Building Systems: The Latest Architecture and News

This article was originally published on Common Edge.

In case you missed it, our world continues, after two years, to suffer cultural spasms in response to unseen, unrelenting, and deadly infective agents that continue to wash over entire populations, spreading fear, illness, and death. 

The U.S. is also suffering a quieter—but equally invasive—architectural plague, metastasizing into every part of the country. This architectural contagion has largely escaped criticism, but not since the raised ranch has an architectural “type” so fully transformed communities. In the 1950s, thousands upon thousands of dumbed-down Prairie Home allusions swept across fallow suburban farm fields like a wildfire. More than style, the half-buried lower level and split floors (one half-stair run apart) were a new way to explore how buildings could house people, especially in rapidly suburbanizing America.

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Josep Ferrando is an architect based in Barcelona. He is the Dean of the La Salle Higher Technical School of Architecture (ETSALS), as well as Director of the Obert d'Arquitectura Center of Barcelona and of the Department of Culture of the College of Architects of Catalonia (COAC). Combining his academic career and his frequent lectures, his office develops projects that explore different scales and materials, experimenting with constructive systems and innovative solutions. We talked with him about the importance of materials in architecture, and about the synergies he finds between practice and teaching.

More than half the world’s population lives in dense urban areas. Uncomfortably loud restaurants, stores, hotels, or offices are enough to keep patrons away. When planning a meeting or even a night out with friends, we are conscious of selecting a location where we can focus and hear one another. The noisier our world gets, the more difficulty we have focusing on the sounds we actually want to hear.

Since the beginning of time, our ears have warned us of approaching danger. While their function remains the same, the dangers of today are different than they were in the past. Unwanted sounds can have serious health effects such as: hearing loss, cardiovascular disease high blood pressure, headaches, hormonal changes, psychosomatic illnesses, sleep disorders, reduction in physical and mental performance, stress reactions, aggression, constant feelings of displeasure and reduction in general well-being. With this laundry list of side effects, it would be foolish to leave the acoustic comfort of our spaces up to consultants alone. When we take acoustic comfort into our own hands, the end result can be quite extraordinary.

Have you ever found yourself losing a good night’s sleep due to an overly warm room? Or wearing four jackets and a scarf just to tolerate your office’s frigid air conditioning? Truth be told, you can’t please everyone when it comes to adjusting an indoor climate, and there is always that one unfortunate individual who ends up sacrificing their own comfort for the sake of others.

Evidently, there are no ‘universal standards’ or ‘recommended comfort ranges’ in designing building systems, since athletes training in a gym in Mexico will not feel comfortable in an interior with the same building systems of a nursing home in Denmark, for instance. Which is why, if we were to briefly define ‘thermal comfort’, it is the creation of building systems that are adapted to the local environment and functions of the space, cooperatively.

So how can we design for optimum thermal comfort?

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