Water is one of the non-architectural elements most frequently used to complement design, harmonizing atmospheres and the overall experience of living. This can be achieved through reflecting pools, basins, fountains, or swimming pools. In tropical climates, it becomes a key tool that consolidates the architectural program, gathering spaces together and inviting residents to socialize around the pool. 

With the launch of ODA2020, this year we celebrate the twelfth anniversary of the Building of the Year Award (ODA), the highest recognition in the Spanish-speaking architectural world, where the winners are chosen by popular vote. Starting today, Tuesday, March 10, and for the next three weeks, our readers will be responsible for determining which projects inspired us in 2019, faithfully representing the identity of our local contexts while shaping the way architecture is practiced around the world.

Over the next three weeks, the entire ArchDaily en Español network (Plataforma Arquitectura, ArchDaily México, ArchDaily Colombia, and ArchDaily Perú) will serve as the platform for celebrating the best built architecture in Spain and Spanish-speaking Latin American countries.

From a pool of nearly one thousand projects published in 2019, you can easily find your favorites by browsing each category and using the search tool to filter projects by country and architecture firm.

Architect and curator Paula Monroy, in collaboration with Diego Montoya, presents an interview with National Architecture Prize winner Miguel Lawner, conducted during the XXI Bienal de Arquitectura y Urbanismo de Chile 2019. The common good and the political dimension of architecture are among the key themes explored in this conversation.

As part of an initiative by the Ixtepecano Committee for the Defense of Life and Territory and the Ixtepec Reconstruction Council, in collaboration with the Universidad de la Tierra de Oaxaca and Comunal: Taller de Arquitectura—who have been working together since 2018—the manual “Reconstrucción Integral del Hábitat en Guendalizaa” (Comprehensive Habitat Reconstruction in Guendalizaa) has been released. The guide is designed to assist families in the process of rebuilding homes affected in Ixtepec, Istmo de Tehuantepec, Oaxaca.

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The winners of the Ideas Competition for the San Francisco Regional Cultural Recreational Space 2 have been announced. This public, province-wide call invited participants to design a building dedicated to community gathering, recreation, socialization, exchange, education, outreach, and civic participation.

We are pleased to present the finalist projects for the 2020 Building of the Year Award (ODA20). After two weeks of nominations, the favorite projects have been chosen from among hundreds of built works in Portuguese-speaking countries. Our jury of experts, made up of our own readers, has once again done an outstanding job in selecting these 15 projects. The finalists span a remarkable diversity of programs, ranging from cultural and educational projects and public spaces to high-end residences and temporary installations.

With an average of 12 square meters of green space per inhabitant, the city of Rosario was declared Argentina's "greenest" urban enclave in a recent report published by the Inter-American Development Bank's (IDB) Emerging and Sustainable Cities Initiative. This figure aligns with the standards set by the WHO, which recommends between 10 and 15 square meters of green space per person to ensure a decent quality of life for all citizens. The creation of new parks in recent years, combined with the upgrading of over 70 existing ones through the addition of amenities and technology, highlights the significance of green spaces for the people of Rosario.

Slate 1 CAU+Plural, composed entirely of women architects and urban planners, received 11,568 votes in the election for CAU/SP, held on October 15. The election, which recorded the highest turnout of architects and urban planners in the history of the Council of Architecture and Urbanism of São Paulo, marked the first time a single slate garnered nearly 40% of the valid votes.

In an unprecedented achievement, the slate secured the majority of seats in the Council, winning 49 plenary seats. Out of 77 total seats, 52 will be occupied exclusively by women. Thanks to this strategy, the next term will see a 77% female composition—with 54 titular members and 66 alternates, respectively. This effectively reverses the previous composition, where 76% of the state council was represented by men. 

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Through an open data system, the “Buenos Aires Data” program has made public the data from the survey of the entire urban fabric of the Autonomous City of Buenos Aires. Developed as part of the Open Government strategy, the project allows users to download and visualize maps of each of the city's neighborhoods along with their corresponding high-rise buildings.

Last week we announced the 15 finalist projects for the Building of the Year 2020 award (Obra del Año), which since 2008 has celebrated the best built architecture in Latin America and Spain, calling on our expert jury—that is, you, the readers—to choose your favorite completed buildings.

Today, the day has come to announce the winners of ODA2020.

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The state of Michoacán is located in western Mexico, bordered by the states of Jalisco, Querétaro, Guanajuato, Estado de México, Colima, and Guerrero. Covering an area of 58,598.7 km², it faces the Pacific Ocean. Its capital is Morelia, and it is the country's ninth most populous state. Furthermore, it boasts three UNESCO designations: 1) World Cultural Heritage for the Historic Center of Morelia, 2) World Natural Heritage for the Monarch Butterfly Biosphere Reserve, and 3) Masterpiece of the Oral and Intangible Heritage of Humanity for the Day of the Dead celebration.

