Rethinking the Urban Landscape, a (free!) exhibition curated by The Building Centre and Landscape Institute, presents a case for a landscape-first approach to city design and regeneration. The show, which is on view at The Building Centre in London until end of February and then tours, focuses on six problematic areas – from environmental issues to financial planning – and shows international projects that, due to the early procurement of landscape architects, deliver unique solutions.
BLUEPRINT is the latest exhibition on display at the Storefront for Art and Architecture in New York. Curated by Sebastiaan Bremer, Florian Idenburg and Jing Liu, the exhibition features 50 blueprints from participating artists and architects, ranging from as far back as 1961 to 2013.
Berlin’s Aedes Architecture Forum will mark the beginning of its 35th Anniversary Program by continuing its focus on Asia and China. With the architect Zhang KeofZAO/standardarchitecture from Beijing, Aedes presents one of the most promising protagonists of a young group of Chinese architects and urban planners with the exhibition 营造 Contemplating Basics. This follows on from the 2001 exhibition TU-MU, in which Aedes presented for the first time, and with global success, the first generation of independent architects in China. At that time, the architects and artists introduced in the exhibition – Yung Ho Chang, Liu Jiarkun, Ai Wei Wei, Wang Shu, Lu Wenyu – were fully unknown in the West, while some have since gone on to become Pritzker Prize winners or internationally renowned artists.
Drawing inspiration from Steven Holl and William Stout’s brainchild Pamphlet Architecture, a new collaborative project, Treatise: Why Write Alone?, unifies fourteen design firms to examine the architectural treatise as a method of exploring theoretical questions and sparking discussion. The project was developed by designer Jimenez Lai of Bureau Spectacular in response to receiving a grant from the Graham Foundation. His unconventional ideas on the architectural process made him wonder, “Why write? And, why write alone?” The resultant collection of publications delves into these questions, both collectively and individually, with a collaborative piece as well as submissions from each firm.
Through January 31, The Building Centre is hosting Upright and Educated, a photographic exhibition documenting the work of UK charitable organization Article 25 in Burkina Faso. Captured by award-winning photographer Grant Smith, the images chart the construction and use of a school in Gourcy, in the country’s north.
Founded in 2006, Article 25 worked with local builders, craftspeople, and fellow UK charity Giving Africa to construct Bethel Secondary School, allowing up to 1100 children access to enhanced education and vocational training facilities. Learn more about the project and view selected images from the exhibition after the break.
In the wake of her selection as the recipient of the Julius Shulman Institute Excellence in Photography Award for 2015, Hélène Binet‘s work will be exhibited at the Woodbury University Hollywood (WUHO) Gallery in Los Angeles, California. The exhibition, entitled Hélène Binet: Fragments of Light, will be open from February 28, 2015 to March 29, 2015, showcasing the highlights of the artist’s career as a renowned architectural photographer. The exhibition will be initiated with an opening reception and award ceremony on February 28, 2015 to honor Binet for her achievements.
Starting January 29th, Munich‘s Haus der Kunst will host “Form, Heft, Material,” a major retrospective of the work of British architect David Adjaye. Co-curated by Okwui Enwezor and Zoe Ryan, the exhibition’s broad catalogue reflects Adjaye’s diverse career and portfolio, including architectural projects alongside material experiments, research, and furniture design. Through sketches, models, prints, drawings, 1:1 building fragments, film, and text, “Form, Heft, Material” foregrounds Adjaye’s work against the rich geographical and social context that frames his design approach.
“The exhibition shows my work within the framework of a wider cultural and socio-political trajectory,” Adjaye said. “It marks an important moment in my career, as I increasingly seek to find ever new architectural scenarios for our fast-changing world, that nonetheless resonate with the powerful narratives of history, climate, culture and place.” “Form, Heft, Material” will be on display until May 31.
Title: David Adjaye: Form Heft Material
Organizers: Haus der Kunst
From: Thu, 29 Jan 2015 10:00
Until: Sun, 31 May 2015 20:00
Venue: Haus der Kunst
Address: Haus der Kunst, Prinzregentenstraße 1, 80538 München, Germany
Now on view until January 18 at the A+D Architecture and Design Museum in Los Angeles, Zoom is an installation by the interdisciplinary collaborative NO RELATION, led by architect Steven Christensen and artist Mads Christensen. The project reflects upon the topic of scale, and the exuberant surface qualities one often observes in ordinary objects when magnified. The installation acts as a space multiplier, using form and light to produce an immersive and disorienting spatial experience at a scale seemingly larger than the project’s diminutive footprint.
Modern times have seen the rise and proliferation of architectural media, allowing people to remotely experience spaces and buildings without ever physically entering them. As such, the importance of the architectural image has never been greater.
Opening on January 15 at London’s Sto Werkstatt and organized in conjunction with Arcaid Images, Building Images celebrates the “power and impact of photography on the way we sense and experience spaces.” Described by Arcaid Images co-founder Lynne Bryant as having “long been the means of communicating architecture,” photography is a medium that has grown inseparable from the notion and creation of the architectural image. Learn more and view selected images from the exhibition, after the break.
Arquine’s second annual International Architecture and Latin American City festival, MEXTRÓPOLI, will take place from March 6-10, 2015 in Mexico City. To encourage citizen participation, the festival will be broken down into six parts: listening, dialogue, observation, taking action, participation and celebration.
MEXTRÓPOLI aims to convert Mexico City into a pioneering city, making it an architectural reference for the continent. The festival also serves as an important cultural project for the city, encouraging urban regeneration and promoting Mexico city’s artistic heritage.
