Summer DLAB experiments with the integration of algorithmic / generative design methodologies and large scale digital fabrication tools. Continuing its color based agenda, Summer DLAB immerses in ‘white’ for its 2014 cycle, as a starting point to investigate natural formation processes and interpret them as innovative architectonic spaces. ‘White’ becomes the means of looking into extreme natural conditions which it is associated with. Concepts of emergence, differentiation, and complexity shape the theoretical framework of this investigation. Natural structures of differing scales are observed, which are then abstracted and interpreted into elaborated design proposals. The computational process of Summer DLAB is based on generative design algorithms, as can be seen in natural growth patterns such as the Lindenmayer system and fractal theory. These concepts are carefully interwoven with interaction and participatory design in order to create full-scale working prototypes.
One of the major objectives of Summer DLAB is to demonstrate the continuity of the workflow between computational software and digital assembly procedures leading to physical fabrication. In this respect, the programme is formulated as a two-phase process. During the initial phase participants benefit from the unique atmosphere and facilities of AA’s London home. The second phase shifts to AA Hooke Park campus and revolves around the fabrication and assembly of a full-scale architectural intervention which unifies the design goals of Summer DLAB.
To mark the 30th anniversary of Prince Charles‘ famous “Carbuncle Speech”, last week the RIBA held a discussion focusing on the speech’s impact on British architecture. The speech in which the prince protested the design of a proposed extension to the National Gallery has been seen by some as expanding the debate around architectural quality, but the panelists on the night disagreed with this view: Owen Hatherley said “The idea he broadened the debate is curious. He shut it down.” Similarly, Charlie Luxton commented “He turned the debate from one of quality to one of style – and architecture suffered.” You can read more of the panelists’ views on BD Online.
AA Greece Visiting School is a mobile workshop series which travels and reaches cities outside the country’s capital. It functions as a ‘satellite’ of education that promotes the Architectural Association’s exclusive, intensive form of teaching and learning around the country. AA Greece VS aims on visiting a different city each year and construct a single large-scale model which will act as an active nod of communication among the various locations. In 2014, the School will initiate its design agenda with an architectural approach that is focused on the aspect of connection. The city of Patras which is the starting node of AA Greece VS was chosen by the European Commission to be the European Capital of Culture for the year 2006. The concept of the event revolved around the main theme of “Bridges” and “Dialogues”, drawing benefit from the city’s rich history and its position as a “Gate to the West”, to underline the essence of the productive interaction of culture and civilizations in Europe. The AA Greece Visiting School will investigate how well existing buildings with various sightlines and variant spatial grammars perform according to human perception. In sync with the flexible and adaptive concept of parasitical structures, the research focuses on the making of transformable large-scale creations that accentuate prominent architectural features of existing buildings. The research looks at how cultural factors, personal preferences, experiences, and expectations can lead to the transformation of architectural parasitical structures.
During this year’s Architecture Biennale in Venice, homes rented through AIRBnB (although not the company itself) will host an independently curated pavilion. AIRBnB is a six-year old platform through which home owners can rent out rooms, apartments, and entire houses, allowing “the fortress of the family and the individual” to be infiltrated. The pavilion will take advantage of this “infiltration” and how it reveals “the house, the home and today’s life.” To learn more, follow @airbnbpavilion on instagram and twitter.
The Dedalo Minosse International Prize for commissioning a building, which takes place in Vicenza, the city of Palladio, is promoted by ALA-Assoarchitetti, the association for professional architects, in collaboration with the Regione del Veneto.
The Prize comes from the idea that the framework for creating good architecture works is not only determined by the quality of the Architect’s project but also by the positive and stimulating role played by the client.
The enrollment is free and anyone involved in the building processing (private or public client, architects, building firms, companies supplying materials, etc.) is entitled to enter the competition. The works must have been completed between the 1st of January 2009 and the 31st of December 2013.
You have until June 10 to enroll. For more information regarding the Prize or how to submit, please click here.
A report uncovered by the Architects’ Journal has revealed that an experimental housing project by Rogers Stirk Harbour + Partners has developed major problems just seven years after construction. The low cost factory-built Oxley Woods scheme won the RIBA Manser Medal for housing in 2008 but a report commissioned by the scheme’s developer has shown faults in the detailing are causing some parts of the construction to rot. Rogers Stirk Harbour + Partners have distanced themselves from the defects insisting that it was “Taylor Wimpey and Wood Newton responsible for the final detailed design”. You can find out more about the controversy at the Architects’ Journal and the Financial Times.
The largest private project New York City has seen in over 100 years may also be the smartest. In a recent article on Engadget, Joseph Volpe explores the resilience of high-tech ideas such as clean energy and power during Sandy-style storms. With construction on the platform started, the Culture Shed awaiting approval, and Thomas Heatherwick designing a 75-Million dollar art piece and park – the private project is making incredible headway. But with the technology rapidly evolving, how do investors know the technology won’t become obsolete before its even built?
An abandoned twenty-two mile stretch of derelict railroad and industrial sites used to be a thorn in the Atlanta community’s side. But with one student’s thesis proposal to redevelop these areas into a sustainable network connecting 45 mixed-use neighborhoods, public concern has since turned into excitement. To learn more about the ambitious project, head over to The Atlantic Cities here.
Project Baltia magazine and Yarky Hostel & Space have just announced the Open International Competition for the Design of Summer Residential Unit. Five winning projects will be implemented on the territory of the Hostel by August 2, 2014. The units should enable temporary accommodation for one or two persons. Functions of these units are similar to those of a hotel room.
Architects and designers from Russia and abroad are invited to take part in the Competition. Project teams must not consist of more than 4 participants under the age of 35 years (inclusive).
You have until June 10 to submit your proposal. More information can be found on the competition’s official website.