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Mexico's National Social Distancing Campaign began on March 23, 2020, but a couple of weeks prior—even as the Federal Government recommended continuing activities as normal—social media was already filled with people opting to mirror the European model and self-isolate. Right away, some architecture firms decided to close their physical offices and transition to remote work, while others took a few more weeks to make the shift. However, this period of social and physical (spatial) distancing is experienced differently in every household. Over the months that this pandemic has unfolded, it has exposed not only inequalities regarding basic needs in dense urban areas, but also the fragility of the social order itself. Whether on a macro or micro scale, all of these experiences occur within and are influenced by the built environment, making architecture both an arbiter and an active participant in this equation. 

La Parleta is a project by the Ecuadorian architecture and construction collective EseColectivo, which gathers "highly valuable reflections, anecdotes, and experiences surrounding the profession." Below, we share some of their thoughts alongside their fourth episode, "Post-Apocalyptic Architecture."

Nicolas Norero presents a new season of his podcast, continuing his conversations on identity, memory, and ways of life. In this edition, the featured guests are Dust Architects, Salvador Macías, Luis Callejas, Grupo Talca, Germán del Sol, and Enrique Walker.

Far from Brazil's major economic and cultural hubs, the Porto Alegre-based firm sauermartins has been garnering national and international recognition that belies its modest scale and structure. Founded by Cássio Sauer and Elisa T. Martins and currently comprising only two other professionals, the studio was selected to represent Brazil at the 2018 Venice Biennale of Architecture, was a finalist for the 2019 Lisbon Triennale Début Award, had a project selected for the national shortlist of the 3rd Oscar Niemeyer Award, was recently named one of ArchDaily's Best New Practices of 2020, and will represent Brazil at the upcoming Bienal de Arquitectura Latinoamericana in Pamplona.

With a practice defined by its singular geographical and cultural position—drawing on references from both Brazil and other southern Latin American countries—sauermartins explores an aesthetic of the cold and the rural, inflected by modern influences and dedicated to addressing concrete, contemporary challenges.

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Street safety goes far beyond policing and lighting. While these factors may be important in certain contexts, community engagement and building social capital are key to making cities safer. “Feeling safe is crucial for people to embrace urban space,” says Jan Gehl.

The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the Universidad Nacional de Colombia has shared with us an interview with Sebastián Serna Hosie, a Bogotá-based architect and member of Taller de (S) and Ciudad Isla. This is part of a series featuring seven Colombian architects, including prominent figures such as Santiago Pradilla, Lorenzo Castro, and Fernando de la Carrera, whose interviews will be released on their channel.

Between 1960 and 1980, architectural development in the Magallanes Region was heavily driven by public investment from the Chilean state. The economic boom of the era enabled the construction of high-quality buildings and infrastructure designed by the country's most prestigious architecture firms, providing solutions to challenges related to territory, the city, and society. It was during this progressive development process that Modern Architecture assumed a crucial role.

In 1978, at the height of postmodern architectural discourse, twelve eminent architects were invited to participate in the *Roma Interrotta* exhibition, with the task of redesigning the first map of the city of Rome, created in 1748 by the architect Giambattista Nolli. Each participant was responsible for reinventing a portion of the original map to construct a theoretical or utopian condition, taking into account the historical forces that had swept through the territory during the intervening years.

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At the same rate that the real estate development industry aggressively intervened in the most favorable areas of the city valley—backed by state approvals and concessions, supported by massive banking resources, and employing top individual talent trained at public universities—popular settlement neighborhoods grew proportionally across complex topographies, receiving minimal institutional support, completely devoid of financial backing, and with negligible, residual, if not non-existent, technical assistance.

The Inter-American Development Bank (IDB) recently published a practical guide for sustainable buildings, public spaces, and construction sites in Brazil. Authored by Esperanza González-Mahecha, Livia Minoja, Lucas Rosse Caldas, and Clémentine Tribouillard, the publication aims to simplify access for public and private managers to practical information on how to incorporate sustainability elements into projects, whether buildings (such as housing or public facilities) or public spaces.

No longer a space of purely functional hygiene, the bathroom has taken on a prominent role in architectural design, becoming an essential element in both public and private programs.

When analyzing an architectural project, we often focus on issues such as its programmatic demands and historical context, its design and representation process, and how it was built. We tend to study it as a finished product. Yet, once a work is constructed, it opens itself up to the city and to others, becoming vulnerable to flaws, imperfections, redevelopments, and unforeseen appropriations. The consequences then stem from conflicts, and social and political dynamics that shape the city, forming a fluid and shifting landscape. 

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Known for projects across a wide range of scales—from houses to residential buildings, and corporate offices to cultural centers—the firm FGMF comprises a collaborative team of over 40 architects and is led by partners Fernando Forte, Lourenço Gimenes, and Rodrigo Marcondes Ferraz. In an interview with ArchDaily, the three discuss their most recent residential and corporate buildings, as well as the experience of working collaboratively with Kengo Kuma's team on Japan House São Paulo.