Launched on October 16, 2018, by the Council of Architecture and Urbanism of Tocantins (CAU/TO), the National Public Architecture Competition No. 001/2018 aimed to select the best Preliminary Architectural Study proposal for its new headquarters. The building will be constructed in block ACNO 11(103N), Conjunto 02, on Pedestrian Street NO-09, Lot 37, in Palmas, Tocantins.
The Municipal Government of São Bernardo do Campo has opened applications for a public selection process with ten vacancies for architects and urban planners. Organized by the Fundação VUNESP, the exam requires candidates to hold a degree in architecture and urban planning and an active professional registration with CAU/SP.
.jpg?1529932375&format=webp&width=640&height=580)
Following much anticipation, the results of the report compiled by the International Council on Monuments and Sites (ICOMOS) for UNESCO have finally been released. The report follows a visit to the city several months ago, where experts inspected Cartagena's heritage sites and the development of the Aquarela residential complex—a project that threatens Cartagena's status on the UNESCO World Heritage list.
The inspection was carried out jointly by the Ministry of Culture, the Ministry of Foreign Affairs, the Mayor's Office of Cartagena, and ICOMOS advisor and expert Luis María Calvo, during which various plans and initiatives were presented to safeguard the heritage sites. The primary objective of the visit was to provide technical expertise and draft recommendations to improve the conservation of the Port, Fortresses, and Group of Monuments of Cartagena, without passing any value judgments during the process.
As we welcome the new year, don't miss ArchDaily's selection of the best architecture documentaries to watch this year!
Alongside an archaeologist and a visual artist, the team led by architect and University of Chile academic Claudia Torres has documented a series of industrial ruins in rural areas throughout Chile. These are structures where geography and nature have played a fundamental role, both as a productive resource and as witnesses to their progressive deterioration after being abandoned decades ago.
Titled “From Noise to Silence: Valuing Industrial Ruins in Rural Areas,” this research, funded by Fondart 2017, selected nine cases across Chile: from the historic use of the coastline associated with mining in the northern desert (Caldera) to logging in the Patagonian forests of the far south (Contao). Each site features unprecedented photographic and audiovisual documentation that showcases the rich natural environment where they were built to spark or secure productive processes that have shaped the socioeconomic and cultural history of each region.
Describing the work of an architect is sometimes an arduous task. Categorizing a production based on the various criteria to which a body of work is tied often subjects it to the constraints of its historical context. Eduardo Longo, however, represents a clear exception, as his work actively rejected the prevailing principles of his time in pursuit of continuous experimentation. Entering the School of Architecture and Urbanism at Universidade Presbiteriana Mackenzie in São Paulo in 1961, he encountered a unique moment in Brazilian architecture: the formation of the so-called “Escola Paulista” (São Paulo School) alongside national political instability, marked by the onset of the military dictatorship and the construction of the new federal capital, Brasília.
As a student, he distanced himself from the canons of the Escola Paulista, seeking instead to experiment and foster new architectural discourse. Against this backdrop, during his fourth year of university, Longo designed the Mar Casado beach house. Intended for his aunt and uncle, the project was heavily criticized by both faculty and peers due to its “independent way of interpreting architecture” [1] and its structural configuration—which featured a non-orthogonal design with acute and obtuse angles beneath a multifaceted roof—openly defying Paulista Brutalism. Despite the backlash, the house was built and eventually gained recognition: art critic Pietro Maria Bardi praised its relevance in 1967, followed by a feature in *Domus* magazine in 1968 and its inclusion in Yves Bruand’s seminal 1981 book [2].
Writing for the Fundación Arquia Blog, architect Enrique Parra outlines the main questions asked by first-year architecture students in Spain, where, despite the ongoing crisis in the profession, it remains one of the most sought-after degrees. This article offers a chance to compare these expectations with the realities and aspirations of students in different countries.
Text by Raúl Medina and Paola Monreal.
The eternal task of architecture is to create embodied and lived existential metaphors that concrete and structure our being-in-the-world. Architecture reflects, materializes, and eternalizes ideas and images of real life. Buildings and cities allow us to structure, understand, and remember who we are. 1 —J. Pallasmaa
We understand architecture as a series of processes directly linked to two phases. The first involves the birth of ideas, and the constant emergence and creation of questions, affirmations, and negations. It is a back-and-forth between affirmation and self-questioning, between narrative and utopia, arising from our architectural proposals. However, we chose to dedicate this documentary to the second phase: the materialization of that flow of ideas.
The First Industrial Revolution took place in the United Kingdom in the late 18th century with the mechanization of the textile industry. Over the following decades, instead of making things solely by hand, the use of machines spread across the globe.
The Second Industrial Revolution began in the United States in the early 20th century with the assembly line, ushering in the so-called Era of Mass Production.
Today, we are living through a new industrial revolution, driven by digital culture and technology, with 3D printers serving as one of its key catalysts. And believe it or not, you will eventually own one. As they become increasingly affordable, these machines are capable of printing three-dimensional objects. The most common technique involves depositing and bonding, layer by layer, minute particles of materials such as plastic, ceramic, glass, or metal.
More than 100 buildings will open their doors during Open House Buenos Aires 2018, the architecture festival that, over the course of two days—October 27 and 28—will grant access to numerous buildings of architectural value that are normally closed to the public.
As is the case every year, the festival is completely free, offering a unique invitation and opportunity to rediscover both the architecture of the Autonomous City of Buenos Aires and the stories of its citizens.
Discover all the buildings you can visit during the event below.
On August 6, the NOVA Design Award 2018 announced its competition finalists. The NOVA Design Award 2018 is the inaugural edition of the NOVA Design Award (NDA). Under the theme of "Future Living Space," the competition explores the possibilities of residential living over the next decade within a residential space of under 50 square meters with a ceiling height of no more than 6 meters in a first-tier Chinese city, aiming to build a physical prototype of "future living."
