Mexico's rapid urban growth over recent decades has left many cities struggling with fragmented neighborhoods, high crime rates, and severe shortages of quality public spaces. In many low-income urban areas, informal development occurred alongside raw infrastructure like drainage canals, rail lines, and steep ravines, dividing communities and creating hazardous vacant zones. To address this spatial segregation and lack of civic amenities, public agencies and architects across Mexico are intervening in these abandoned buffer zones to construct public parks. By converting former physical barriers into accessible pedestrian corridors, these projects rejoin separated neighborhoods, re-establish safe visual sight lines, and provide spaces for community gathering and daily recreation.

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Harmonizing with nature is a fundamental premise in architecture, aiming for buildings to be an extension of their environment rather than invasive elements. Frank Lloyd Wright, for instance, maintained that a house should not be placed on a hill, but rather merge with it. Today, this integration has gained greater relevance, driven by the growing need to manage resources and a deep desire to reconnect with the environment. Moreover, this contextual relationship manifests on a sensory level, where visual and tactile elements fuse with the landscape, creating an immersive experience through architectural features that blend with nature.

These spaces include bathrooms, courtyards (both indoor and outdoor), and even swimming pools, all characterized by their inherent connection with water, where finishes—depending on texture and color—can achieve a visual and compositional harmony with the surroundings. A prime example of this is the variety of stones offered by Sukabumi: materials featuring low water absorption, high durability, ease of cleaning, and slip resistance. Through combinations of different tones, sizes, and textures, these stones become a powerful resource for creating organic and welcoming atmospheres through materiality.

The Architectural League of New York is an independent architecture forum that aims to "stimulate thinking and debate about the critical design and architectural issues of our time." Each year, through the 'Emerging Voices' competition, they recognize the work of various North American architectural practices with the potential to positively influence how architecture is conceptualized and built across the continent.

This year, they highlight the work of three Mexican firms: Comunal Taller de Arquitectura, Fernanda Canales, and Luis Aldrete. Learn more about their work below:

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The Architectural Review Emerging Architecture award has been held annually since 1999. It aims to recognize architects at a key stage of their careers, placing them on a global stage and promoting their work worldwide. Previous winners include Sou Fujimoto, Thomas Heatherwick, Sean Godsell, Jürgen Mayer H, Anna Heringer, Shigeru Ban, Li Xiaodong, and Mexican architect Frida Escobedo, designer of the 2018 Serpentine Pavilion.

This year's jury is composed of Spanish architect Ángela García de Paredes of Paredes Pedrosa (1999 AR Emerging Architecture Award winner), Indian architect Gurjit Singh Matharoo (2010 AR House Award winner), and Ronald Rietveld of RAAAF (2013 AR Emerging Architecture Award winner).

It is well known that Frederick Law Olmsted, designer of Central Park in New York; André Le Nôtre, responsible for the gardens of the Palace of Versailles; and Alan Titchmarsh, among others, were pioneers of landscape architecture for their ability to break the mold of traditional design. However, Latin America has produced outstanding work that deserves recognition. Such is the case in Mexico, where Pritzker laureate Luis Barragán showed the world the richness of the country's green spaces and his mastery in designing them.

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“Earthquakes are a naturally destructive effect of our earth's constantly changing surface”
-National Geographic, “Latest Earthquakes–and How Earthquakes Work”, February 2018.

ReConstructo is a group exhibition curated by Mexican architects Luis Carbonell and Andres Souto, presented at Zuecca Project Space in parallel with the International Architecture Exhibition of the Venice Biennale 2018. The exhibition offers a multifaceted look at simultaneous and overlapping readings of the actions and agents of destruction that subsequently paved the way for a latent reconstruction following the 2017 earthquakes in Mexico.

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Throughout 2018, we selected thousands of projects for publication on our site, occasionally highlighting a few for their innovative techniques and materials, their integration with their context, or their community engagement. Working daily with editors in Brazil, the United States, Mexico, Chile, China, and Northern Ireland, and thanks to the extensive network we have forged with institutions worldwide, we have the tools to gain a much broader perspective on current architectural production—not only in Mexico, but globally.

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Today, October 1st, marks World Architecture Day. To celebrate in style, ArchDaily invites you to tune in to our live broadcasts of our special programming.

Seven architects from Chile, Mexico, and Venezuela will visit our offices in Santiago and Mexico City to discuss their key projects and share their architectural vision. Follow the live broadcasts on the Instagram accounts of Plataforma Arquitectura and ArchDaily México.

Our guests will be: