelict for years, the Kate Wollman Memorial Rink in Brooklyn’s Prospect Park is poised for something of a rebirth. Tod Williams and Billie Tsien’s plans for a sports complex, known as Lakeside, is expected to restore the rink’s role as the park’s chief attraction. Michael Kimmelman recently stopped by the site to explore the project as it nears completion – click here to read his thoughts on what he calls one of the last “parting gifts of the Bloomberg era to the city.”
In light of the strong responses to their Lodge on the Lake competition, organized in collaboration with the University of Canberra and won by Henry Stephens, Nick Roberts and Jack Davies in May, the Gallery of Australian Design is hosting an exhibition of the submissions to the competition, including models of the entries created specially created for the exhibition.
The Royal Institute of British Architects (RIBA) has announced the winners of the President’s Awards for Research 2013. The awards recognize high-quality research and encourage its distribution and incorporation into the wider profession to foster innovation and strategic thinking. From an urban healing agenda for reform in Bahrain to a book that explores the incredible potential of concrete, the 2013 winners of the President’s Awards for Research are:
RIBA President’s Award for Outstanding Master’s Degree Thesis
The BMW Guggenheim Lab, a mobile think-tank focused on the study of urban life, has returned to New York City for its homecoming exhibition currently on view at the Guggenheim Museum till January 5, 2014. After two years of research and touring Berlin and Mumbai, the lab aims to present major urban themes in art, architecture, education, science, sustainability and technology.”100 Urban Trends: A Glossary of Ideas” is a compilation of definitions of the most pressing issues in urban centers today, contextualized to reflect how different cities interpret them. Architects, planners and students take note: From street facades to bailouts, gentrification to trash mapping, this resource archives years of discussion into one user-friendly interface. Explore the glossary, here.
On October 23, 2013, Tel Aviv’s Ermanno Tedeschi Gallery will open its newest show, “Never Say the Eye Is Rigid: Architectural Drawings of Daniel Libeskind”. The exhibition, in collaboration with the Ermanno Tedeschi Gallery (Milan, Turin, Rome ,Tel Aviv), which brings together 52 original drawings will include depictions of the architect’s signature work, the Jewish Museum Berlin (2001), and his 2003 master plan for Ground Zero in New York City.
The exhibition arrives in Tel Aviv after opening at the Ermanno Tedeschi Gallery in Rome and in Turin. From Tel Aviv the show will travel to the Ermanno Tedeschi Gallery in Milan then travel to London and to New York City (location and dates to be announced). The exhibition in Tel Aviv will show some sketches exposed in Italy and other new projects.
The sketches reflect a wide range of styles and techniques and range from almost-classical line drawings to highly expressive watercolors and free-flowing ink sketches. All of the works reflect a connection between the philosophical ideas underlying the project depicted and that project’s unique aesthetics – its particular color, mood, posture and tension. From the extremely large scroll depicting the Ground Zero master plan to the intimate sketches of the Jewish Museum Berlin, the drawings offer a rare and intriguing glimpse into Mr. Libeskind’s approach to some of his most famous projects. For more information click here.
Title: Exhibition: Daniel Libeskind’s Architectural Drawings
Organizers: Ermanno Tedeschi Gallery Tel Aviv
From: Wed, 23 Oct 2013
Until: Mon, 23 Dec 2013
Venue: Ermanno Tedeschi Gallery, Tel Aviv
Address: Lilienblum 3, Tel Aviv, Israel
The theme of this year’s Archifest, located on the tiny nation-island of Singapore, was aptly named indeed: “Small is Beautiful.” Organized by the Singapore Institute of Architects, the annual architecture festival includes a host of activities, ranging from architecture tours to urban picnics, and featured a curated selection of several leading local architects.
For architects, it’s a dream come true: the studio building at the Bauhaus is now open to visitors (and pilgrims) looking to spend a night in the famous building. This new development will undoubtedly solidify the school’s place on the modern “Grand Tour” list, but is also meant to foster a creative and lively atmosphere that hasn’t been seen there for almost a century. Learn more here.
On November 8, Philips and Parsons The New School for Design will bring together architects, lighting designers and researchers for a symposium on the dualistic relationship between natural light and the latest electric lighting technologies, and the influence these systems have on human well being. The event is part of Luminous Talks, a programming series now in its second year, which was developed by Philips and Parsons to inspire dialogue around relevant topics in the field. This year’s theme, Nature and Man-Made, builds on last year’s focus on human health and well being to consider the human presence amidst these forces and their psychological and physiological impact.
The event is free and open to the public, although advance registration is recommended. To learn more about the event, and upcoming webinars on the latest research in the field, please visit the Philips Lighting University website.
Title: Luminous Talks: Nature and Man-Made
Organizers: Parsons The New School for Design, Philips
From: Fri, 08 Nov 2013 12:00
Until: Fri, 08 Nov 2013 18:30
Venue: Sheila C. Johnson Design Center
Address: 66 5th Avenue, New York, NY 10011, USA
After being relegated to storage facilities for much of its lifetime, proposals to relocate the Aluminaire House seem to be picking up steam. The project, which was the first all-metal house in the United States, originally stood as a symbol for architectural modernism in a rapidly urbanizing New York.