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How Hip-Hop Architecture is Making its Own Space

How Hip-Hop Architecture is Making its Own Space - Image 1 of 4
PHAT’s (Nathaniel Belcher, Stephen Slaughter) Harlem Ghetto Fabulous, 2003. Image via Metropolis Magazine. Image Courtesy of Courtesy PHAT (Nathaniel Belcher, Stephen Slaughter)

This article was originally published in Metropolis Magazine as "Hip-Hop Architecture's Philip Johnson Moment".

More than 40 years after it emerged from South Bronx house parties, hip-hop has become a once-in-a-lifetime concussive force reshaping global cultural. But at its most elemental and foundational, hip-hop is a direct, powerful confrontation with the built environment. “Broken glass everywhere / People pissing on the stairs, you know they just don’t care,” Grandmaster Flash and the Furious Five rapped on their seminal 1982 track “The Message.” “I can’t take the smell, can’t take the noise / Got no money to move out, I guess I got no choice.”