The fourth season of the podcast Causa Común—a co-production between Fundación Lepe and Fundación Aldea for the OH! Stgo festival, held in mid-January in Santiago, Chile—explores the past, present, and future of the capital, alongside the role of its inhabitants in prioritizing the common good and collaborative ways of making, inhabiting, and imagining our shared home.
Directed and coordinated by Francisca Cordero, Soledad Díaz de la Fuente, Magdalena Novoa, and Trinidad Piriz, the six-episode season examines the everyday stories, communities, monuments, and public spaces we inhabit from new perspectives. Featured topics range from the multiple identities of a public square, female leadership in housing projects, and the construction of urban memory, to island hills as socio-environmental opportunities, Mapuche urban dwelling, and the GAM building as an exponent of architecture and social change.
Cerro San Cristóbal, Lima - Peru. Via Shutterstock
"Lima La Impostergable" (Lima, Unpostponable) is an initiative by the Lima Regional Chapter of the College of Architects of Peru. It aims to establish a roadmap for priority issues to be addressed by the 2023–2026 municipal administration of Metropolitan Lima and Callao, built through a platform of citizen engagement.
https://www.archdaily.com/1132414/lima-the-unpostponable-a-roadmap-for-the-2023-2026-administrationDiego Vivas
Render hecho por Josué Miranda - Aérea parque cultural de la danza. Image Cortesía de Isabel Loredo Pecho
In November 2021, the ADUS Award in the "Professional Urban Design (Project)" category was presented to the team from Signare Estudio, composed of architects Isabel Loredo Pecho and Juan José Quiun Montes, for their project "Plaza Cultural de la Danza" in Lircay, Peru.
The award aims to highlight architectural projects that lead to a more sustainable world, based on the premise that architecture drives sustainable trends and improves the quality of life in our cities and the habitat as a whole.
This monumental lamp, standing over 6 meters tall and covering an area of 55 square meters, hangs from the main courtyard of the Purissima Concepció monastery, radically transforming this 17th-century building through light and color.
In the second half of the twentieth century, driven by the mass adoption of the automobile and exponential population growth, cities around the world expanded at an accelerated pace. Santiago, Chile, was no exception, characterized by an extensive and fragmented urban sprawl that has led to a heavy reliance on cars, environmental degradation, and the loss of agricultural land. Without planning and policies aimed at sustainable urban development, the result is a more polluted and less green city—an alarming scenario considering the climate crisis we face.
Figure 1. Everyday life itineraries. Source: own work by the authors.. Image via VAD
Proximity, understood as an urban quality that facilitates the management and pursuit of daily life, has for decades been a key tenet of feminist and gender-responsive urbanism. In the 1970s, academics from various disciplines began analyzing the link between the configuration and use of space and gender relations and roles. Since then, a robust critique of the androcentric configuration of the city has emerged, alongside proposals and criteria to rethink spaces from a gender perspective.
https://www.archdaily.com/1132448/the-precursors-of-proximity-a-feminist-genealogy-of-the-15-minute-cityCol·lectiu Punt 6
The project “Moray, the lost territory – Experiencing Muyus” was developed as part of AAVS Nanoturismo, an experimental teaching, research, and development program by the AA Visiting School of the Architectural Association, School of Architecture in London, United Kingdom. It was carried out by a multidisciplinary team in 2019 in Maras, Cusco, Peru.
Nanotourism reconsiders traditional tourism, shifting it toward a critical, creative, and local perspective. Accordingly, the study utilized the PAR (Participatory Action Research) method, which, through participation, action, and research, identified key “hidden” aspects within this context.
As part of the cultural program for Art Week and as a response to the pandemic crisis, a new space has opened its doors in Mexico City to reimagine our current situation and rethink our relationship with public space and the Chapultepec Forest. From the roots of change generated by this crisis emerged the opportunity to recover and repurpose the iconic building known as "Restaurante Lago"—inaugurated on October 24, 1964, and designed by architect Alfonso Ramírez Ponce—giving it a new purpose: "to transform the private into public, the exclusive into inclusive, the social into cultural. To peel back the layers of history and return the present to its origin, rediscovering an icon of 1960s modern architecture."
View of the Factory from the Wetland. Project by Mathias Klotz and Sebastián Mundi for the CCU Limache Brewery Museum. Image via CCU
The team led by Mathias Klotz and Sebastián Mundi of the architecture firms Klotz and SML has been unanimously selected in the open call for the heritage reconversion of the former CCU Brewery in Limache, the Chilean company announced today in a press release.
This project seeks to preserve the brewing heritage represented by the iconic building founded in 1883, through a museum open to the public.
Taller Virtual de las Américas (TVA). Image Cortesía de Taller virtual de las Américas
More than a decade ago, a new initiative emerged to redefine the architectural pedagogical system. With an influence that today spans countries like Argentina, Peru, Mexico, Venezuela, Guatemala, and the United States, the Virtual Workshop of the Americas (TVA) successfully and synergistically brings together education, collectivity, and virtuality. Architects Nahuel Salcedo and Celeste Gómez Lahoz are part of the coordination team driving this project forward year after year. Here, they explain the initiative in greater detail.
An increasing number of disciplines are engaging with the right to housing. Whether in the realms of architecture, law, economics, urban planning, geography, or political science, diverse voices have sought to identify the obstacles to its fulfillment, especially within increasingly hostile urban environments. Yet, while we all talk about the right to housing, we are not speaking of the same thing.
