ArchDaily | Broadcasting Architecture Worldwidethe world's most visited architecture website

Sign up now and start saving and organizing your favorite architecture projects and photos


Find the most inspiring products for your projects in our Product Catalog.


Get the ArchDaily Chrome Extension and be inspired with every new tab. Install here »

  1. ArchDaily
  2. Projects
  3. Apartments
  4. The Netherlands
  5. René van Zuuk Architekten
  6. 2005
  7. Block 16 / René van Zuuk Architekten

Block 16 / René van Zuuk Architekten

  • 01:00 - 24 December, 2008
Block 16 / René van Zuuk Architekten
Block 16 / René van Zuuk Architekten

Block 16 / René van Zuuk Architekten Block 16 / René van Zuuk Architekten Block 16 / René van Zuuk Architekten Block 16 / René van Zuuk Architekten +38

  • Architects

  • Location

    Koetsierbaan, Almere, The Netherlands
  • Architect

    René van Zuuk Architekten
  • Design Team

    René van Zuuk, Kersten Scheller
  • Project Team

    Björn Ophof, Marieke van den Dungen
  • Structural Ingeneering

    Pieters Bouwtechniek Delft b.v.
  • Client

    Ontwikkelingscombinatie Almere Hart c.v
  • Program

    49 apartments and commercial space
  • Constructed Area

    8,740 sqm
  • Area

    1650.0 sqm
  • Project Year


From the architect. Block 16 is part of the master plan designed by OMA for a new prestigious city centre in Almere. The autonomous expressive block reacts on two conditions: the billowing end marks as a kind of gatekeeper the harbour entrance. At the other end the movement is smoothened and the building fits in with the right-angled grid of the adjacent glass high-rise housing blocks. The block is sited on a basement car park (design OMA) serving as a pedestal. The elevated deck level is half occupied by the common entrance and the storerooms. The other part is a gym which continues on the parking level below where it ends in the fitness-café, an autonomous pavilion.

The design of Block 16 is largely based on an analysis of tunnel formwork constructions. Implementation of this mode of construction is financially attractive in developing major housing projects. The basic principle of tunnel formwork is the simultaneous casting of floors and party walls. Similar to extrusion techniques, this requires a constant section. It is common practice that the tunnels are also of a constant length, resulting in a regular concrete skeleton. Variation in the length of adjacent tunnels breaks the monotonous structure. The result is a wavy façade surface providing the block with a dynamic quality. This unusual application of tunnel formwork implies a relatively small rise of the building costs, but yields a much more expressive image.

Block 16 is equipped with two central corridors, providing the occupants' access to the apartments. The living rooms of all the 49 apartments are south-facing and orientated to the waterfront. On the northern side of the block the private stairs are located interconnecting higher or lower floors. The main communal stairwell fills a seven-storey void located behind the biggest bulge. The deviant function is furthermore revealed in the exterior by the strip of half sized cladding panels.

The hollows and bulges in the façade all have a functional basis. The dimple on the north side marks the entrance and the protruding south façade arises from adding patios to some apartments.

Initially a wooden cladding was planned, but in the tenders submission it turned out to be too expensive. A new solution was found by manufacturing façade elements each covering an entire tunnel section. The intention was to apply the elements in a weatherboard manner, implying an overlap on all sides. This is only possible if the panels in the vertical direction shift sideways, resulting in an unwanted diagonal grid in the elevation. Because of the adapted application of the weatherboard principle, the sides of the panels do not fit. The remaining oversized ‘chink' is sealed with a different material, separating the elements from each other. It provides the building with two faces; smooth and wavy in one direction, rough and staggered in the other.

The silver-coloured anodised aluminium cladding of the façade combined with the continuously changing incidence of light creates a varying identity of Block 16 and suggests a moving scaly creature.

Location to be used only as a reference. It could indicate city/country but not exact address. Cite: "Block 16 / René van Zuuk Architekten" 24 Dec 2008. ArchDaily. Accessed . <>
Read comments


Jesus Bennight · March 13, 2012

Very interesting topic , thankyou for posting . "The height of cleverness is to be able to conceal it." by Francois de La Rochefoucauld.

TM · March 03, 2011

It´s so Netherlands! Way to go!

steve · July 17, 2010

the interior is too dark. I think they should have opened it up a little to get some natural but it is nice!

jibrur · July 17, 2010

the exterior is awesome with extremely good details

sirisha bysani · August 06, 2009

but details are good

sirisha bysani · August 06, 2009

i didn't like it

firman · July 27, 2009

Beautiful facade. I like it.
Why the corridor colours like that??? I think that's not good.

polarion · July 17, 2009

Is just a Formalism...

littlerock · June 16, 2009

I like it. Great!!!!!!!!!!!

juna · March 30, 2009

its really nice...i like it..

Berna · January 04, 2009

Nice building. The scale-like solution and the form make it really impressive

Thanks for posting

michal · December 30, 2008

this resembles a printed art installation that we have here in Miami Beach which was assembled onto a very visible building to give an "optical illusion" as if the actual building boasted such innovative curvatures. Awesome!

scarpasez · December 27, 2008

Really cool the context of the site. And great drawings, too. Details!

Bo · December 25, 2008

high ditails... rrrrrrrreally nice!

ez · December 25, 2008

The paneling on the windows gives a feeling of a jail or so, but just a bit. Aluminium is nice, I think aluminium is a material that can be used in hundreds of ways and this is not bad one, but requires a blue sky :) (using grey/pure aluminium in countries with bad/cold weather makes people mentally ill)

C.K. Dexter Haven · December 25, 2008

Not a bad concept, but I don't really like the paneling on the windows and the aluminum... still not bad, though.

Contemporary Art · December 25, 2008

Wow, it's like fish scales. I like this very much.


Comments are closed

Read comments

Block 16 / René van Zuuk Architekten