Tactile Architecture: Does it Matter?

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The Incredulity of Saint Thomas by Caravaggio

In 1958, Harry Harlow famously demonstrated, in a still controversial and haunting study, that tactile stimulation can be more desirable than food. Harlow raised infant rhesus monkeys without mothers and gave them a choice between two artificial surrogate mothers. Both were constructed of wood and wire mesh.The difference was that one had a bottle of milk while the other one was covered with cloth. To most psychologists’ surprise, the monkeys bonded with the cloth mother that lacked a source of nutrition.[1] Since then numerous studies from baby rodents to neonates have shown the importance of tactile stimulation.[2] Yet, 50 years on, few architects have studied how a design’s tactile experience might affect its users. In all likelihood, the effects of a design’s tactile properties are probably minuscule when compared to the studies mentioned above; they are categorically different in terms of tactile engagement. Still, the effects could be meaningful and measurable when it comes to a person’s social behavior, self-perception, enjoyment of, and comfort in a building.

Rhesus Macaques Courtesy of Wikimedia CC License Aiwok

It is obvious that tactile stimulation doesn’t matter:
At the time Harlow conducted his study, Freudians and behaviorists dominated psychology. Freudians supposed that the baby monkeys would form a bond with the “mom’s breast” due to a lack of “ego-development.” The behaviorists maintained that attachment would arise solely from the positive reinforcement of food.[3] Both were wrong, and yet this underestimation of touch continued in the medical community until the mid 1980s. Then a classic study from the University of Miami School of Medicine showed that premature infants, kept in near-sterile conditions, suffered from a lack of tactile/kinesthetic stimulation. The neonates who received daily sessions of body stroking and limb movements grew 47% faster per day, were more active, and were released from the hospital 6 days sooner than the control group, saving $3,000 per infant.[4] The study illustrated how the correction of a simple oversight can improve healthcare and save billions of dollars a year.

Finnish architect Juhani Pallasmaa feels that most architects are making the same oversight. In his book, The Eyes of the Skin, Pallasmaa assails the hegemony that visual aesthetics hold over the profession. The hegemonic eye, he claims, suppresses all other senses.  Pallasmaa writes, “Instead of an existentially grounded plastic and spatial experience, architecture has adopted the psychological strategy of advertising and instant persuasion; buildings have turned into image products detached from existential depth and sincerity.”[5] Perhaps Pallasmaa is right, and architects are designing buildings to look good, but not feel good. But what guidance is there for producing high quality tactile/haptic designs?

Architects could start by looking at few intriguing studies that have come out over the last ten years. For example, one study found that the individuals who were asked to hold warm items, such as a drink, were more likely to perceive others and themselves as friendlier, more trusting, and more generous than those who held cold items.[6] Another study found that individuals enjoyed the taste of water more if it came in a firm bottle than a flimsy one.[7]  Lastly, a study that presented individuals with hard or soft objects, resumes on heavy or light clipboards, and a puzzle with smooth or rough pieces found “Among other effects, heavy objects made job candidates appear more important, rough objects made social interactions appear more difficult, and hard objects increased rigidity in negotiations.”[8]

Essentially, we are mixing up metaphors with real physical sensations. This goes both ways. When participants of one study were asked to think about ethical or unethical acts they committed in the past, the ones who discussed unethical acts were more likely to ask for hand wipes than those that discussed ethical acts. They felt dirty because we associate being dirty with being bad (wash out your dirty mouth).[9] Conversely, unkempt spaces can make us think less of others and ourselves, regardless of any real differences.[10] The studies mentioned here and above do not directly address the architectural environment, and may be difficult to extrapolate, but they do give architects a starting point. It would truly be surprising if the tactile environments architects design do not influence our tendency to mix metaphors with physical sensations.

For example, does a heavy cold smooth door with a warm wooden handle have a different effect than a rough light warm door with a cold steel handle? We associate heaviness with weightiness and subsequently seriousness. Does a door’s weight influence our perceptions of a space as we enter it? Could the tactile experience of the floors and walls influence people’s perceptions of and attitudes towards others, or is there not enough tactile engagement to be significant? Perhaps the right tactile mixture would make the building more conducive to its program. One room might need to expresses an air of seriousness while also feeling warm and welcoming. Another room might need to be conducive to concentration while another to collaboration, or both. These ideas seem simple enough to test, and the results might be invaluable to architects.

