Architect and curator Paula Monroy, in collaboration with Diego Montoya, presents an interview with National Architecture Prize winner Miguel Lawner, conducted during the XXI Bienal de Arquitectura y Urbanismo de Chile 2019. The common good and the political dimension of architecture are among the key themes explored in this conversation.

As part of an initiative by the Ixtepecano Committee for the Defense of Life and Territory and the Ixtepec Reconstruction Council, in collaboration with the Universidad de la Tierra de Oaxaca and Comunal: Taller de Arquitectura—who have been working together since 2018—the manual “Reconstrucción Integral del Hábitat en Guendalizaa” (Comprehensive Habitat Reconstruction in Guendalizaa) has been released. The guide is designed to assist families in the process of rebuilding homes affected in Ixtepec, Istmo de Tehuantepec, Oaxaca.

Directed by Gerardo Panero, the documentary narrates the life and work of architect Amancio Williams, a key figure of the Modern Movement in Argentina. Amancio played an undeniable role in renewing the country's architectural ideals, gaining global recognition for his ideas and projects. Among these is the famous Casa sobre el arroyo (House on the Brook), designed in collaboration with his wife Delfina Gálvez de Williams between 1943 and 1946 in the city of Mar del Plata. Although many of his proposals were never built, his ideals and explorations brought about significant changes in the understanding of ways of living, technique, and aesthetics, leaving a valuable legacy for future architects.

Five years after our first encounter with the hidden substructure of Viaduct #2 in Albarregas Park, in the city of Mérida, Venezuela—and more than ten years since its reclamation by a growing community of skateboarders and street artists—this cultural hub continues to endure, an endogenous space driven by the momentum of its own effervescence.

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The winners of the Ideas Competition for the San Francisco Regional Cultural Recreational Space 2 have been announced. This public, province-wide call invited participants to design a building dedicated to community gathering, recreation, socialization, exchange, education, outreach, and civic participation.

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While brick is one of the preferred construction methods within the architectural culture of several Latin American countries, Uruguay's unique history with this material has been deeply shaped by the contributions of the renowned engineer Eladio Dieste. His work pushed brick to its ultimate lightness, creating curved surfaces through a pioneering technology he termed reinforced ceramics. In doing so, Dieste offered the country—and the world—a new perspective on the structural possibilities of brick, strengthening its role in local identity and inspiring further exploration and design with the material.

We are pleased to present the finalist projects for the 2020 Building of the Year Award (ODA20). After two weeks of nominations, the favorite projects have been chosen from among hundreds of built works in Portuguese-speaking countries. Our jury of experts, made up of our own readers, has once again done an outstanding job in selecting these 15 projects. The finalists span a remarkable diversity of programs, ranging from cultural and educational projects and public spaces to high-end residences and temporary installations.

With an average of 12 square meters of green space per inhabitant, the city of Rosario was declared Argentina's "greenest" urban enclave in a recent report published by the Inter-American Development Bank's (IDB) Emerging and Sustainable Cities Initiative. This figure aligns with the standards set by the WHO, which recommends between 10 and 15 square meters of green space per person to ensure a decent quality of life for all citizens. The creation of new parks in recent years, combined with the upgrading of over 70 existing ones through the addition of amenities and technology, highlights the significance of green spaces for the people of Rosario.

Slate 1 CAU+Plural, composed entirely of women architects and urban planners, received 11,568 votes in the election for CAU/SP, held on October 15. The election, which recorded the highest turnout of architects and urban planners in the history of the Council of Architecture and Urbanism of São Paulo, marked the first time a single slate garnered nearly 40% of the valid votes.

In an unprecedented achievement, the slate secured the majority of seats in the Council, winning 49 plenary seats. Out of 77 total seats, 52 will be occupied exclusively by women. Thanks to this strategy, the next term will see a 77% female composition—with 54 titular members and 66 alternates, respectively. This effectively reverses the previous composition, where 76% of the state council was represented by men. 

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Through an open data system, the “Buenos Aires Data” program has made public the data from the survey of the entire urban fabric of the Autonomous City of Buenos Aires. Developed as part of the Open Government strategy, the project allows users to download and visualize maps of each of the city's neighborhoods along with their corresponding high-rise buildings.

Last week we announced the 15 finalist projects for the Building of the Year 2020 award (Obra del Año), which since 2008 has celebrated the best built architecture in Latin America and Spain, calling on our expert jury—that is, you, the readers—to choose your favorite completed buildings.

Today, the day has come to announce the winners of ODA2020.

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The state of Michoacán is located in western Mexico, bordered by the states of Jalisco, Querétaro, Guanajuato, Estado de México, Colima, and Guerrero. Covering an area of 58,598.7 km², it faces the Pacific Ocean. Its capital is Morelia, and it is the country's ninth most populous state. Furthermore, it boasts three UNESCO designations: 1) World Cultural Heritage for the Historic Center of Morelia, 2) World Natural Heritage for the Monarch Butterfly Biosphere Reserve, and 3) Masterpiece of the Oral and Intangible Heritage of Humanity for the Day of the Dead celebration.

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The Javier Alzamora Valdez building, designed by Peruvian architect Enrique Seoane Ros between 1951 and 1956 and conceived as the headquarters of the Ministry of Education, has been declared a Monument and part of the Cultural Heritage of the Nation. It stands as clear testament to the public civil architecture built during the Modern Movement in Peru, serving as a tangible and representative manifesto of mid-20th-century construction trends, when large government buildings were constructed for public administration as part of the urban renewal of Lima's Historic Center.

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Mexico's National Social Distancing Campaign began on March 23, 2020, but a couple of weeks prior—even as the Federal Government recommended continuing activities as normal—social media was already filled with people opting to mirror the European model and self-isolate. Right away, some architecture firms decided to close their physical offices and transition to remote work, while others took a few more weeks to make the shift. However, this period of social and physical (spatial) distancing is experienced differently in every household. Over the months that this pandemic has unfolded, it has exposed not only inequalities regarding basic needs in dense urban areas, but also the fragility of the social order itself. Whether on a macro or micro scale, all of these experiences occur within and are influenced by the built environment, making architecture both an arbiter and an active participant in this equation. 

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The state of New Mexico is located in the western region of the United States, bordering Colorado, Oklahoma, and Texas (in the US) and Chihuahua (in Mexico). It has the highest percentage of Spanish-speaking population in the United States. As part of Aridoamerica, its landscape is predominantly shaped by cacti and desert species.

La Parleta is a project by the Ecuadorian architecture and construction collective EseColectivo, which gathers "highly valuable reflections, anecdotes, and experiences surrounding the profession." Below, we share some of their thoughts alongside their fourth episode, "Post-Apocalyptic Architecture."

Nicolas Norero presents a new season of his podcast, continuing his conversations on identity, memory, and ways of life. In this edition, the featured guests are Dust Architects, Salvador Macías, Luis Callejas, Grupo Talca, Germán del Sol, and Enrique Walker.

The winners of the National Ideas Competition "Emerging Habitats" in Argentina have been announced. Organized by the national government through the Ministry of Territorial Development and Habitat and the Ministry of Environment and Sustainable Development, the call invited university students, faculty, and researchers across the country to submit design proposals for environmentally efficient housing that can be built during emergencies.

Far from Brazil's major economic and cultural hubs, the Porto Alegre-based firm sauermartins has been garnering national and international recognition that belies its modest scale and structure. Founded by Cássio Sauer and Elisa T. Martins and currently comprising only two other professionals, the studio was selected to represent Brazil at the 2018 Venice Biennale of Architecture, was a finalist for the 2019 Lisbon Triennale Début Award, had a project selected for the national shortlist of the 3rd Oscar Niemeyer Award, was recently named one of ArchDaily's Best New Practices of 2020, and will represent Brazil at the upcoming Bienal de Arquitectura Latinoamericana in Pamplona.

With a practice defined by its singular geographical and cultural position—drawing on references from both Brazil and other southern Latin American countries—sauermartins explores an aesthetic of the cold and the rural, inflected by modern influences and dedicated to addressing concrete, contemporary challenges.

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Street safety goes far beyond policing and lighting. While these factors may be important in certain contexts, community engagement and building social capital are key to making cities safer. “Feeling safe is crucial for people to embrace urban space,” says Jan Gehl.

The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the Universidad Nacional de Colombia has shared with us an interview with Sebastián Serna Hosie, a Bogotá-based architect and member of Taller de (S) and Ciudad Isla. This is part of a series featuring seven Colombian architects, including prominent figures such as Santiago Pradilla, Lorenzo Castro, and Fernando de la Carrera, whose interviews will be released on their channel.

Between 1960 and 1980, architectural development in the Magallanes Region was heavily driven by public investment from the Chilean state. The economic boom of the era enabled the construction of high-quality buildings and infrastructure designed by the country's most prestigious architecture firms, providing solutions to challenges related to territory, the city, and society. It was during this progressive development process that Modern Architecture assumed a crucial role.

In 1978, at the height of postmodern architectural discourse, twelve eminent architects were invited to participate in the *Roma Interrotta* exhibition, with the task of redesigning the first map of the city of Rome, created in 1748 by the architect Giambattista Nolli. Each participant was responsible for reinventing a portion of the original map to construct a theoretical or utopian condition, taking into account the historical forces that had swept through the territory during the intervening years.

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At the same rate that the real estate development industry aggressively intervened in the most favorable areas of the city valley—backed by state approvals and concessions, supported by massive banking resources, and employing top individual talent trained at public universities—popular settlement neighborhoods grew proportionally across complex topographies, receiving minimal institutional support, completely devoid of financial backing, and with negligible, residual, if not non-existent, technical assistance.