On Route 104, km 4.5 in Manantiales, Uruguay, stands the new Atchugarry Museum of Contemporary Art (MACA), located on the grounds of the Pablo Atchugarry Foundation. Open to the general public, the building designed by architect Carlos Ott aims to promote the development of national artists while placing Uruguay on the map of major international exhibitions.
The new Maestranza Ukamau Neighborhood, an example addressing access to public housing in Santiago, Chile. Image
"Every person has the right to decent and adequate housing that allows for the free development of personal, family, and community life," states the provision that advanced to the draft of Chile's new Constitution. The draft is being prepared by the Constitutional Convention—a 155-member political body tasked with drafting and approving the proposal for a new agreement for the Republic, which was enabled by the October 2020 plebiscite and driven by the social protests that took place in the country in October 2019.
“Architecture is embedded storytelling,” wrote Marco Frascari. Emphasizing the reciprocity between architecture and narrative throughout his career, this Italian architect, theorist, and educator saw stories as the key to creating a “nontrivial”—and therefore transcendent—architecture. It is from his ideas, writings, teachings, and studies that the reflection inspiring this text arises.
The phenomenon of building new cities around the world is gaining momentum in an effort to mitigate the effects of climate change, contain mass migration and brain drain, or improve the poor quality of life in some cities—a reality highlighted by pandemic lockdowns, among many other reasons. Urban planners and professionals in architecture, engineering, and other disciplines undoubtedly face major challenges, raising the question: should we concentrate all our efforts on creating new urban centers, or focus instead on improving conditions and addressing the issues of existing ones?
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Cortesía de OP Arquitectos (Marcela Orcaje - Gonzalo Pérez)
The Municipality of General Pueyrredón and the Buenos Aires Province Association of Architects announced a Provincial Ideas and Preliminary Projects Competition for the 40th Anniversary Memorial of the fallen soldiers in the Malvinas and its area of influence. This scope included the plaza of the same name and its surrounding area in the city of Mar del Plata, Buenos Aires province.
As part of the preparations for the 2026 FIFA World Cup—co-hosted by Mexico, the United States, and Canada—the remodeling proposal for Mexico City's Estadio Azteca has been unveiled. The historic venue has hosted countless milestone events over the decades and remains one of the capital's premier event spaces.
Cooperative housing, or co-housing, is a residential model that promotes access to housing in cities. This model first developed in countries like Denmark and Uruguay, and it is becoming increasingly popular throughout Europe. Indeed, it arrived in Barcelona several years ago and has since steadily expanded throughout the region, spreading beyond the boundaries of the Catalan capital. Below, we explore the cooperative housing model in Barcelona and how it contributes to a more democratic architecture for its citizens.
“Reading for Life” is the name of the pavilion of the Mayor’s Office of Bogotá designed by Yemail Arquitectura for this latest edition of the Bogotá International Book Fair (FILBO). Welcoming over 30,000 visitors, the pavilion made a significant impact by presenting a narrative that allowed visitors to understand the Colombian capital from different perspectives. It took into account the city’s rural composition while proposing a future with a more organic connection, where the diversity of the neighborhood, water, air, land, and all the cities found in reading, community, and nature coexist in a single space.
This article by Jheisson Joseph Lasso Imbachi was originally published under the title "Habitar tras el destierro: Desplazamiento forzado y retorno como configurador de nuevos hábitats en el Putumayo" in the 30th issue of Dearq journal on May 1, 2021 (DOI: https://doi.org/10.18389/dearq30.2021.05).
It explores migration processes in the south of the country, a consequence of extractive economies that have shaped territorial organization and caused exile, forced displacement, and two lesser-studied phenomena: the settlement and permanence of the population in a host territory and the return to their place of origin. To this end, documentary and testimonial sources were studied, analyzed, and interpreted, allowing a direct approach to the community displaced by violence, in order to analyze the diverse ways of living after displacement and conclude with some considerations for future rural housing proposals that are easily accessible to the victim population.
Below, we present it as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.
https://www.archdaily.com/1132361/inhabiting-after-exile-new-habitats-in-putumayo-colombiaJheisson Joseph Lasso Imbachi
One of the defining features of cities is their undeniable capacity to bring together creative talent through multiculturalism and transdisciplinarity. Today, it is increasingly vital to generate spaces and platforms within these urban environments that serve as creative laboratories—places not only to share but, above all, to reflect on contemporary practice, viewing design not as a decontextualized entity, but as an integrated concept that bridges diverse disciplines.
Architects, designers, psychologists, and sociologists alike recognize that aesthetics and their underlying philosophy have the power to change how we perceive the world around us. Consequently, a deeper understanding of what is beautiful has the power to shift how people respond to their environment. Exploring the different meanings of aesthetics in architecture—from 'form follows function' to the new aesthetics of the metaverse—can help us understand the potential of our physical and virtual environments on the path toward a better world.
Much has been written on the subject, from Alberto Pérez-Gómez's Lo bello y lo justo en la arquitectura to Pablo Caldera's El fracaso de lo bello. However, we wanted to open the debate to our readers to share their views on what makes a building or a city beautiful.
After reading and compiling around 300 comments from construction professionals, students, and architecture enthusiasts alike, it was a pleasant surprise to find common ground regarding the importance of collective beauty, referencing both the urban and natural contexts.
Valladolid is a town of just under 50,000 inhabitants, located in eastern Yucatán. It sits halfway between Cancún and Mérida, about 40 minutes from the Chichén-Itzá archaeological zone. Initially, the tourists who visited did so as a stopover during their travels across the peninsula. However, its gastronomy and architecture transformed it from an involuntary rest stop into a tourist destination in its own right.