ROCA London Gallery / Zaha Hadid Architects Courtesy of ROCA

By overlooking the tactile experience architects might be limiting the power of their designs. If tactile stimulation has the ability to positively influence behavior it can also negatively influence behavior. Similar to the neonatal studies, this calls into questions the one-dimensional tactile experiences of many contemporary buildings. For example, do architects like Zaha Hadid or Daniel Libeskind achieve the desired feeling in their visually provocative buildings? In many of their buildings, they almost exclusively use materials that are tactilely cold, hard, often relatively smooth and heavy. What are the physiological and social effects of these environments? Perhaps there is nothing to it, but it is better to study than overlook.

Tverrfjellhytta / Snøhetta © diephotodesigner.de

If you enjoyed this article check out more by Christopher N. Henry here.

Photographs:
diephotodesigner.de
Courtesy of ROCA
Aiwok


[1] Harlow, Harry. “The Nature of Love.” American Psychologist. Vol. 13, 1958, p. 673-685.

[2] Schanberg, Saul M., Gary Evoniuk, and Cynthia M. Kuhn. “Tactile and Nutritional Aspects of Maternal Care: Specific Regulators of Neuroendocrine Function and Cellular Development,” Proceedings of the Society for Experimental Biology and Medicine. Vol. 175, 1984, p. 135-146.

Field, Tiffany M., Saul Schanberg, Frank Scafidi, Charles R. Bauer, Nitza Vega-Lahr, Robert Garcia, Jerome Nystrom, and Cynthia M. Kuhn. “Tactile/Kinesthetic Stimulation Effects on Preterm Neonates,” Pediatrics. Volume 77 No. 5 1986.

[3] Sapolsky, Robert M. Why Zebras Don’t Get Ulcers, Third Edition: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping - Now Revised and Updated. Holt Paperbacks, 2004. Kindle Location 2241-71

[4] Field, Tiffany M., Saul Schanberg, Frank Scafidi, Charles R. Bauer, Nitza Vega-Lahr, Robert Garcia, Jerome Nystrom, and Cynthia M. Kuhn. “Tactile/Kinesthetic Stimulation Effects on Preterm Neonates,” Pediatrics. Volume 77 No. 5 1986.

[5] Pallasmaa, Juhani. The Eyes of the Skin, Wiley & Sons, (West Sussex, England), 2005 p. 30.

(I highly recommend reading the following studies. They are amazingly entertaining and interesting.)

[6] Williams, Lawrence E. and John A. Bargh. “Experiencing Physical Warmth Promotes Interpersonal Warmth,” Science.  Vol. 322 2008 p. 606-607.

[7] Krishna, Aradhna and Maureen Morrin. “Does Touch Affect Taste? The Perceptual Transfer of Product Container Haptic Cues,” Journal of Consumer Research. Vol. 34, 2008, p. 807-818.

[8] Ackerman, Joshua M., Christopher C. Nocera, John A. Bargh. “Incidental Haptic Sensations Influence Social Judgments and Decisions,” Science. Vol. 328, 2010, p. 1712-1715.

[9] Zhong, Chen-Bo and Katie Liljenquist. “Washing away your sins: Threatened morality and physical cleansing.” Science. Vol 313, 2006, 1451-1452.

[10] Schnall, Simone, Johthan Haidt, Gerald L. Clore, and Alexander H. Jordan. “Disgust as Embodied Moral Judgment,” Personality and Social Psychology Bulletin. Vol. 34, 2008, p. 1096-1109.

 
 
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Chiaro Scuro says:

Having read The Eyes of the Skin and recently attended a Pallasmaa lecture at Columbia, I do agree with the use of the tactile in Architecture. I see the cause of non-tactility in Architecture as lack of imagination in the handling of traditional materials, as well as the inability in experimentation with new materials. In the workplace, and especially in school, the sad truth is that most designers rely on the big four (steel, glass, concrete, wood), and take these materials as is, without any manipulation or refinement.

