Mimesis Museum / Alvaro Siza + Castanheira & Bastai Arquitectos Associados + Jun Sung Kim

© FG+SG – Fernando Guerra, Sergio Guerra

Architects: Alvaro Siza + Castanheira & Bastai Arquitectos Associados + Jun Sung Kim
Location: Paju Book City, Republic of Korea
Project Coordinator: Dalila Gomes
Construction Coordinator: Young-il Park
Collaborators: Chungheon Han, João Figueiredo
Client: Open Books Publishing Co.
Structure: Gayoon ENC
Mechanical Installations: Hansan Engineering Co.
Electricity: Jung-Myoung Engeneering Group Co.
Construction Company: Hanool Construction Co.
Project Year: 2007-2009
Photographs: FG+SG – Fernando Guerra, Sergio Guerra

A cat has become a museum.

There once was a chinese emperor who liked cats a lot, and one day he called upon the most famous painter in the Empire and asked him to paint him a cat. The artist liked the idea and promised that he would work on it. A year passed and the Emperor remembered that the painter still had not given him the painting of the cat. He called him: What of the cat? It is nearly ready, answered the artist. Another year went by, and another and another. The scene kept repeating itself. After seven years, the Emperor’s patience came to an end and he sent for the painter. What of the cat? Seven years have gone by. You have promised and promised but I still haven’t seen one! The painter grabs a sheet of rice paper, an ink well, one of those brushes like you can only get in the East and… in an elegant and sublime gesture he draws a cat, which was not just a cat but only the most beautiful cat ever seen. The Emperor was ecstatic, overwhelmed with such beauty. He did not neglect (which is no longer the case nowadays) to ask the artist how much he would charge for such beautiful drawing. The painter asked for a sum which surprised the Emperor. So much money for a drawing that you did in two seconds, in front of me? said the Emperor. Yes Excellency, that is true, but I have been drawing cats for seven years now, replied the poor painter.

ground floor plan
© FG+SG – Fernando Guerra, Sergio Guerra

The project for the Museum Mimesis, in the new town of Paju Book City in South Korea, is a cat. The client didn’t have to wait for seven years for his drawing of a cat, but Álvaro Siza has been drawing cats for over seven years now. He has never seen a Korean cat, because he has never been there.

In one day I briefed him on the site, and brought along a small site model, showing the boundaries and the immediate context. In one single gesture, a cat was drawn. The Mimesis is a cat. A cat, all curled up and also open, that stretches and yawns. It’s all there. All you need to do is look and look again. At first the design team members could not understand how that sketch of a cat could be a building. I have in my days seen many sketches of cats, and am always overwhelmed by them, can’t get tired of them. I want to see more cats, more sketches of cats, for several seven years have gone by.

© FG+SG – Fernando Guerra, Sergio Guerra

In architecture, after an initial sketch comes the torment. The initial design, models, drawings, corrections to these, doubts, new drawings, new models, a presentation to the client, who had already seen other projects but could not conceal his surprise at this one. Once approved, we progressed the project on through the usual steps, which in Korea are shorter and less bureaucratic.

© FG+SG – Fernando Guerra, Sergio Guerra

The brief has not been altered, but it is necessary to make some adjustments as part of the evolution process. To think of materials, techniques, infra-structure, representational conventions, so that everyone understands, in an attempt to make everything work out. In the basement we will have the archives, the service area, maybe an extension to the exhibition area, as is becoming a habit in museums designed by Álvaro Siza. The ground floor is a space for arrival and distribution, areas for temporary exhibitions and a café/restaurant with all necessary back up. Administration areas, staff circulation, area for the administrative archive and staff toilets are located in the mezzanines. The top floor is for exhibition space.

© FG+SG – Fernando Guerra, Sergio Guerra

Light, always light, so carefully studied. Both natural and artificial is seen as essential. Allowing to see without being seen. Models and more models were constructed, some of which you could enter into. Also 3D images. Form will be given by cast , light grey, the colour of a cat. Inside, the white of the walls and ceilings, of the marble, which we hope will be from Estremoz and also the honey colour of Oak. Timber for the internal frames, and glass. As for the external windows, timber, painted steel and crystalline glass.

© FG+SG – Fernando Guerra, Sergio Guerra

The building progresses, so do we, as it is in Korea. It is a technically difficult job; we were concerned at the quality of the contractor and sub-contractors involved. Our friends and partners are enthusiastic and reassure us.

To draw a cat is really difficult, try it! It can take seven years! At least!

View this project in Google Maps

* Location to be used only as a reference. It could indicate city/country but not exact address.
Cite: "Mimesis Museum / Alvaro Siza + Castanheira & Bastai Arquitectos Associados + Jun Sung Kim" 23 Sep 2010. ArchDaily. Accessed 25 May 2015. <http://www.archdaily.com/?p=78936>
  • Mic

    A very poetic AD entry. Very Siza

    However I would love to see more information about the conception of the building – the inspirations and ideas behind its form and spaces within. Would love to know more

  • http://www.wohnen-in-loebau.de Wohnung Löbau

    Wonderful !

  • Santiago V

    Maestro de los maestros

  • Pedro T

    Just suberb.

  • A

    interesting , i would really like to see the initial sketches.

  • http://www.welab.info tomas faria

    Si,maestro de los maestros.

  • Chris

    I know the popular concept of architecture now adheres to the vision of a collaborative effort between architects, clients, and other specialists, but it’s nice to know that eureka moments are still happening for solitary architects, and that a well practiced master can design something significant on his own and in a fairly short period of time.

    Or the text is misleading and a whole team was actually involved, who can say? There are three architectural firms listed..

    • Bono


  • Rodrigo

    Siza = Port Wine

  • zzzz

    Cats? Come on, that project explanation is just pathetically patronizing. Maybe it is or maybe it isn’t a nice looking project but that kind of discourse is barf-worthy.