Over the last decade, the amount of bicycle commuters have increased 60 percent in the U.S. As the U.S. Census Bureau reports, this is the largest percentage increase of all commuting modes tracked by the 2000 Census and the 2008-2012 American Community Survey. Along with the study, the Bureau released a new interactive map that allows you to zoom-in and explore the commuting statistics for every neighborhood in the U.S. Find out how to access this map and read some highlights from the report, after the break…
The Design Trust for Public Space announces The Energetic City: Connectivity in the Public Realm, a new request for project proposals to redefine public space.
The Energetic City is an initiative to seed and develop new forms of connectivity among the diverse people, systems, and built, natural and digital environment of New York City. This public call invites proposals for research, design and planning projects to improve the experience of urban life by connecting people through ‘great’ design informed by the needs and aspirations of community users.
This year the Design Trust places a special emphasis of opening the project call to individuals, in addition to community groups and public agencies. We will offer seed funding so the projects can begin immediately. Projects may include the production of a clearly defined deliverable—a design prototype, pilot intervention, beta app, publication, video, or public artwork, among other possible formats—or be structured as the research, planning, or public outreach stage of a potentially larger project, where the process will inform the ultimate deliverable.
The kick-off event will take place on Monday May 19, from 7-9 pm, at BRIC House, 647 Fulton Street in Brooklyn. For more information, please click here.
Since it was enacted by Congress, the Height of Buildings Act of 1910 has restricted how tall buildings can be designed in the District of Columbia.
TALL DC: New Monumentalism features student work from the Catholic University of America’s School of Architecture and Planning (CUA) that provocatively explores what Washington could look like in the absence of this law.
Working within CUA’s Emerging Technologies and Media graduate concentration, students analyzed two of Washington’s most recognizable structures, the U.S. Capitol and the Washington Monument, and questioned the definition of “monument” in the contemporary context of global commercial markets, residential migration, and iconic skylines.
Three distinct proposals for a mixed-use ‘skyscraper’ were created for the Department of Commerce site located near the National Mall. Using radically different design strategies, each concept offers a creative and controversial idea for building a TALL DC.
More information can be found here.
Title: Exhibition: TALL DC / New Monumentalism
Organizers: Catholic University of America School of Architecture and Planning
From: Thu, 22 May 2014
Until: Tue, 10 Jun 2014
Venue: District Architecture Center
Address: 421 7th Street Northwest, Washington, DC 20004, USA
Norman Foster has been selected alongside artist Hiroshi Sugimoto to receive the inaugural Isamu Noguchi Award. Presented by Motohide Yoshikawa, the ambassador of Japan to the United Nations, the award recognizes “individuals that share Japanese-American artist Isamu Noguchi’s commitment to innovation, global consciousness and Japanese/American exchange.” Watch an ArchDaily interview with Foster, after the break…
You probably use the word ‘city’ on a daily basis, but if put on the spot – could you give it a concise definition? Under the rule of Henry VIII, the title of city was given to virtually any settlement in the United Kingdom with a diocesan cathedral. Obviously, times have changed. For Robert Bevan’s thoughts on the title’s past and present meaning, read his article on The Guardian here.
Competing Utopias: An Experimental Installation of Cold War Modern Design from East and West in One Context
This installation is a ‘mash-up’ in the most provocative sense of that word. Its force comes from the collision of two design cultures that have been kept apart but have been visually connected in ways yet unexamined. What’s proposed is an experimental installation that presents Cold War modern design from East and West in one context.
Competing Utopias is organized by two Los Angeles institutions: the Neutra VDL Studio and Residences and the Wende Museum and Archive of the Cold War, each a different type of museum. The Neutra House is an iconic Los Angeles mid-century modern house museum, designed by Austrian born American architect Richard Neutra. The Wende Museum is the largest archive of Cold War artifacts in the world. Both ‘institutions’ originated in German speaking Europe, both subsequently landed in Los Angeles. Their collections embody two forks of a Cold War history.
Title: Competing Utopias: An Experimental Installation of Cold War Modern Design from East and West in One Context
From: Fri, 11 Jul 2014
Until: Sun, 14 Sep 2014
Venue: Neutra VDL Research House
Address: 2300 Silver Lake Boulevard, Los Angeles, CA 90039, USA
The City of Sydney has requested that 1.6 million square meters of empty commercial and residential space be made available to artists for “creative activities.” The proposed cultural policy offers over 120 ideas in which the space can be used to enhance Sydney’s reputation as a world renowned creative city. “The City is proud to spend more than $34 million each year to support the arts, culture and creative activity in Sydney – but we know it is equally important to create an environment where ideas and imagination can flourish.” More information on the new policy can be found here.
Joe Paxton of the Bartlett School of Architecture, University College London, was awarded the 2014 RIBA Norman Foster Travelling Scholarship for his proposal “Buffer Landscapes 2060.” The £6,000 travel grant will enable him to study the impact of climate change in a number of locations, ultimately to propose some measures that might mitigate the threat of floods, droughts, melting glaciers and rising temperatures. A comment from Foster, after the break…
HR Giger, the Swiss artist and designer who inspired and helped craft the visuals for the Ridley Scott film Alien, has died at the age of 74, The Guardian reports. Although he studied architecture and industrial design in Zurich, Giger never entered the profession, but used his spatial know-how to help design dark interiors in both the real and cinematic worlds.
Giger was even hired by Alexandar Jodorowsky in 1975 to design the world for an (unrealized) adaptation of the novel Dune. In Giger’s words: ”My planet was ruled by evil, a place where black magic was practiced, aggressions were let loose, and intemperance and perversion were the order of the day. Just the place for me, in fact.” More about Giger’s life and work at The Guardian.