In reference to materials we currently use:
“Modern architecture does not mean the use of immature new materials; the main thing is to refine materials in a more human direction”
-Aalto

In reference to Architects that view tactility as an important focus, Tod Williams and Billie Tsien Architects come to mind. In their work, they emphasize handwork and the expression of that handwork, especially in the fabrication of building elements. These elements express textures, shadow patterns, temperatures, etc.

Tactility adds another dimension to our buildings, by providing not just plactic stimulus, but can also provide interesting visual stimulus.

When was the last time you saw someone who wasn’t a designer ‘cop a feel’ of a wall?

 
# November 23, 2011 at 11:06
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Klas says:

Superb article. Very interesting!

 
# November 23, 2011 at 11:23
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Steve H. says:

Great article, but I’m not sure how architecture will overcome the current visual state we are in. Electronic media fosters casual viewership, and thus hero starchitects of swooping geometries from crisp, cool materials.

How many outside the profession think of modernism as cold though?

 
# November 23, 2011 at 12:27
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    Thanks for the comments. I don’t necessarily think that modernism or contemporary designs have to be thought of as cold. It depends on the material and the conditions. Many contemporary designs use a multi-dimensional tactile material pallet as seen in the snohetta project. Additionally, cold could be the effect some architects are going for. It depends on the program. Lastly, I used cold to describe concrete glass and steel. This is slightly simplistic as they can also be scalding hot at times. So it depends on conditions, which architects have to factor into how the building will feel. I think your first point gets to the heart of the issue. Many architects are not studying tactile design so they really don’t know how to achieve their desired goals. Do their visual designs match the tactile experience? I don’t know, but the experiments I cited offer a methodology that architects can use to investigate tactile design.

     
    # November 23, 2011 at 12:50
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      Keith Jundanian says:

      I can dig up the source if you would like, but there is a great piece of research about ranchers in Montana(?) and how when they were asked to describe their work, ranches, etc. they most often spoke with haptic and kinesthetic descriptors as opposed to visual descriptors. Fascinating topic. I wrote a lengthy review of this topic and previous research on the topic while working on my PhD in architecture. It is sad that so little time and research effort is being dedicated to this. I wrote that paper about 6 years ago and most of your references are still the same ones I was using. Very little attention and progress has been made on this front. frustrating.

       
      # November 23, 2011 at 13:15
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    @ Keith Jundanian, I would love to see the research to review the methodology. I have read quite a bit from architects who have studied tactile design, but most of it is anecdotal in nature, inspiring, but anecdotal. There are some claims that I can’t find the research that substantiates them. For example, I could extrapolate from the tactile studies I mentioned in this article, but I think that would be fairly imprudent of me. Could you post the titles and authors of the studies you mentioned so everyone here could take advantage of this opportunity?

     
    # November 23, 2011 at 13:35
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bLogHouse says:

Any article on Tactile Architecture, no matter how short, should at least mention Charles Moore and his book “Body, Memory and Architecture”. Charles Moore with co-author Kent Bloomer are probably the first to write about the haptic (tactile)experience in architecture more than 20 years before Pallasmaa.

 
# November 23, 2011 at 13:18
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Sudar Khadka says:

Impressive articles sir, this is quite stimulating. I think there are many examples of architects who designed with the tactile experience in mind like Alvar Aalto and Leandro Locsin in the past, and recently Peter Zumthor. It was done before and still is out there, maybe we just need to highlight them more.

 
# November 23, 2011 at 20:03
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Chiaro Scuro says:

Having read The Eyes of the Skin and recently attended a Palaasmaa lecture at Columbia, I do agree with the use of the tactile in Architecture. I see the cause as lack of imagination in the handling of traditional materials, as well as the inability in experimentation with new materials. In the workplace, and especially in school, the sad truth is that most designers rely on the big four (steel, glass, concrete, wood), and take these materials as is, without any manipulation or refinement.

In reference to materials we currently use:
“Modern architecture does not mean the use of immature new materials; the main thing is to refine materials in a more human direction”
-Aalto

In reference to Architects that view tactility as an important focus, Tod Williams and Billie Tsien Architects come to mind. In their work, they emphasize handwork and the expression of that handwork, especially in the fabrication of building elements. These elements express textures, shadow patterns, temperatures, etc.
Tactility adds another dimension to our buildings, by providing not just plactic stimulus, but can also provide interesting visual stimulus.

