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The Holy Hills in Arles / GVultaggio Architects

Courtesy of Florindo Ricciuti
Courtesy of Florindo Ricciuti

GVultaggio Architects of Rome has shared with us their proposal for a ecumenical center in Southern France. Follow after the break for additional images of the model as well as a description from the designers.

The planning of the ecumenical center in the town of Arles, gives me the chance to look into the theme of the symbolism in architecture and to interpret again the link between icon and religion. In all ages, during the planning of a place of worship, people tried to create mystic spaces that were able to establish a relationship with the Divinity, but that had to be a symbol, and at the same time, a landmark in the urban context.

Courtesy of Florindo Ricciuti
Courtesy of Florindo Ricciuti

The planning research turned into a linguistic research with the aim of introducing styles which could represent, at their best, the greatness of the Divinity; but, in the contemporary age, with the contamination of ethnic groups and religions and the co-existence in the same town of places of worship of different religions, the linguistic research turned into a process of self- identification, where, each cult tried to determine itself to become recognizable inside the metropolis.

Courtesy of Florindo Ricciuti
Courtesy of Florindo Ricciuti

The planning of an ecumenical center, a place of meeting and exchange between  different religions, where the co-existence of diversity of individual’s stories interweave, challenges all what has been said up to now. It is inconceivable to plan a center designed like a house, a mosque, a  synagogue or a Catholic or Protestant church where one language is more dominant than the other. It would be like admitting the possibility of coexisting and putting up with the idea to live separated, as slaves of our own identity.

Courtesy of Florindo Ricciuti
Courtesy of Florindo Ricciuti

The suggestion of this ecumenical center completely denies all symbolism, by placing all the buildings around a connective round-shaped path: a ring, which ideally links every religion and one which denies diversity. In order to state the idea of denial of every form of individualism, the entire structure is covered with earth, by creating some hills, wrapped with a green mantle. The latter is engraved with amorphous holes to bring light inside, with large cuts which guarantee access to the buildings via caves, and above all, through a big circle cut through: a glass ribbon which wraps the inner courtyard, a place of exchange and meeting between cultures, the mystic space and the hidden secret beyond the hills.

Presentation Board
Presentation Board

Every single building is made of a central  round–shaped nucleus, designed  for religious ceremonies. Around this, the other environments orbit like satellites; as previously described, the five structures surround the big central courtyard, generating a continuous alveolar system. The denial of the symbolism and the willingness to overcome the planning research generate a sculptural landscape: the Holy Hills. A sculpture designed to become the icon  of the contemporary metropolis, a symbol of the racial integration, a symbol of the exchange and comparison between different ethnic groups! The Holy Hills deny symbolism to the individual to become a symbol of the entire community!

Exploded Axonometric
Exploded Axonometric

Architects:  GVultaggio Architects Location: Arles, France Project Area: 3.200 sqm Project Year: 2009 Modelmaker: Modelab Photographs: Courtesy of Florindo Ricciuti

Diagrams
Diagrams
Cite:Hank Jarz. "The Holy Hills in Arles / GVultaggio Architects" 07 Mar 2011. ArchDaily. Accesed . <http://www.archdaily.com/117369/the-holy-hills-in-arles-gvultaggio-architects/>