Atelier Thomas Pucher has won first prize in an invited competition to realize a cluster of “Urban Terraces” in Vienna. Described as a product of the “modern patchwork city,” the project is designed to connect its residents to the surrounding districts and open space through the “countless sight lines” preserved by the circular nature of the mid-rise buildings. This is intended to achieve a sense of “urban porosity” within a stacked residential landscape.
“Architecture and health are inseparable,” says Haitian doctor and founder of Gheskio in Michael Kimmelman’s latest New York Times piece In Haiti, Battling Disease With Open-Air Clinics. Recounting the devastating images of medical dysfunction that have circulated the internet since the Ebola epidemic, Kimmelman presents MASS Design Group’s nearly complete Port-au-Prince health clinics as a potential model for healthcare architecture worldwide. Combating cholera and tuberculosis with a modest, practical layout and open-air design, the new clinics will serve one of the city’s largest slums. Learn why Kimmelman declares them “handsome” and believes they will help eradicate disease in Haiti, here.
The Liget Budapest Architecture Competition has recently announced the winners for Budapest’s new Hungarian House of Music museum design. Coming in second place is architecture firm ARCVS Projektni biro. Their proposal takes the form of an 8-pointed star-shaped dome, held up by a veritable forest of columns. This uncommon shape provides numerous places, both indoors and out, for education, leisure, and exhibition, establishing itself as a prominent destination for the people of Budapest. Learn more, after the break.
Last weekend, the Architectural Review published an article by the Prince of Wales in which he outlined his stance on architecture, reiterating his belief that a return to traditional design principles is necessary to enable sustainable urban growth that meets human needs. In the 2,000 word essay, Prince Charles argues that “we face the terrifying prospect by 2050 of another three billion people on this planet needing to be housed,” adding that rather than ”wanting to turn the clock back to some Golden Age” as he is often accused, he is focused on the needs of the future. At the conclusion of his article, he outlines ten principles for architecture which meet the requirements of his vision.
As is often the case with Prince Charles’ pronouncements on architecture, the article has prompted a strong reaction from members of the profession, with responses ranging from Robert Sakula saying “if more people cared as much as he does we would have a better architectural culture,” to the response of Birmingham City University’s Alister Scott, who said ”there is clear evidence of elitism and his lack of empathy with the problems facing his peasantry.”
Read on after the break for more on the Prince’s article and the reaction from architects
Created for AA DLAB 2014 - the annual summer workshop undertaken by the Architectural Association at their Hooke Park facility – the 4.4 metre wide “CALLIPOD” pavilion blends perfectly into the wooded surroundings, appearing as though the roots of nearby trees have sprung from the ground to create a dome in the depths of the Dorset woodland. However, despite its natural outward appearance, the process of creating CALLIPOD was highly technical, combining a detailed algorithmic exploration of form and structure with both digital and traditional methods of fabrication.
On the occasion of Ideas City 2015, the biennial Festival created to explore the future city and to effect change, Storefront for Art and Architecture, along with the New Museum and the New York City Department of Transportation, is launching a competition for the design and construction of an outdoor structure—a work of “Street Architecture” that facilitates new forms of collective gathering and engagement with the city.
ABSTRAKT Studio Architecture has won a nation-wide competition to design Canada’s national memorial to the victims of communism in Ottawa. Select from six finalists, ABSTRAKT’s provocative design superimposes 100 million singular pixel-like memory squares, each representing the fingertip of the lives lost, on a folded triangular concrete plane.
“As the most prolific communist murderer Joseph Stalin famously said: ‘One death is a tragedy; one million is a statistic’… This ‘statistic’ takes main stage in our design by realizing its sheer enormity, thus raising awareness that every human life is unique and precious,” stated ABSTRAKT.
For another year, in 2014 ArchDaily has featured hundreds of houses from designers around the globe, with homes that appear to float above ground, sink below grade, snake through forests, jut over cliffs, and blur the line between building and environment. This year, we’ve seen some of the most intuitive, outlandish, and creative designs cropping up around the world, from São Paulo to Ho Chi Minh City to Stockholm, and to celebrate the end of the year we’ve rounded up our 50 best projects from 2014, representing an incredible range of living environments from the world’s most innovative architects.
Enjoy the sandy surrounds of House in Miyake or the minimalist paradise of Love House; or escape for a getaway to Weekend House in Downtown São Paulo. Find out which houses stray from the norm, reviving the wooden cottage and redefining the stone cabin with a touch of linearity and serious panoramic views. Step inside wondrous spaces that soar skyward or connect with the earth, speak to the divine or convene with the spiritual – and yet all share the unmistakable feeling of ‘home.’
