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It’s All in a Cup of Coffee (or, Indeed, Tea): Does Café Culture Embody the Idea of Europe?

Update: On June 24, 2016, 52% of eligible voters in the United Kingdom voted to leave the European Union. This article was published prior to the referendum announcement.

In 2003 George Steiner—a Paris-born, American, UK-based literary critic, philosopher and essayist—gave a lecture in Tilburg, a small Dutch city on the Belgian border. His talk, which he titled “The Idea of Europe,” made some waves in certain circles but, ultimately, wasn't widely discussed. Years later I found a copy of the transcript in Amsterdam’s Athenaeum[1], who had tucked it in the corner of a sunken room on a shelf devoted to "Brexit." I read it the following day while on a train to Brussels.

As I trundled across the Flemish hinterland Steiner’s words, delivered with judicious insight and a reassuring cautionary edge, served as a reminder of one irrevocable fact: that Europe is a continent “of linguistic, cultural, [and] social diversity;” a “mosaic”[2] of communities that have never been united with the same scale and ambition as that of the European Union. But before the contemporary Euro-project, came European café culture.

Hundertwasser's Last Unbuilt Work Could Become a Reality in New Zealand

The future of Friedensreich Hundertwasser's last unbuilt work -- a proposed Art Center for Whangarei, New Zealand -- hangs in the balance and will be decided next week by a referendum. The center, backed by the Proper Northland Trust (PNT), was originally designed in 1993 by Hundertwasser to repurpose a waterfront government building, but was never completed.

Hundertwasser, an Austrian artist and architect who lived on and off in New Zealand from the 1970s until his death in 2000, centered his designs on colorful, organic forms, and the relationship between art and nature, as well as the practice of sustainable building.