The competition selected five finalists from 131 submissions across more than 20 countries to enter the final round of judging.
Happy New Year! Champagne, hugs, phone calls, and new goals. A few days pass, and it feels like this year you really will achieve everything you want. It's a great attitude, but not everyone is so clear on what those goals are or where to direct their career. In this day and age, anything seems possible. If a friend is traveling the world, you want to do it too. If another joined the gym, you want to do it too. If former classmates are pursuing a master's degree, you want that too—but we know we can't do everything at the same time.
During an official tour in late April, the Metro company revealed new details of the alignment for the Bogotá Metro's first line. The inaugural route will feature 16 stations, 10 of which will integrate with Transmilenio, the Colombian capital's mass transit bus system.
According to local newspaper El Tiempo, a 32-hectare site in the Bosa district will house the metro's train yard and workshop, serving as the "starting point for the 23 trains scheduled to begin operating in 2022." Currently, the site is located near the Cundinamarca canal—a stormwater reservoir that, along with a major power transmission tower, will be modified to accommodate the project.
In interior design, striking a balance between aesthetic style and the functional needs of a project is essential. In this regard, it is fascinating to see the diverse solutions that Colombian architects and designers have recently proposed. We have selected eight local projects that demonstrate a compelling balance between functionality and aesthetics in interior design.
Can you imagine arriving at a bus stop in the early hours of the morning—after a party, work, or school—and knowing the exact minute your public transit will arrive? Cities like London, New York, Madrid, and Melbourne have successfully implemented night transit systems with fixed schedules, yielding various financial and safety benefits for residents while boosting tourism and encouraging sustainable mobility. What would happen if this system were applied to the second-largest avenue in the Americas, after Buenos Aires' Avenida 9 de Julio?
Mexico City already has a night transit service: the Nochebús. With 11 routes operating between midnight and 5:00 a.m., it serves late-shift workers, night-lifers, and others needing late-night transportation. However, the service faces several challenges, many of which stem from uncertainty around arrival times—largely due to a much lower frequency than daytime public transit.
Yesterday, the citizen forum "Modern Landscape, Transforming Territories" began in Chillán, an event that aims to reflect on the city's architectural and cultural heritage through various actions in the city.
Three main venues have been chosen to host all of the event's activities: the Municipal Theater, the Escuela México, and the iconic Copelec building, a landmark of modern Chilean architecture.
The 21 projects making up the Official Selection of the Mexican Pavilion at the 16th International Architecture Exhibition of the Venice Biennale converge across latitudes, geographical regions, and echoes of the territory, responding to the curatorial theme “Freespace.” In four installments, we will share the work and philosophy of each of the participants representing Mexico in Venice. Read on to discover the second part of these projects.
The more hidden and remote, the greater the magic; the more land, sky, and water come into view, the deeper the mystery. To know its towns is to enter el Perú profundo, a territory spanning coast, highlands, and jungle. Alongside the vast ocean lies the coastal desert, the towering peaks of the Andes Mountains traversing the country from north to south, and the expansive rainforest harboring the source of the Amazon River. Upon this landscape rest the settlements and structures of ancient cultures. Imagine, then, how many atmospheres remain to be discovered in the most remote corners of this biodiversity. The climatic variety is proportional to the diverse typologies of its towns: towns of sorcerers, ghost towns, lost towns, floating towns, towns of ancient or forgotten languages, of musicians, of stone, of clay, of colors...
On this occasion, the Arquia Foundation Blog, alongside architect Sabrina Gaudino Di Meo, presents an article on the urban antipathy of our cities—which has unfortunately become a daily experience, a naturalized condition, and a fixture of the collective imagination. Faced with this situation, who is responsible? Where are urban planning and social policies when it comes to making our cities friendlier?
On Thursday, November 15, a new edition of the Obra del Año Awards took place—the competition that gathers votes from ArchDaily readers to determine the best architectural works built in Latin America over the past year.
Kiosko, the Alumnos47 initiative that explores publications outside of publishing, now has a winning design for its pavilion. Following the launch of the open call last year, forty-nine proposals were received from different states across Mexico, as well as one from abroad. After a lengthy and rigorous deliberation, the jury—composed of Chus Martínez, Daniel Garza Usabiaga, Tiago Pinto de Calvalho, and Fermín Espinosa—awarded an honorable mention and selected five finalists, from which a winner was chosen.
Invited by the organizers of UIA2020Rio, architect Paulo Mendes da Rocha will chair the Honorary Committee of the World Congress of the International Union of Architects, which will take place in two years in Rio de Janeiro under the theme "All worlds. Just one world. Architecture 21."
Museo Jumex presents 'Proposals for a Plaza,' a collaborative project by artists Fritz Haeg (United States, 1969) and Nils Norman (United Kingdom, 1966). This temporary installation, commissioned as part of the series 'Agora: A Blueprint for Utopia,' will invite the public to imagine and participate in an alternative vision of the museum's plaza.
Inspired by the outdoor spaces of Mexico City, the project draws elements from public parks and the wildlife areas surrounding the city, while also integrating informal uses of open space. It features seating and sleeping areas, a kiosk, a fire pit, bleachers, and outdoor spaces designed for contemplation, gathering, resting, and play.
The Council of the International Union of Architects (UIA), meeting in Oaxaca, Mexico, unanimously approved on May 18 the nomination of the city of Rio de Janeiro as the UIA/UNESCO World Capital of Architecture for 2020. Securing this title is part of the program proposed by the City of Rio, with support from the Institute of Architects of Brazil (IAB), for 2020, when the city will host the 27th World Congress of Architects.
