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''The Delight I Get Out of Doing Buildings is to Say: It Can be Built'' : In Conversation with Peter Cook

‘’The delight I get out of doing buildings is to say: Screw you, it can be built’’ says Architect Peter Cook in conversation with Louisiana Channel, where he discusses his determination to communicate ideas through vivid Architectural drawings and the skepticism he has faced in regards to his ambitious design proposals and their outlandish appearance.

Peter Cook was interviewed at his studio in January 2022 prior to his exhibition ‘City Landscapes’ at the Louisiana Museum of Modern Art, Denmark. As the first artwork displayed that has been produced by an Architect, it explores his reverence for hand-drawing as an Architect's primary medium. The work depicts innovative new ways of exploring the city and our physical space in striking and evocative texture and color.

''The Delight I Get Out of Doing Buildings is to Say: It Can be Built'' : In Conversation with Peter Cook  - Image 1 of 4''The Delight I Get Out of Doing Buildings is to Say: It Can be Built'' : In Conversation with Peter Cook  - Image 2 of 4''The Delight I Get Out of Doing Buildings is to Say: It Can be Built'' : In Conversation with Peter Cook  - Image 3 of 4''The Delight I Get Out of Doing Buildings is to Say: It Can be Built'' : In Conversation with Peter Cook  - Image 4 of 4''The Delight I Get Out of Doing Buildings is to Say: It Can be Built'' : In Conversation with Peter Cook  - More Images

(NOT FINISHED)Examining Archigram's Ideas and Their Pursuit of Style

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Europe in the 1960’s was the incubator for the emergence of young, provocative, and avant-garde architecture radicals including Archizoom, Superstudio, Ant Farm, and UFO. These groups rebelled against traditional architecture dogma in favor of exalting tropes that celebrated counterculture ideals, and an interest in designs that could extend both time and space. Archigram, the London-based faction of this movement, didn’t try to reinvent modernist principles, but instead tried to accelerate them and push the conservative climate to become more future-proof. Rightfully so, they felt that art and architecture was falling behind with their inability to keep up with products and technological advancements that were already a part of daily life. While Archigram’s ideas and drawings were often criticized as being frivolous, the group’s prophecies about the future have been realized in many ways, and still largely influence architectural discourse in the present day.