The Society of Architectural Historians (SAH) will hold its 68th Annual International Conference in Chicago, Illinois, from April 15–19, 2015, with the theme “Chicago at the Global Crossroads.” SAH will celebrate its 75th anniversary during the conference, which includes lectures by Jeanne Gang and Blair Kamin, as well as roundtables and 36 paper sessions covering topics in architecture, art and architectural history, preservation, landscape architecture, and the built environment. SAH is committed to engaging both conference attendees and local participants with public programming that includes over 30 architectural tours, a plenary talk, and a half-day seminar addressing Chicago’s waterways and neighborhoods. Register at sah.org/2015.
Over the past seven years, Indian Architect & Builder Magazine’s (IA&B) 361° Conference has evolved into the singular most relevant platform for discussion and discourse on architecture and design in India. Since its inception, the conference has captured the progressive nature of design, creating a forum for emerging and influential practices in India. As an eclectic, thought-provoking and egalitarian platform, 361° in its eighth edition will continue to celebrate the power of thoughts and ideas and initiate a truly relevant dialogue on architecture and design.
When fears regarding environmental pollution and potential catastrophe were at a high in the 1970s, Haus-Rucker-Co set out to develop a “new concept of architecture.” Based in Vienna, the group was known for their interactive exhibitions and their development of utopian architectural ideas, which showed how people could affect their own environment. Now, their work between 1967 and 1977 is the theme of “Architectural Utopia Reloaded,” the latest exhibition on display at the Haus am Waldsee in Berlin.
Although his name may not appear in most architectural history books, Sir Kenneth Hugo Adam has influenced architecture for over fifty years. Better known as Ken Adam, he has been responsible for the production design of over 70 films in his career, most notably for his work on the James Bond franchise. The architect of Fort Knox in Goldfinger, the Zero Gravity Satellite in Moonraker, and Super-Tanker Liparus in The Spy Who Loved Me, Adam has shaped architectural design in film since the 1940s.
Adam is the recipient of two British Film Academy Awards, including one for Dr. Strangelove, and in 2003 became the first film production designer to receive a knighthood. He has been at the helm of some of the world’s most well-known and influential films – from Chitty Chitty Bang Bang to Crimes of the Heart – and his drawings are now on display for the first time. In 2012, Sir Adam donated his entire body of work to the Deutsche Kinemathek in his home city of Berlin, where the first retrospective of his work is now on display, entitled ‘Bigger Than Life: Ken Adam’s Film Design.’
Find out more about Adam’s vast body of work after the break
On the surface, Mies van der Rohe‘s minimalist linear designs have little in common with the kitsch of vernacular architecture in the German countryside. Enter Joachim Brohm, who rose to prominence in the 1980s as one of the first European architecture photographers to work in colour, and now in a current exhibition draws an unexpected parallel between van der Rohe’s designs for the unrealized Krefeld Golf Club in Germany and the rudimentary constructions of vernacular post-war architecture.
In “Vernacular & Modern,” the latest exhibition at London‘s Grimaldi Gavin gallery, two of Brohm’s photo series are juxtaposed to create a new narrative on architectural context. In Typology 1979, Brohm documents a series of vernacular houses in Ruhr, Germany; while in Mies Model Study, Brohm enters the temporary installation of van der Rohe’s unbuilt golf club through a life-size model. Together, the two series contrast the highly aestheticized minimalist world of Mies van der Rohe with highly functional buildings of necessity in the German countryside.
Find the connection between vernacular and van der Rohe after the break
BIG Returns to the National Building Museum with “HOT TO COLD: an odyssey of architectural adaptation”
On the heels of its summer blockbuster indoor maze, which attracted more than 50,000 visitors, the international design firm BIG-Bjarke Ingels Group (BIG) returns to the National Building Museum this January with a behind-the-scenes look at its creative process. The exhibition, HOT TO COLD: an odyssey of architectural adaptation, takes visitors from the hottest to the coldest parts of our planet and explores how BIG´s design solutions are shaped by their cultural and climatic contexts. More than 60 three-dimensional models will be suspended at the second-floor balconies of the Museum’s historic Great Hall in an unprecedented use of this public space.
HOT TO COLD premieres 20 of the studio’s latest projects, interpreted through Iwan Baan‘s masterful photography of BIG’s built work, films by Ila Bêka and Louise Lemoine, and the Grammy Award-winning graphic artist Stefan Sagmeister’s design for the accompanying catalog by Taschen. HOT TO COLD opens on January 24, 2015 and remains on view through August 30, 2015.
On December 14, ArchDaily founders David Assael and David Basulto will speaking at the day-long Tsinghua Thinking Architecture Forum in Beijing on the subject of architectural media. The event, Dissemination and Intervention: The Contemporary Role of Architectural Media, will bring together 15 of architecture’s most influential editors from around the world to join in on the conversation. The forum is being organized by the World Architecture Magazine and School of Architecture, Tsinghua University. You can review the day’s complete itinerary and full list of speakers, after the break.
Curated by the Charles Correa Foundation, the Z Axis is an annual conference bringing together pioneers, thought leaders, influencers, professionals, and students in the fields of architecture and urban design to create an intellectual community focused on issues related to the context of India and the developing world. Fifteen speakers will gather from across the globe to explore the theme of Great City…Terrible Place, including Charles Correa, David Adjaye, Alfredo Brillembourg of Urban Think Tank, Spain’s “guerrilla architect” Santiago Cirugeda, Simone Sfriso of Studio TAM Associati and more.