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Located in northern Spain, Logroño is a crossroads of both borders and architecture. It is not only a key stop on the Camino de Santiago and a gathering place for lovers of fine food and excellent Rioja wine, but works from its long architectural history can be found seamlessly interwoven throughout the city, often going unnoticed: from the ancient ruins on Monte Cantabria to Rafael Moneo's modern City Hall—not to mention the contemporary design of the High-Speed Rail Station by Ábalos + Sentkiewicz or the upcoming Bosonit building by Kengo Kuma in the historic center.

There is no need to worry about getting lost. Over its eight editions, the team behind the Concéntrico Festival has curated an extensive series of locations: new squares, interior courtyards, and hidden public spaces that speak volumes about the role of the urban fabric when discussing architecture in Logroño.

As the solstice marks the shortest day of the year in the Northern Hemisphere, it also draws attention to something architecture has long negotiated but often overlooked: time. Beyond form or function, buildings and spaces are continuously shaped by cycles of light and darkness, seasonal shifts, and environmental rhythms that affect how they are inhabited.

In recent years, a growing number of architectural projects have begun to work explicitly with these cycles. Rather than designing spaces to function in a single, fixed way, architects are creating environments that change throughout the day, across seasons, or in response to natural phenomena such as the sun's path, lunar phases, wind patterns, or circadian rhythms. These projects operate in dialogue with time, appearing, transforming, and activating differently depending on environmental conditions.

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