When was the last time you saw someone who wasn’t a designer ‘cop a feel’ of a wall?

 
# November 23, 2011 at 22:12
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Chris says:

Yay! An intriguing article about architecture finally instead of another tangential novella!

Very interesting topic, and I would ask also if we are not lessening the importance of sound and smell as well. Phenomenology does seem skewed towards the visual side, although I have read some fascinating descriptions of Zumthor’s work that talk about sounds and smells. I’ve been thinking about how one would design a house for a blind person, and realized I have never spent nearly as much time thinking about sounds, sense, and touch in my process as I probably should.

 
# November 23, 2011 at 23:20
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    I would agree that architects also do not pay enough attention to sound and smell. However, there seems to be far more architectural research on sound than either touch or smell. I could be wrong as I haven’t looked too heavily into smell so it could be confirmation bias. I am familiar with quite a few books on sound. A good place to start is “Spaces Speak Are You Listening,” by Barry Blesser. I am not sure if it is best, and others might have better suggestions, but I found it very reader friendly when I first approached the subject several years ago. There are dozens of more technical texts on acoustics depending on how serious you want to get.

    As per your comment about designing for someone who is blind/hard of sight, I had the wonderful opportunity of studying under Camilla Ryhl at the Danish Building Research Institute (SBi), and she specifically studies that issue along with accesible design for those hard of hearing. It is fascinating work from one of the astute minds I have worked with. Not surprisingly, she studied for a little while under Juhani. I will try to get some recommendations from her on this subject and try to pass them along. For now there are quite a few great suggestions left here by other readers. Also check our facebook page because some readers left some reading recommendations there.
    I appreciate the feedback on the article.

     
    # November 24, 2011 at 07:42
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      Chris says:

      Ah, thanks. Yes you’re probably right about sound studies being more prevalent in the field than touch and smell, I remember reading through the Leitner article pretty recently on here.

      There does seem to be a primacy of sight in general, not just in architecture. LED screens and “retina displays” are getting sharper and sharper, yet music is being played from highly compressed lo-fi mp3 files… Interestingly journalists in the automotive field are always discussing tactile sensations in car interiors, so that’s gotta be a good thing. Too bad most of the stuff we are in daily contact with is made of damn plastic anymore.

       
      # November 24, 2011 at 13:42
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ethan says:

someone send this article to jody brown, could learn a thing or two

 
# November 24, 2011 at 00:34
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Therman says:

Don’t underestimate the anecdotal. They say air is a good thing to have available; has anyone studied it?
We are utterly subject to formation by the limited environments we have known. I don’t believe that anyone who’s resided in a habitation with sloping/vaulted/arched ceilings would ever want to design horizontal ones again, and nobody who’s spent time in an adobe building could have the same level of appreciation for plasterboard ever again. In the first instance, the sense is more proprioceptive, but there is no doubt that there’s overlap, insofar as the effects of various surfaces, shapes and materials are concerned. Even the accoustic qualities, linked extremely closely with the tactile, are of prime importance, yet are rarely considered at all.
All factors considered, perhaps one manifestation of the ultimate for comfort and spiritual [for want of a better word] transcendence would be a vaulted sandstone or adobe and timber room with one wall entirely glass, with a view of green and sky; the closest thing possible to a safely positioned cave overlooking a valley. The curved surfaces soothe, the accoustic’s softened by the rough textures, the hues are gentle, thermal state steady, the lines of sight inspirational.
Stark uber-modern notions give rise to a different shade of transcendent state, but deployed in the interests of economy can do nothing but produce maladjusted, oppressed people who, knowing no better, promulgate their deformed notions of design to the detriment of social health.