Find out which houses make our list after the break
A few days ago, the winning design for the new Liget Budapest Museum of Ethnography was revealed. BFarchitecture, awarded second place, has just released their design proposal, which weaves the city and park of Városliget together by flowing the public along the Dózsa György út through the procession of the building.
Now, after 130 private screenings in 26 countries, you can watch the official world premiere of Archiculture here on ArchDaily. The 25-minute documentary captures a rare glimpse into studio-based design education, trailing five architecture students throughout their final thesis semester at Brooklyn’s Pratt Institute.
Directed and produced by architect-turned-filmmakers Ian Harris and David Krantz of Arbuckle Industries, the film features exclusive interviews with leading professionals, historians and educators, such as Ken Frampton, Shigeru Ban and Thom Mayne. Since Archiculture completion, a number of schools, institutes and film festivals have hosted screenings of the film in an effort to shed light on the critical issues facing architectural education today.
We invite you to watch the film above, read our exclusive interview with film director Ian Harris, and share your thoughts in the comment section below. You can also join an ongoing online conversation regarding Archiculture on the #Archichat here.
Friis & Moltke has designed a new housing project in Aarhus inspired by a Scandinavian forest. Just as “moss-covered hillocks and majestic towering trunks with crowns filter light and create shimmering patterns on the forest floor,” says the architect, the Løvhusene housing complex adapts to its natural surroundings as circulatory “boardwalks” weave between a “forest” of clustered wooden residences, all centered around a shared community “clearing.”
This past spring, the Liget Budapest competition was launched in the interest of finding new designs for planned cultural buildings in the Hungarian capital. One of these, the House of Hungarian Music, is to be a museum as well as a performance space set in Budapest City Park. Over 170 entries were submitted for the building, and of those, Andrea Vattovani Architecture’s proposal has taken third place. This gently curving and folding sculpture of a building aims to present the history of Hungarian music in an engaging setting, while creating an iconic landmark for the city of Budapest. Learn more, after the break.
The Portland Building will be saved from the wrecking ball and undergo renovation, Michael Graves, the architect behind the postmodern masterpiece, told A/N blog. “It’s going to be saved,” Graves said to AN. “They told me… They said they are saving the building and not only that but we want you to sit on a committee for the redesign. I would imagine in the next year we’ll do something.”
LIKEarchitects‘ Christmas installation, Frozen Trees, has found a new home in London’s Victory Park in East Village. Originally created by LIKEarchitects in 2011 and displayed on Lisbon’s D. Pedro IV Square, the installation will now light up the holiday period in one of London’s newest public spaces, on the site of the former Olympic Village, as its 1,296 Rationell Variera plastic bag dispensers from IKEA gently glow through the night.
A new exhibition and accompanying digital documentary on Cedric Price, a British architect, writer and educator who had a formative influence on architects such as Renzo Piano, Richard Rogers, and Bernard Tschumi, is open in The Netherlands. The exhibition, curated by members of Bureau Europa, introduces the work of Price by “presenting a cross-section of the elements of his inventive and singular practice” through sketches, project drawings, recorded talks, and first-hand accounts by staff, colleagues and friends. In addition, a series of selected projects present his “innovative models for industry, education, government, tourism, ecology and the house.”
The Cassa Depositi e Prestiti Investimenti Sgr has recently acquired the former Precision Electrical Components Factory in Flaminio, located between Via Guido Reni and Viale del Vignola, that will now be transformed into the new City of Science district.
Signaling the debut of a course of urban developments near Rome’s historic neighborhoods, the area is marked by such iconic landmarks as Zaha Hadid’s MAXXI Museum, Renzo Piano’s Parco della Musica, and the Foro Italico and Olympic Village of 1960. The competition calls for a master plan for a neighborhood “integrated within the context of contemporary Rome.” Covering an area of 5.1 hectares, the neighborhood should work in tandem with the City of Science, and feature landscaping, public areas that attract local residents as well as outside visitors, and residential spaces (including apartments and social housing) serving 1,500 to 2,000 people. Six participants will be chosen to move onto the second phase of the competition.
Along with the holidays often comes many nights sitting fireside with good company. As Frank Lloyd Wright said, ”the hearth is the psychological center of the home.” This is why we have decided to start a new Pinterest board entirely dedicated to the hearth. Take a look after the break. Happy pinning!