Architectural education has always been fundamentally influenced by whichever styles are popular at a given time, but that relationship flows in the opposite direction as well. All styles must originate somewhere, after all, and revolutionary schools throughout centuries past have functioned as the influencers and generators of their own architectural movements. These schools, progressive in their times, are often founded by discontented experimental minds, looking for something not previously nor currently offered in architectural output or education. Instead, they forge their own way and bring their students along with them. As those students graduate and continue on to practice or become teachers themselves, the school’s influence spreads and a new movement is born.
Using and controlling light can change the perception of a place; users perceive and feel the space differently depending on factors such as the type of light switch, color variations, and combinations. When used in temporary installations, light can break the boundaries between art and architecture, and also between tangible and intangible, transforming the elements of the project and creating new shapes and patterns.
Stone is known to be a versatile, sturdy, inexpensive and long-lasting material, and has been used in traditional construction systems worldwide for a long time. Its practicality, neutrality, and availability in certain regions are some of its defining traits which, combined with its visual appeal, can contribute to its use in contemporary architectural projects.
This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Monolithic Housing Blocks.
https://www.archdaily.com/945134/eastern-bloc-buildings-monolithic-housing-blocksLucía de la Torre
A couple of years ago, digital fabrication was making headlines regularly, promising to drastically change the architecture practice. The revolution in architecture might not have arrived yet, but research projects, experiments and the dedication of several architects and universities already opened a new realm of possibilities for architectural expression. Therefore, it seems appropriate to give an overview of the impact the technology had so far within the architecture practice. This article covers the different types of processes within the field and the projects that experiment with them, with the scope of reframing the architectural potential of digital fabrication.
Many of us spend more time at our offices than ever before and sometimes see our colleagues more than our own families. Workplaces can be considered to be our second homes, which is why the way we deliberately design them in the present day has garnered so much attention. The overarching design of workplaces aims to create a perfect balance between heads-down focus work and layers of collaboration to improve the productivity and general well being of employees. As workplace trends come and go, there’s a new progression on everyone’s minds- and it predicts what a post-COVID-19 office might look like both in the immediate and long term future. Although there’s no crystal ball answer, many architecture firms, research groups, and real estate companies have been tapped to ideate and implement forward-thinking design solutions and health safety policies that will be critical in redefining how we utilize our workplaces for the years to come.
The East County Office & Archives by Miller Hull. Image Courtesy of Chipper Hatter
Back in February this year, the American architectural community was scandalised by a draft executive order from the White House threatening to make neoclassical or traditional regional styles compulsory for all new federal buildings. The initiative fails to recognise the specificity of the architectural expression and the innovation that stems from understanding the local context. Metropolis Magazine has gathered together several examples of civic architecture that succeed in expressing the needs and aspirations of their communities, thus building a compelling argument against a mandated, unified architectural expression.
Architecture can be a tool for social change, and the belief in this statement is what motivates the work of many architectural NGOs who strive to address the lack of adequate shelter, generate social and economic change and build resilience in communities. These NGOs operate in two major areas, disaster relief and community development, with many organisations pursuing both types of actions. This article rounds-up several architecture-related foundations that act in emergencies, covering their expertise, past involvement in humanitarian crises, as well as the means to join them in their efforts.
New York City is the pinnacle hybrid between the vibrant and granular neighborhoods that Jane Jacobs once envisioned and the sweeping urban innovations of Robert Moses. However, its diverse population has experienced hardship over the last twenty years, forcing the city into a recursive wave of self-reflection to reevaluate the urban strategies, design trends, and global transportation methods that it had grown so accustomed to. After the September 11th and Hurricane Sandy tragedies, the delicate balance between promoting a sense of individual culture and the strength in unity that New Yorkers are so often known for served as the lifeblood for revitalization. New York City has consistently handled adversity, by always rethinking, redesigning, and rebuilding this city for a better future.
The romantic notion of wanderlust, and having the ability to freely move away from the familiar with minimal possessions is a desire that almost everyone has experienced at some point in their lives. The nomadic lifestyle is so appealing because it represents the possibility of rebelling against symbols of stability and permanence in favor of exploring the natural environment and having the ability to adapt to a variety of living conditions with ease. This desire has given rise to movable structures for the urban vagabond that can transform into a temporary office, home, or even an entire community.
