Casa Adpropeixe / Carlos Castanheira & Clara Bastai

Architects: Carlos Castanheira & Clara Bastai, Arqtos Lda.
Location: Gerês,
Collaborators: Pedro Carvalho, João Figueiredo (3D)
Engineering: HDP, Gabinete de serviços e projectos de engenharia civil, Lda. / CONCILIARUM, Projectos e soluções de engenharia, Lda.
Carpentry & General Contractor: Carpicunha madeiras Lda.
Copper Works: ASA, Antonio Sousa Alves Lda.
Metal Works: Val e Quintão Lda.
Concrete: Imobiliaria CMCJC Lda.
Glass: Lusoduplo lda.
Exterior Works: Domingos Príncipe
Electricity: Electrilouro Lda.
Air Conditioning: Oliveira e Araújo Lda.
Domotics: Enancer Electronica Sa.
Canalization Works: Branco Pichelaria
Client: Tiago Sousa Lopes
Project Year: 2005-2008
Site Area: 18,700 sqm
Constructed Area: 190 sqm
Photographs: FG+SG - , Sergio Guerra

It is said and written, that the idea is to be found in the site and it’s true.

It’s not just the idea, but also the name that comes from the site.

Adpropeixe, which almost seems to be a name out of an Astérix book, is a part of the Gerês Natural Reserve, located in Vilar de Veiga, in the Terras do Bouro district. It’s just there, by the water, after passing the bridges and just before arriving at Gerês; the spa village.

It’s easier to access by boat than by road or cross-country. It is a unique place so the response to the commission also had to be unique and specific: a timber house.

The client, in love with Gerês, the reservoir and the water, had been looking for a site to buy to hopefully build a house.

After a long search, the chance arose to buy a site, where a tennis court had been built prior to the establishment of the Natural Reserve. This construction was legally and properly authorized at the time.

The pre-existence of this tennis court, which covered an area of 800m2, now allowed under the current regulations for the building of a house of up to 200m2 on the site. To get there, one has to climb the hill, along a sinuous tarmacadamed road, always rising until, when nearly at the top one starts to go down and down a narrow dirt track alongside perilous drops and stunning views.

The vegetation is dense and rich, although the traces of a forest fire that occurred some years ago in the area are still apparent. The court, a concrete slab painted green with a few white lines, which had once been used for playing tennis, was the only level plane in the whole 14,500 sqm site.

Nature adapted itself to this element that was set into the hillside. The court was already within the forest when we first visited the site.

On arriving by the upper path, the view is stunning, taking in the calmest area of the lake and almost allowing a glimpse of the bridges.

On the court or platform, the view is an interior one, as the dense vegetation blocks out the panoramic views.

The idea, obvious as it was, was there:

Arrival from above, elevation of the volume of the house above the level of the platform so as to ensure views into the distance and the use of the platform, the flat area, for service and circulation.

Arriving at the site from an outcrop of rock, access to the house is via a bridge at roof level. Coming down, one arrives at the main entrance door, which is actually not used very much.

The internal arrangement is simple: from the entrance area a corridor leads into to the living room and the kitchen and, at a slightly higher level, to three bedrooms with bathrooms.

From the living room, one has access to a large external terrace, nowadays called a deck. From the bedrooms one has access to a balcony which, due to a difference in level is separated from the large terrace, even though it is contained by it.

By placing external circulation on the periphery of the terrace, at a lower level, the visual interference of the necessary guard rail is avoided.

The house, or habitable volume, is elevated over the ground by 52 timber pillars that form an ordering and constructive network.

This same network, or logic, is developed in the construction of the slabs, walls and stairs.
Almost everything has been left exposed, even when covered by thermal insulation or weathering membranes. Inside, the whole structure is seen and felt and lived in.

Concrete footings, (the only concrete used in the building). Steel connectors. Structural frame, internal floors and ceilings in red deal, external flooring and ceilings in Cumaru Brazillian Teak. External finishes, walls and roof in copper. Glass in timber frames. Posts with fixings in copper and a wire mesh of polypropylene nylon form the fencing.

The house in Adpropeixe is an habitable viewing platform, elevated off the ground, but integrated and installed in the site.

The land, the area, the Reserve, have all been improved since the building of the house commenced, not only because of the house, but also because of the occupancy that it brought about, does now and will continue to bring about.

The hillside has been cleaned up, water tanks have been built, trees have been planted, the paths improved, Nature has been humanized.

Architecture gave a little hand.

Cite: "Casa Adpropeixe / Carlos Castanheira & Clara Bastai" 22 Apr 2009. ArchDaily. Accessed 28 Nov 2014. <http://www.archdaily.com/?p=18822>
  • http://netzfx.de oliver

    cool – especially the details.

  • freddy wulf

    are there some more pictures? :-))

  • http://www.eva-atelier.net cado

    Linda, a casa e o local, encaixam na perfeição, parabens!
    beautiful, the house and the land, congratulations!

  • Terry Glenn Phipps

    One particular detail stands out to me. The terracing of the external decking to lower the necessary guard rail and take it out of the site lines of the living spaces is something I haven’t seen done before, and it is terribly clever.

    The lake view, looking up at the house, gives the impression of a very solid and successful integration into the site. The approach view is rather more invasive (assuming the goal was to create a work of architecture that would integrate and not disturb a site in a protected area of great natural beauty).

    The materials palette is wonderful and evocative of Ray Kappe.

    Terry Glenn Phipps

  • artur viveiros

    wow… this project receives top marks, so beautifully detailed and wonderfully executed… inspiring to see how a timber frame building can be so inspiring. thanks for sharing

  • João

    wow… a great house for a great place…

  • Arman

    Nowadays, this is a work of rare beauty. Notice how the design, and the amazing final building, grows essentially from a synthetis of coherent intentions regarding the site, the landscape, the structure/material choice, instead of resulting from the pursuit of a form, a model, a style, or from the striving of a vogue of contemporaneity. There’s much to learn from this house.

  • http://332arquitectos.wordpress.com/ Rafael

    Thank you for showing this house. It shows architecture as a discipline that can coordinate design, construction and the needs of the clients in a way that can make a place like this, appears in all it’s beauty.

    After having the right scheme, this is all about detailling and detailling… and detailling…

    Well done!!!

  • http://www.talkitect.com Lucas Gray

    God is in the details!

    A beautiful design seamlessly combining all aspects of our profession. A true work of art.

  • Pingback: Mimetismo: Casa Adpropeixe, Gerês, Portugal » Ecohabitar

  • DreamSpaces Girl

    Portugal “sempre a marcar pontos”.
    Não há muito a dizer… com tantos elogios é difícil uma portuguesa não ter orgulho nos arquitectos portugueses! ;)
    Parabéns por este projecto! Continuem!

    Portugal has really good architecture, i’m really proud of that! ;)
    Congratulations for this architects! Keep going!

  • Piotrek

    Dobre!

  • Pingback: Lavatorial « Harpreet Kaur Sandhu’s Workings

  • Pingback: Casa Adpropeixe « Abrentisart Blog

  • Elisabete Antunes

    o preço de um fim de semana de uma noite de sábado a domingo para um casal e uma criança de 3 anos no mês de Setembro ou Outubro?

  • Ricardo Filipe

    o preço de um fim de semana de uma noite de sábado a domingo para um casal..

  • Pingback: TRASHNESS.COM