Frédéric Haesevoets, a Beligan architect, recently won a competition for his design of a new city hall for Herstal. The international competition asked participants to design a new city hall to accommodate office spaces for central administration, archives and mixed use areas. The project is divided into two major forms that bookend a public open courtyard. Connected by a bright red bridge, the two arms house the major program areas and open to a landscaped area for the public to enjoy. The geometric form offers a break from the surrounding structures, emphasizing the importance of this communal structure. The faceted facade fuses the natural and the synthetic as sections of greenery are scattered among sections of glass. Inside, bright warm colors greet workers, a drastic change from the typical office color palette.
We recently featured Preston Scott Cohen‘s Nanjing Performing Arts Center and, now, we share his winning competition proposal for the Taiyuan Museum of Art. Currently under construction, the building’s strong dynamic form is a geometric spin on the agricultural landscapes native to the Shanxi Province. The tessellated surfaces respond to contemporary technologies for controlling natural and artificial light, in addition to producing unexpected spatial conditions as the user circulates through and around the building.
EXH Designwas hired to redesign the façades of high-rises in one of the most active urban areas in Shanghai. With the plans of the buildings already halfway through government approval, EXH was allowed little leeway in trying to change the existing plans. Instead, EXH turned their attention to “sculpting” the building’s surface. Taking a geometrical approach, the new façade aims to create a dynamic effect that will become a strong architectural expression for the surrounding areas.
HDA’s construction technologies used for the arch of the Turin Olympic Footbridge (previously featured on AD), have been further refined for their most recent award winning competition proposal, entitled Pylons of the future: Dancing with Nature. The competition, held by Terna, a private national electricity provider, asked participants to design pylons of the highest technical and aesthetic quality with a minimal impact on the environment. HDA’s design response was based on transforming the current ‘industrial soldier’ image of today’s pylons into an elegant shape whose form was inspired by nature.
More images and more about the pylons after the break.
An interesting concept for retrofitting buildings in Sydney has been shared with us thanks to Laboratory for Visionary Architecture (LAVA). This innovative plan, which is sustainable and cost effective, is known as “re-skinning”, and can easily be applied to other aging icons around the world. LAVA developed a simple skin for the University of Technology Broadway Tower that promises to transform it into a sustainable and stunning building. “The speculative project, ‘Tower Skin’, offers a unique opportunity to transform the identity, sustainability and interior comfort of the once state-of-the-art building,” said Chris Bosse, Australian director of LAVA.
More about the project, including a video, after the break.
Our friends at EXH Designshared their design of a hotel in Ordos, which is scheduled to be completed within a few months, with us. Taking inspiration from the yurt, the circular tent-like dwelling of Mongolian peoples, the team transformed the traditional scheme to meet the demands of modern life. The design “makes an accommodation experience in Ordos different from anywhere else and arouses a local cultural interest,” explained the architects.
More about the hotel and more images after the break.
The exhibition ”Eurovisions”, designed by Fantastic Norway, features the winners of Europan 10. It recently opened at the Norwegian Centre for Design and Architecture in Oslo.
“Eurovisions” consists of a vast number of hovering cityscape profiles, portraying the three current Europan sites. Together the silhouettes create a vast graphical landscape, creating a pseudo-3D or “two-and-a-half-dimensional” effect as you walking through it. This technique was widely used in early Disney movies (as well as in classic theatre scenography) to create the sensation of depth and movement through 2 dimensional drawings.
Runner up – and winner projects were exposed at the back of these silhouettes. In addition to this the exhibition features an educational area where information, facts and models of the Europan cities are exposed. Projected onto the walls, fake TV-news clips (set in a not to distant future) reports a variety of stories portraying possible futures for the cities at hand.
UR Architectswere awarded first prize for their design of a sports center in Antwerp. The center, which is intended for non-competition sports, is aligned with the existing sports hall along the main street of the new master plan development. The building attempts “to communicate” on all sides as the sports hall, dance hall and rental depot are positioned on the edge, interconnected by a T-shaped service area. This extroverted model opens the building to the community and the architecture reflects the modernism of the surrounding buildings. The roof is designed as a fifth facade to relate to the nearby housing blocks of Renaat Braem while the facades of the halls are made of multi-layered polycarbonate. Partly translucent, partly transparent, this material combines the dynamic spectacle of changing light and shade, with diffuse daylight admission and a high insulation value, resulting in a low energy building.
Latvian architects Mailītis A.I.I.M., were selected to design the Latvian Pavilion for this year’s Shanghai World Expo. Construction started in the end of 2009.
