Furniture has a direct impact on the quality of interior design projects. Among other features, its presence blends with the function of the spaces, setting a boundary between them.
An internal space with neutral colors, for example, might highlight certain furniture that, beyond fulfilling their function, also assumes a contemplative profile. These pieces of furniture have become iconic by their design, which, in some cases, were created by great names of architecture that explored this field and drew pieces that represented their style.
Graphics, even before language and writing, were the first means of communication and significance for humanity. Drawing is the act of replacing reality with representation, that is, replacing objects with images encoded in each of the graphic representation systems.
In architecture, graphics stimulate the imagination and are the basis of project thinking since they do not only constitute our code of communication but configure our ability to express ourselves in disciplinary terms. In fact, at first, the drawing is constructed in the mind of the architect, before it looks for support from any type of instrument.
Poner la mesa. Image Cortesía de Florencia Köncke y Paula Olea Fonti
Setting the Table is an illustrated reflection by architects Florencia Köncke and Paula Olea Fonti. In the following paragraphs, the authors develop a first approach to the study of the table as "the centre of our notion of domesticity"(1). In the relationship between space, objects and people and as a social catalyst for gathering and exchange.
https://www.archdaily.com/977914/setting-the-table-from-the-ordinary-table-to-the-extraordinary-tableFlorencia Köncke + Paula Olea Fonti
“If you’re a painter, you need a canvas. If you’re a sculptor, you need marble or plaster. And if you build a house, you need a piece of land.” Welcome to the wonderful world of Not Vital, where the Swiss multi-faceted artist shows us his sculpture park, foundation, and castle in this video.
Louisiana Channel meets Not Vital in his studio in Sent, the town in Switzerland where he grew up and one of the places where he still lives. Building places to live have been with him since childhood: “My first work was more related to trying to build a house or a habitat. The first one was when I was only three years old in 1951. There was so much snow that my brother and I built a tunnel,” he says and continues: “I think that it was the first time I realized that I like to build my own habitat. Even though it was much more comfortable to live in the house, I spent the day in the tunnel. I remember the light, the smell of the snow. I just felt great.”
In 1929, Ludwig Mies van der Rohe and Lilly Reich design the German National Pavilion for the 1929 Barcelona International Exhibition. The official reception for the exhibition was held there, presided over by King Alfonso XIII and the German authorities. From then on, the story is well known to everyone. A symbolic work of the Modern Movement, the Pavilion has been extensively studied and interpreted, and has inspired the work of several generations of architects.
We are starting to say goodbye to the year and after a review of all the contents developed, we find ourselves with a wide range of architectural advice that involves both interior and exterior spaces. Addressing issues from the domestic sphere to more technical and decisive questions, these are intended to serve as a guide and/or suggestions, rescuing those necessary considerations to take into account when planning our spaces, regardless of the use or the future they contemplate.
When designing an architectural space, it's necessary to think about how to satisfy the needs of each user, looking to achieve an adequate level of comfort and a pleasant experience. Auditoriums, cinemas, and theatres are spaces that involve large masses of people, so special attention must be paid to factors like isoptics, acoustics or accessibility so that when witnessing an event, everyone is able to receive the same information.
It could be said that one of the main aspects to take into account when designing a swimming pool is the choice of colour for the coating. The light, the shadows, the depth, the environment and the elements that surround it are variables that directly affect the final tonality of the water. The effects of artificial and/or natural lighting also determine the final aesthetic, because if it's located outdoors, reflecting the sky, it will create a different effect than if it's located indoors, where the ceiling would influence its colour.
MAIO is currently building a five-story building with 40 social housing units in the Sant Feliu de Llobregat district, Barcelona. The project design urban connectivity, social equity, and sustainability. As the winner of a two-phase competition, the building will house hierarchyless, generic, flexible spaces to fit the inhabitants' needs.
The technical needs of the construction of bridges many times guide the development of the design itself. However, architecture is never put aside, rather the opposite. The aesthetics of bridges that we collect in this article are the result of an intense, demanding, and stimulating dialogue between architecture and engineering, where the search for solutions only ends when both disciplines are fully satisfied.
Argentina is positioned in the extreme south and southwest of South America and given its extension, it has a multiplicity of climates and differences in the incidence of sunlight. These conditions led many architecture professionals to think about pergolas to generate transitional spaces between the interior and exterior of the homes that allow meeting the needs of its inhabitants by creating shaded, meeting and resting spaces in the open air.
Implemented as a means to take full advantage of space, built-in furniture has grown in popularity as well as ingenuity as designers tackle the needs and tastes of a wide range of users. It's ability to adapt and integrate into architectural spaces allows it, through a variety of configurations and materials, to fulfill various functions; however, this poses an interesting question. Is it truly the furniture that adapts to our living spaces? Could it not itself become the protagonist and creator of the spaces that we project?
Curated by Spanish architect Izaskun Chinchilla Moreno, Cosmowomen. Places as constellations is an exhibition currently open at La Galleria Nazionale di Roma, Italy. Reflecting on the incorporation of women into architecture, Cosmowomen displays a series of projects developed by 65 Bartlett School of Architecture-alumni women architects from over 20 different nationalities.
There are a series of multiple factors to take into account when deciding where to place a TV, including —but not limited to— the dimensions of both the furniture and the TV, image resolution, height, design, and so on.
In this article, we share some recommendations to achieve the comfort and well-being of the users avoiding possible problems of visual fatigue or unfortunate body postures.
Have you ever wondered why chess sets can be found in parks and other public spaces and contemplated what their role is within these spaces? Studies have shown that sports and games work to reduce stress and improve the overall mental health of the public. Chess, one of world's most popular games, allows two people from anywhere on the globe to play regardless of language barriers, age, gender, physical ability, or social situation.
According to data from CRED (Centre for Research on the Epidemiology of Disasters) and UNISDR (UN Office for Disaster Risk Reduction), in a report released in 2016, the number of disasters related to the climate change has duplicated in the last forty years. The need for temporary shelters for homeless people is, as well as an effect of the climate crisis, is also one of the consequences of the disorderly growth of cities, which leads to a significant part of the world population living in vulnerable conditions due to disasters.
Architectural education has always been fundamentally influenced by whichever styles are popular at a given time, but that relationship flows in the opposite direction as well. All styles must originate somewhere, after all, and revolutionary schools throughout centuries past have functioned as the influencers and generators of their own architectural movements. These schools, progressive in their times, are often founded by discontented experimental minds, looking for something not previously nor currently offered in architectural output or education. Instead, they forge their own way and bring their students along with them. As those students graduate and continue on to practice or become teachers themselves, the school’s influence spreads and a new movement is born.
Using and controlling light can change the perception of a place; users perceive and feel the space differently depending on factors such as the type of light switch, color variations, and combinations. When used in temporary installations, light can break the boundaries between art and architecture, and also between tangible and intangible, transforming the elements of the project and creating new shapes and patterns.
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![Art Installations Exploring the Boundaries Between Light and Space, Onion Skin / Olivier Ratsi. © Olivier Ratsi [ANTIVJ, Fr]](https://images.adsttc.com/media/images/5e57/cc82/6ee6/7e38/1500/0004/newsletter/Onion_Skin_Ratsi_Antivj_01.jpg?1582812282)
