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Neighbourhood: The Latest Architecture and News

This Street Art Foundation Is Transforming India's Urban Landscape—With the Government's Support

09:30 - 8 August, 2017
The Origin of the World by Borondo, Lodhi Colony, Delhi. Image © Naman Saraiya
The Origin of the World by Borondo, Lodhi Colony, Delhi. Image © Naman Saraiya

Last month, ArchDaily had an opportunity to speak with Akshat Nauriyal, Content Director at Delhi-based non-profit St+Art India Foundation which aims to do exactly what its name suggests—to embed art in streets. The organization’s recent work in the Indian metropolises of Delhi, Mumbai, Hyderabad, and Bengaluru, has resulted in a popular reclamation of the cities’ civic spaces and a simultaneous transformation of their urban fabric. Primarily working within residential neighborhoods—they are touted with the creation of the country’s first public art district in Lodhi Colony, Delhi—the foundation has also collaborated with metro-rail corporations to enliven transit-spaces. While St+Art India’s experiments are evidently rooted in social activism and urban design, they mark a significant moment in the historic timeline of the application of street art in cities: the initiative involves what it believes to be a first-of-its-kind engagement between street artists and the government.

Artwork by Artez, Hyderabad. Image © Akshat Nauriyal Unusual Usual by Do and Khatra, Hyderabad. Image © Pranav Gohil Gandhi Mural by Hendrik Beikirch and Anpu Varkey, Delhi. Image © Akshat Nauriyal There is Nowhere to Go but Everywhere by Hendrik Beikirch, Delhi. Image © Akshat Nauriyal + 47

NEIGHBOURHOOD: Where Alvaro Meets Aldo / Inside Portugal's Pavilion at the 2016 Venice Biennale

09:30 - 18 June, 2016
NEIGHBOURHOOD: Where Alvaro Meets Aldo / Inside Portugal's Pavilion at the 2016 Venice Biennale, NEIGHBOURHOOD: Where Alvaro meets Aldo / Curators Nuno Grande and Roberto Cremascoli. Portuguese Pavilion at the 2016 Venice Biennale. Images © Laurian Ghinitoiu.
NEIGHBOURHOOD: Where Alvaro meets Aldo / Curators Nuno Grande and Roberto Cremascoli. Portuguese Pavilion at the 2016 Venice Biennale. Images © Laurian Ghinitoiu.

As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.

As a response to the 15th International Architecture Exhibition’s challenging theme, Portugal presents a “site-specific” pavilion, occupying an urban front in physical and social regeneration on the island of Giudecca: Campo di Marte. In actual fact, the installation of the pavilion on-site triggered the completion of Campo di Marte’s urban project designed by the Portuguese architect Álvaro Siza thirty years ago.

NEIGHBOURHOOD: Where Alvaro meets Aldo / Curators Nuno Grande and Roberto Cremascoli. Portuguese Pavilion at the 2016 Venice Biennale. Images © Laurian Ghinitoiu. NEIGHBOURHOOD: Where Alvaro meets Aldo / Curators Nuno Grande and Roberto Cremascoli. Portuguese Pavilion at the 2016 Venice Biennale. Images © Laurian Ghinitoiu. NEIGHBOURHOOD: Where Alvaro meets Aldo / Curators Nuno Grande and Roberto Cremascoli. Portuguese Pavilion at the 2016 Venice Biennale. Images © Laurian Ghinitoiu. NEIGHBOURHOOD: Where Alvaro meets Aldo / Curators Nuno Grande and Roberto Cremascoli. Portuguese Pavilion at the 2016 Venice Biennale. Images © Laurian Ghinitoiu. + 16