More images and architect’s description after the break.
As the key words “Sustainability, Innovation and Communication” cornerstones, the Swedish Pavilion, designed by SWECO, showcases how the nation’s spirit of innovation solves problems, improves the urban environment and living standards, and demonstrates the importance of communication under the new technology situation.
The pavilion comprises four cube-like structures that are arranged to form a cross-like space between them — a shape much like Sweden’s flag when seen from above.The outside walls show a city-like grid; the inside walls are covered with images of nature. These cubes are connected by elevated walkways, and house the exhibition,VIP areas, a shop, a café, and a large covered courtyard — room enough for everyone.
San Francisco’s newest transit hub will centralize all the transportation in the city by accomodating nine systems under one roof. Pelli Clarke Pelli Architectshave designed a new terminal, a 1.3 mile extension of the Caltrain rail line, and the redevelopment of the surrounding area which will add 2,600 new homes, a 5.4 acre park roof and a retail street. And a loan of over $170 million given by the Transportation Infrastructure Finance and Innovation Act has given the project an extra push foward. Once completed in 2014, the terminal will include wind turbines, geothermal heating methods and a graywater recycling system. The hub will be a strong message that green technology can successfully be combined with modern transportation. “We are thrilled to be one of the first modern rail stations in the United States to achieve this historic milestone and look forward to continuing to make progress on the Transbay Project,” explained Maria Ayerdi-Kaplan, Executive Director of the Transbay Joint Powers Authority (TJPA).
More images and a video of the project after the break.
Working with the idea of “creating a society that is based on quality not quantity, on cooperation and not competition,” CTRLZ architectures have rethought a new model for, not just a building, but rather for society. Due to the on-going “cultural revolution” we are experiencing, the way we approach solving the problems of the world have changed, and architecture along with it. Now, the architect must not merely respond to designing spaces, but to other factors, such as society, energy, the internet, and politics, as well. “We believe that architecture is not anymore about form and/or/…function, but that it is about relations. The development of network systems shows us that the power resides in links and connections.”
More about the model and more images after the break.
Samoo Architects and Engineers’ green roof design for Seoul covers a massive 131 acres. The project gives an “eco-upgrade” to the run-down Garak Wholesale Market by inserting an extensive public garden into the newly restored commercial center. The roof becomes a large public park that “mitigates rainwater runoff, insulates the interior spaces, and infuses Seoul’s city center with a breath of fresh air.” The design also includes three market pavilions which contain “eco-tubes”, channels that slice through the entire structure allowing daylight and ventilation to reach lower levels.
This video clearly explains the concept for SO-IL‘s winning proposal for the P.S.1 summer installation we presented you yesterday. Now it is easier to understand the concept proposed by Pole Dance, encouraging people to move the structure to create a dynamic space.
Work AC, in collaboration with Edible Schoolyard NY and the Alice Waters’ Chez Panisse Foundation, is designing a new schoolyard for PS216 that will offer the young New Yorkers a different learning experience. The Edible Schoolyard is designed as a series of interlinked sustainable systems where the building will produce energy and heat, collect rainwater, process compost and sort waste with an off-grid infrastructure.
More images and more about the school after the break.
WORKac‘s design for a 1-kilometer section of Hua Qiang Bei Road in Shenzhen was awarded first prize. The design responds to the area’s growing commercial character which has unfortunately created traffic problems. For the proposal, the road becomes a series of “strategic interventions” where “five iconic lanterns”, (twisting bands of required program) create unique, visible destinations through a process of “urban acupuncture”.
More images and more about the design after the break.
Construction for Change, a non-profit in the United States, focuses on building the necessary infrastructure to sustain impoverished communities’ needs. Kit and Samantha Kollmeyer were asked by the CFC to design housing for the One Acre Fund in Bungoma, Kenya to provide a new facility for the growing organization. The One Acre Fund hopes to expand the number of families they provide aid to, from 12,000 families to 33,000 families in the next two years, so this husband and wife team was brought in to design a new headquarters consisting of office and classroom space, and two-bedroom housing units for in-country volunteers.
More about the Kollmeyer’s project after the break.
SAMOO Architecture,the New York studio of SAMOO Architects and Engineers based in Seoul, Korea, was awarded first prize in an international competition for the design of The New YorkKorea Center. Set to begin construction at the end of this year, the 8 story, 33,000 square foot facility will provide space for exhibitions, performances, lectures, and administration. The design is said to “embody the modern Korean sensibility of innovation in harmony with tradition.”
More images and more about the design after the break.