In the most fundamental sense, it can be said that architecture emerged due to the basic human need for shelter. The construction of the primitive hut was realized long before the conceptual Primitive Hut was described by Marc-Antonie Laugier and drawn by Charles Eisen in 1755. Laugier theorized that man wants nothing but shade from the sun and shelter from storms- the basic requirements of a human for protection from the elements. The pieces of wood that are raised perpendicularly give us the idea of columns, the horizontal pieces laid across them give us the idea of entablatures, and the branches that form a sloping incline are covered with leaves and give us the first roof. Although humans have been inhabiting the earth for millions of years, why was it only 265 years ago that Laugier’s theory was penned and made into an architectural cannon?
Jarahieh Refugee School. Image Courtesy of CatalyticAction
For the past few months, the architecture community has been trying to bring its contribution to the fight against the pandemic. The global spread of this crisis might have triggered a coordinated, and thus a more visible effort, but this isn’t the first time professionals step up in crises. Over the years, natural disasters and emergencies have determined several architects to get involved in disaster relief initiatives, as well as a wide range of humanitarian actions. In this article, we take a look at different occasions various architects and practices made a significant contribution to, helping affected communities overcome hardship.
The use of artificial intelligence (AI) is based on the idea of optimizing, streamlining and expanding the reach of the most diverse operations. Their systems are programmed to identify patterns and carry out predictions, decisions, and ultimately perform and actions with speed and accuracy. The efficiency of the models depends on the quantity and quality of the data, which can be obtained by applications, cameras, and sensors. In the urban context, technology based on the use of artificial intelligence has been seen as a way to improve the management of cities, especially those that are denser and have larger footprints.
Until the recent outbreak of the COVID-19 pandemic, the climate crisis was perhaps the fundamental design problem of our Anthropocene era. The threat of climate change has forced us as designers to reevaluate how we realize designs at all scales. Eco-friendly interior finishes, net-zero energy skyscrapers, and strategies to prevent the rising sea levels from pushing residents in coastal cities more inland are just some of the innovative solutions that have come from the increased urgency to mitigate the effects of the climate on our world.
In a visually over-stimulating environment, architecture projects compete for attention through eye-catching visuals and intriguing graphical representations of their concepts. Visualization skills rank high in the architectural profession, but they also demand significant time and effort to develop. Arch-Vizz is a website dedicated to both students and professionals who aim to improve their visualization skills and broaden their perspective on architectural representation.
CURA pods. Image Courtesy of Carlo Ratti Associati
As the global health crisis continues, architects and designers are putting their expertise, technical capabilities and research skills in the service of the fight against the coronavirus. Metropolis Magazine has gathered together a list of several companies and their different initiatives for helping out in this novel situation. From 3d-printing personal protection equipment for medical staff, to designing modular intensive care units, and researching steps for converting buildings into hospitals, the creative community is bringing its own contribution to the efforts of tackling the pandemic.
It's no secret that adobe is one of the most widely utilized materials in construction. For centuries, it has been the go-to material for civilizations worldwide thanks to its aesthetic qualities and durability. Today, we continue using earthen materials like adobe for a wide array of building projects; however, to obtain optimal results, one cannot ignore the art and skill required in brickmaking. For many in the trade, it's a craft that has been passed down generation after generation.
The Playboy Town House Production Recommendations.. Image Courtesy of The Playboy Company. Architect: R. Donald Jaye; Renderer: Humen Tan, Playboy, May 1962.
Architects throughout the modern era have displayed their fantasies through their designs and their obsessions with how women have inhabited them. Take for example Corbusier’s infatuation with Eileen Gray and her home, E. 1027. Plagued with unconfirmed tales of how he broke into her home to paint murals on the white walls, he was also known to publicly downplay the home's design, while conversely praising it in a series of unreciprocated love letters to Gray. In the same vein, while Adolf Loos stood firmly against architectural decoration, he perhaps supported the elegance of women acting as a human ornament, an assumed notion in his envisioned home for the French Entertainer, Josephine Baker. The unbuilt proposal took on the form of a black and white striped solid which located a glass pool at the center of the space, forcing Baker to catch the male gaze of other occupants.
The relationship of sensuality and space doesn’t stop with the provocative desires of these three men, but lives on in one of the world’s most famous publications, Playboymagazine. Perhaps best known for its significance as a vanguard in the sexual revolution with its promotion of masculinity, the magazine also illustrated a showcase of swanky glass bachelor pads standing high above Beverly Hills that pushed forward a debonair lifestyle punctuated by modern design. As a generator of a glamorized lifestyle, the magazine highlighted architectural titans including Mies van der Rohe, Bucky Fuller, and Eero Saarinen, and made them palatable to a general audience.
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