Mumbai, India. Photo by Hardik Joshi, via Unsplash
Cities and communities around the world are stepping up to reduce greenhouse gas (GHG) emissions and prevent the most dangerous impacts of climate change. Typically, strategies focus on reducing emissions in sectors such as transportation, energy, housing, and waste. Yet, there is another sector that many communities have overlooked in their climate plans: trees and forests.
https://www.archdaily.com/1131963/5-reasons-for-cities-to-include-trees-in-climate-actionJohn-Rob Pool, David Gibbs, Sadof Alexander e Nancy Harris
São Caetano do Sul, in São Paulo's ABC region, tops the ranking of the country's most sustainable cities. The unprecedented survey reveals that the city, already known for leading the HDI (Human Development Index) in Brazil, is now first among the 5,570 Brazilian municipalities regarding the implementation of the UN's SDGs (Sustainable Development Goals).
Periodically, we have witnessed how the coasts of Quintana Roo have suffered from severe sargassum algae blooms, representing a major problem for local residents who, year after year, dedicate themselves to exhaustively cleaning the beaches during the April-August season. Various media outlets have reported that the cause of the sargassum is still unknown; however, some theories link it to climate change and variations in the Atlantic Ocean. Currently, the non-governmental organization Red de Monitoreo del Sargazo de Quintana Roo (Quintana Roo Sargassum Monitoring Network) monitors sargassum presence in the region. According to its latest alert level system, there are 22 locations with an excessive presence of this macroalgae, and the same number considered abundant.
In a new interview episode, Arquicast speaks with one of the most renowned and established practices in Brazilian architecture. In 2022, aflalo/gasperini arquitetos celebrates 60 years of a practice that has evolved alongside the nation's architecture. A commitment to building performance is central to their work, as is their pursuit of the most advanced technology to support sustainable design—an approach validated by several of their older projects that have gone on to receive international certifications.
The resurrection of the street-level shop is possible: people remain analog. Image: Rovena Rosa/Agência Brasil
An ideal address implies convenience, meeting basic needs for goods and services within a short walk. Breakfast at the base of the building, a quick run to the pharmacy, pulling a cart overflowing with fruit, heading down on Saturday for a haircut, walking the dog in the corner plaza. The health of a city depends on the presence of people walking in public spaces, fostering a sense of community, safety, civility, and the capacity to meet basic consumption needs. And the street-level storefront along this walk is a vital catalyst.
https://www.archdaily.com/1132460/the-death-of-street-shops-and-its-impact-on-citiesFabiano de Marco
The Spanish-Mexican architect Félix Candela is one of the world's most renowned twentieth-century architects, celebrated for a career that explored reinforced concrete through experiments resulting in his famous cascarones (thin-shell structures)—structural and design elements that support many of his works, such as the Cosmic Rays Pavilion at UNAM in Mexico City (1951); the Palmira Chapel in Cuernavaca (1958); the Los Manantiales Restaurant in Xochimilco (1958); and the Palacio de los Deportes for the 1968 Olympic Games in Mexico City.
An initiative in the Rocinha community in Rio de Janeiro will provide professional training for residents in the solar energy market and install two photovoltaic plants in the community (at Acadêmicos da Rocinha and Igreja Batista), directly benefiting the NGOs Rocinha Recicla and Pedrinho Social through local energy generation.
"Light and movement allow us to achieve anything that is recognized as beautiful." This quote by Álvaro Siza Vieira, the universally acclaimed Portuguese architect, captures his philosophy. His work guides the relationship between built space and its surroundings, creating true works of art that prioritize nature. In furniture design, the approach can be similar. The intervention can indulge in the status of art, redefining meaning and joining new dialogues as if framed in a museum setting.
Driven by this provocation, Dell Anno presents an approach for its 2022 campaign that further strengthens its DNA of connecting architecture, art, and fashion. Titled Singular Dell Anno, the campaign draws a parallel with the sublime work of the Portuguese architect, paying tribute to his legacy of simplicity and architectural sophistication, which earned him global recognition and made him a major architectural influence today.
Tie-in sales are one of the major consumer rights issues and are typically banned in most market economies. They occur when a seller conditions the sale of one product or service on the purchase of another. In Brazil, the Consumer Defense Code, under Article 39, Subsection I, expressly condemns this practice. Meanwhile, Law 12,529/2011, which structures the Brazilian competition defense system, establishes in Article 36, Subsection XVIII, that tie-in sales constitute an infraction against the economic order.
Image produced from a photograph showing the construction of the Júlio de Mesquita Filho Viaduct. Collection of the Museu da Cidade de São Paulo, Ivo Justino. http://www.acervosdacidade.prefeitura.sp.gov.br/PORTALACERVOS/ExibirItemAcervo.aspx?id=439575
What relationships between the social field of memory and the construction of the city can be identified during the Brazilian civil-military dictatorship? We begin with the premise that the formation of the city involves a series of disputes and concessions among the diverse entities that make up society. Since, as we know, each social agent possesses a distinct standpoint, their oppressions or privileges are carried over into the realm of memory, which in turn is transcribed into the construction of the urban environment. That is to say, the opinions and desires of certain communities, because they possess more resources, often determine how places will be built and the narratives woven about them.
https://www.archdaily.com/1132506/the-arc-of-destruction-policies-of-erasure-in-the-developmentalism-of-the-military-regimeLuiza Gibertoni Leite e Pedro Flosi Trama
In 2016, in the commune of Limache in Chile's Valparaíso region, tunnels connecting to various parts of the city—including the CCU brewery—were discovered beneath a hatch in the gardens of the landmark Eastman Mansion. Prompted by uncertainty over why they were built, an investigation was launched, with the findings behind the project's origins finally revealed in 2021.
