The new National Film Archive and Film Institute must understand this condition, both to ensure and protect the wealth of our country’s moving pictures as well as those of the rest of the world and to make them accessible, in all their various forms, to the general public. A place which will have movies, but which will also offer other recreational spaces, taking advantage of the latest technologies. Common spaces and spaces to promote communication. The idea is in part to remove film from its classic exhibition site: movies in the park, in the café, in the square, to transform those spaces to become more than just services related to the experience of the movies, but rather to become part of the experience itself: the park itself as a movie, or the café, or the square.
In this way, the National Film Archive becomes a space of physical and virtual connections between media and people. An interface with two key elements: the continuous ground that connects the different elements that make up the National Film Archive and the roof, that connects them in its own way. Alejandro Hernández. The project includes the total renovation of the complex, originally built as the “Composer’s Square” in 1984 by Manuel Rocha and transformed on several occasions since becoming the Nation’s Film Archive and Film Institute in 1974.
In addition to the existing screening rooms, the complex currently has five archive vaults, four of them housing a collection of more than 15,000 film classics of world cinema in 35 and 15 mm formats. The fifth vault houses iconographic material, including posters, photographs, slides, negatives and video. The surface of vaults will increase from 1,500 to over 2,200 square meters, in order to house 50,000 more reels of film. The space for the gallery and the digital restoration lab will have a surface area of 500 square meters and the offices once reorganized, will be reduced from 1,900 to 1,800 meters.
The new project will add four new screening rooms, for a total of 1,000 extra seats, in addition to renewing the existing screening rooms whose total capacity will be increased from 2,050 to 3,050 seats. A six-level above grade parking will be built with a capacity for 528 cars, compared to the current 422. This will free up 70% of the area now occupied by parking. That space, besides allowing for the construction of the new screening rooms, will allow for an outdoor amphitheatre with a capacity for 700 spectators, a public park and a central public plaza.
In total, the National Film Archives will increase its built area from 20,000 to almost 29,000 sqm, of which 7,000 are destined to public spaces. The purpose is to generate a new comprehensive cinematic experience and more options in terms of programming.