 
# November 24, 2011 at 01:45
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    S Mason says:

    In fact it should be mandatory for designers in training to live for weeks at a time in buildings as different as possible from the plasterboard-lined, low browed, parsimoniously proportioned boxes most of us have grown up in

     
    # November 24, 2011 at 02:00
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LG says:

Really good article – keep them coming

 
# November 24, 2011 at 06:46
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avp says:

there is no non-tectile-architecture beside media-architecture (architecture that is informed over media)

 
# November 24, 2011 at 08:47
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Pablo Noel says:

I always think we should start looking into another fields more often in order to evolve as professional, in my case im a designer with a lot of experience in the field of Interaction Design, wich i basically its the science of create meaningful relationships between people and the environment that they use. And we always look into the full layers of interaction: Physical, Sensorial, Psychological, Social, etc.

And the main issue with architecture its the lack of depth on many of this aspects, and thats why industrial design became its so important, cause it fill the gaps in the space created by the architecture and the needs of the human beings.

So, i think my point its trying to specify that all professions need to work shoulder to shoulder with other fields in order to construct a better experience/product/project/results for the final users. Thats how medicine works, thats how science works, thats how architecture work too, but we are missing so many things when we only look in to shapes and spacial interaction.

 
# November 24, 2011 at 12:38
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mod says:

As a designer of residential structures, I have found myself pondering the tactile while analyzing my clients, if even only on an elementary level.
Clearly there are other factors, but it is apparant that the tactile qualities of building materials could help explain some simple questions such as:
When do so many Americans desire the neo-craftsman, tudor, or other knock-off historic “styles” for their homes? and why does Modernism have a cold reputation? Setting aside the “keep up with the Jones’” and “desire to fit in” theories, many people associate certain feelings with the building materials typically used in these “styles” of homes. For example, the warmth of the wood fireplace mantel, stone columns, and amber light of an arts and crafts home. The crisp, orderly, bright glass and steel modernist home.
At very least these materials are associated with memories (wether the memories are evolutionary and primitive or a reaction to environment is another discussion)and have the power to help tell a story the building is trying to “write”. Often times these memories cross over the senses. For example, a piece of Douglas Fir wood, when looked at or touched, can trigger memory of the smell of a campfire.
Fascinating article and topic!

 
# November 27, 2011 at 05:22
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5:37 AM Nov 24th

Tactile Architecture: Does it Matter? http://t.co/ffirUa4d

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6:00 AM Nov 24th

Tactile Architecture: Does it Matter? http://t.co/pULBaCVE

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7:46 AM Nov 24th

Tactile Architecture: Does it Matter? | ArchDaily http://t.co/ZL7M9Mn8 via @archdaily #architecture

very interesting observations.

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9:40 AM Nov 24th

Great article: Tactile Architecture: Does it Matter?
http://t.co/1yQUpgsb http://t.co/YvutUP7l

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11:07 AM Nov 24th

Tactile Architecture fascinating & mentions Pallasmaa for my students http://t.co/lqNO8aUJ via @archdaily #design #architecture #aesthetics

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12:41 PM Nov 24th

Tactile architecture: Does it matter? #architecture #phenomenology #design http://t.co/Y69XG7hw

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2:39 PM Nov 24th

Tactile Architecture: Does it Matter? | ArchDaily http://t.co/UYPpo811 via @archdaily Really good article and to see it applied in this way.

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2:55 PM Nov 24th

Tactile Architecture: Does it Matter? | ArchDaily http://t.co/5XQyXYhG via @archdaily

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11:24 PM Nov 24th

Tactile Architecture: Does it Matter? http://t.co/5tatADY6

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4:03 AM Nov 25th

Research in tactility to improve the design of the spaces we inhabit. http://t.co/HqEfslVz

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1:13 PM Nov 25th

@geoffbrown RT @ArchDaily: Tactile Architecture: Does it Matter? http://t.co/zKp3MxcB #architecture

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1:16 PM Nov 25th

#iaflash @geoffbrown RT @ArchDaily: Tactile Architecture: Does it Matter? http://t.co/QylpSeyf #architecture http://t.co/v26ueA78

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3:55 PM Nov 26th

Tactile Architecture: Does it Matter? http://t.co/MTTJdCr7

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5:47 PM Nov 26th

Tactile Architecture: Does it Matter? http://t.co/MTTJdCr7

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5:01 PM Nov 28th

Novo campo da arquitetura: #ArquiteturaSensorial. Isso NÃO É a trilha sonora ou o cheiro de uma loja. #FicaaDica! http://t.co/VFgcHkPa

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