Primer Premio. Image Cortesía de Lesch Alfaro Arquitectos
Organized by the Central Society of Architects (SCA) and sponsored by the Argentine Federation of Architectural Entities (FADEA), the Government of the Autonomous City of Buenos Aires (GCBA) commissioned a preliminary design for a “Memorial Space for Covid-19 Victims” to be located in the southeastern area of the City of Buenos Aires, specifically in Florentino Ameghino Park in the Parque Patricios neighborhood.
The Laboratorio Arte Alameda (LAA)—a venue of the National Institute of Fine Arts and Literature (Inbal) Museum Network—in collaboration with Fundación Telefónica presents Joanie Lemercier: Landscapes of Light, the French artist's first solo exhibition in Mexico. The exhibition offers "a journey through different landscapes that transport the viewer from the contemplation of refined abstract lines and the fascination of majestic computer-generated virtual mountains, to the troubling reality of an overexploited nature."
https://www.archdaily.com/1132330/joanie-lemercier-presents-landscapes-of-light-installation-at-laboratorio-arte-alameda-mexico-cityArchDaily Team
From reducing local temperatures to improving air quality, the benefits of urban forestry in city centers are numerous. Combining social, environmental, and even economic advantages, urban planting—especially along sidewalks—is fundamental to citizens' quality of life. However, it must be carefully planned and designed, balancing urban demands with biological needs.
In an effort to improve air quality and the health of Rio's residents, the Rio de Janeiro City Hall is launching the Low Emission District. Measures to reduce greenhouse gas emissions will be implemented across an area of just over two square kilometers in the city center.
The district's implementation will be carried out in phases through 2030. The first phase, which is currently underway, consists of revitalizing 35,000 square meters of public space in the city center and monitoring air quality and GHG emissions. It is expected to be completed in 2024.
Driven by Gen Z's preference for access over ownership, the secondhand market is beginning to see significant growth worldwide.
This includes the secondhand furniture market, which, in addition to giving a second life to items destined for landfills, helps reduce industrial CO2 emissions—manufacturing and shipping a single piece of furniture emits about 90kg of CO2, equivalent to a one-hour flight on a Boeing 747.
Residencias Remotas is an initiative created by the Architecture program of the Campus Creativo in conjunction with the Community Engagement department of the Universidad Andrés Bello. This interdisciplinary, transdisciplinary, and multidisciplinary project aims to open up a space for reflection on contemporary and pressing issues.
Extending private space to the public. Author's image
The eruv divides the public from the private, the secular from the sacred, and labor from the shabbat. This essay aims to understand how Jewish cultural traditions have adapted over the centuries and coexist today with the dynamics of the metropolis, leaving identity markers on the urban space. Ultimately, we seek to examine the tension between community, identity, and belonging, which construct alternative readings, understandings, and modes of sharing in the city's public spaces.
https://www.archdaily.com/1132074/the-eruv-as-a-territorialization-device-for-orthodox-jewish-communities-in-metropolisesIsabel Seber, Lilla Lescher, Tamara Crespin e Victória Liz Cohen
Glass-enclosed balcony. Photo via Matison.se, used under "fair use" terms
In Brazilian cities, we see new residential buildings being constructed with cantilevered balconies—that is, extending beyond the building's perimeter and encroaching upon the minimum required setbacks (referred to as afastamentos in Rio de Janeiro). However, what we have seen in recent years is a growing trend of enclosing these balconies with glass panels, consequently expanding the adjacent rooms. But what is the reason behind this enclosure? If there is a need to enlarge these spaces, why aren't they designed this way to begin with?
https://www.archdaily.com/1131981/balcony-enclosures-as-a-selling-pointDavid Cardeman e Rogerio Goldfeld Cardeman
Scene from the movie "De onde eu te vejo", in which Vera worked as an art director. Image: movie screenshot
Real or imagined, houses and cities are always present in cinema. In this episode, the Betoneira Podcast hosts art director and set designer Vera Hamburger to discuss how professionals like her appropriate urban space to create illusions, capture the public imagination, and bring the magic of cinema to life.
With its own businesses and economy, the "city" even had floating roads with toll collection by developers. Photo: Reproduction/Revista 'O Cruzeiro', June 8, 1963. Used under "fair use" terms
The end of the rubber monopoly, the economic crisis of the 1920s, demographic growth driven by the migration of river dwellers and northeasterners to Manaus, and a scarcity of resources all contributed to a housing crisis in the city.
Amid this adversity, in 1920, João Aprígio, a native of Paraíba with a wife and children to support, faced immense hardships. His meager earnings were barely enough to feed his family. Lacking a home of his own, Aprígio gathered two açacu logs from an igapó (flooded forest) and towed them behind his canoe to the Educandos waterfront, which he deemed the most suitable location to build his dwelling. For twenty days and nights he worked, eventually erecting what would become the first floating house in Manaus.
Matilde Ucelay Maórtua was born in 1912 in Madrid into a bourgeois, professional, and enlightened family, as the eldest of four sisters. Her father's family, Enrique Ucelay, of Basque origin, had held a prominent economic, political, and professional position in 19th-century Madrid, closely tied to political liberalism. Meanwhile, her mother, Pura Maórtua, also of Basque descent, came from a wealthy family as well. Though she lacked formal academic training, she possessed an insatiable desire to learn and was fortunate to travel extensively, visiting museums and architectural works.
Cortesía de Santiago Benzano, Mateo Salles, Franco Tomaduz y Juan Manuel Méndez
The Rifa Housing Competition is an annual call that invites successive generations of architecture students from the Universidad de la República to propose new ways of living. The goal is to build a home based on their own design strategies, optimizing resources and construction times. Reflecting on living, architecture, and the pedagogy of the discipline, the competition offers the opportunity to experience a design process that extends far beyond the classroom.