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Here We Belong: “Architecture” in the Cosmovision of Latin America's Indigenous Peoples

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Anyone expecting the following words to offer a discourse on materiality, sustainable building techniques, ways of carving wood, or methods of weaving straw is mistaken. Instead, this article seeks to shift our gaze beyond the aspects that frequently define the debate on Indigenous peoples' culture when it comes to "architecture."

In a worldview where the very term "architecture" is foreign, approaching their structures—if indeed that word can adequately name them—from an exclusively material or technological standpoint remains an attempt to frame their ways of producing space within Western categories. This reduces a complex cosmology to a set of measurable attributes, as if it could be transformed into a checklist applicable to any architecture, thereby erasing the very thing that distinguishes it: the relationships between territory, body, and memory.

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Beyond the Stage: Urban Impacts of Mega Concerts

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When internationally acclaimed music icons like Beyoncé, Taylor Swift, and Paul McCartney announce their global tours, the anticipation sparked by revealing the countries and respective host cities is met with thorough preparations. These preparations aim to adapt to the array of changes that will unfold in the urban spaces of these cities due to the impact of these events. These mega-concerts extend beyond the musical realm; they transcend the stage to mobilize significant financial figures and result in various transformations in the everyday urban life of these cities. Even though these events do not last long, they instigate alterations in diverse spheres and urban sectors, including tourism, hospitality, food, and transportation.