The growing focus on sustainable architecture drives architects to explore alternative sustainable construction materials that can be implemented in new buildings. The research “Totora as a Thermal Insulation Material: Properties and Potential” was published by architect Leyda Aza Medina as a master's thesis in 2016 and won the ADUS 2021 academic practice award. The study offers a sustainable alternative, utilizing the renewable resource of totora reeds to develop thermal insulation for buildings in the Peruvian highlands.

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Following the 60th anniversary of the iconic Casa en Jean Mermoz—a precursor to the ideas of Ciudad Abierta in Ritoque—Igor Fracalossi, PhD, proposed a reconstruction of its wooden formwork system. He knows the building well; since 2012, he has dedicated his research to studying "the most complex residential project in Chile to date.”

While walking through the exhibition of the reconstruction in the gardens and galleries of the Centro Cultural Las Condes in 2022, he explains in detail the innovative and unique construction aspects of this demolished work. The house was originally designed by Fabio Cruz Prieto, architect and founding master of the School of Architecture and Design at the Pontificia Universidad Católica de Valparaíso.

Solar Greenhouse is a greenhouse designed for energy generation and self-sufficient food cultivation. Its creators define it as the next step toward a greener agricultural transformation and an advancement in the fight against food and energy poverty. The project was carried out by a group of students, professionals, and experts from the Master in Advanced Ecological Buildings and Biocities (MAEBB) at the Institute for Advanced Architecture of Catalonia (IAAC) Valldaura Labs, and was built in the Collserola Natural Park on the outskirts of Barcelona.

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Like the armadillo from which the studio takes its name, Tatú Arquitectura is based in the southern reaches of Latin America. From there, the Montevideo-based group quickly launched its practice, receiving an award in the competition organized by the Universidad de la República for the RIFA 2014 house. Their work has expanded through a steady, persistent presence in architectural competitions and their first private commissions. The studio's exploration presents itself as an unyielding dialogue with the landscape, regardless of the scale of the commission.

ArchDaily presents the following interview, where the young Uruguayan firm shares details about their projects, motivations, challenges, and ways of working.

Many of us agree with Roman Mars of 99% Invisible when he says that "we tend to not notice well-designed things"—yet many also agree that design is often perceived as being for only a select few. Consequently, we must ask ourselves what is truly democratic when it comes to design, and from there, help define and contribute our vision toward a more just society.

From the perspective of design and architecture, we can approach the democratization of design from various angles—from incorporating design into everyday needs to designing inclusively. At the core of it all lies the search for solutions that improve accessibility and livability in our daily lives.

The construction industry is one of the largest producers of pollutants and waste globally in its daily operations. To put this into perspective, in the mid-1990s in Great Britain, construction processes generated nearly 10 million tons of post-industrial waste. Approximately a decade ago, over 3.5 billion new bricks were used annually, while around 2.5 billion were demolished; of that total, only about 140 million were reused, with the rest sent to landfills.

When addressing the recycling process of construction materials, several obstacles stand in the way of achieving a comprehensive and effective outcome. First, careless demolition can make the process highly complex, as materials destined for different recycling streams are often mixed together. Furthermore, not all materials can be recycled or processed efficiently, as many still require costly or overly complex processes. However, the construction industry—a major contributor to waste production and greenhouse gas emissions—has also developed multiple new technologies to improve its practices. This is where the WOOL2LOOP project comes in, aiming to resolve one of the greatest challenges in applying a circular approach to construction and demolition waste.

Massimo Paolini shares the following article, originally published in El Salto, presenting new reflections on urban mobility and the future of cities.

Born in Quito in 1947, Guadalupe Ibarra settled in Cuenca during her adolescence due to her father's military career. It was there that she decided to study architecture, enrolling at the University of Cuenca in 1963. An outstanding student, Ibarra earned her degree in 1970, becoming the first Ecuadorian woman to graduate as an architect in the country. 

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As part of the activities at the Casa del Lago cultural center, located in Mexico City's Chapultepec Forest, the installation "Ephemeral Bubbles" by Plastique Fantastique will be on display in the venue's gardens from March 24 to April 2. Based in Berlin, Germany, the creative laboratory experiments with temporary interventions and carries out artistic projects worldwide.

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Architectural visualization is a branch of the profession that has gradually evolved to show more than just a final image of the projects presented. Over the years, with new tools made available by technology, it has become increasingly interesting to explore the different facets that speak not only to an author's language, but to a firm's own processes. At ArchDaily, architectural visualization has been a topic we have explored through various articles that reveal different ways of working, but above all, of communicating.

Over the years, the practice of architecture has maintained a very clear line regarding the solutions and services it offers to society. However, given the fast-paced and shifting context we inhabit today, it is far more common to find emerging firms establishing themselves through new discourses that promote transparency and horizontality in the profession. Today, it is fascinating to see how younger generations are increasingly adopting a perspective that borders on theater and the arts, shaping a scene that complements and draws inspiration from other disciplines, rather than remaining confined within the boundaries of architecture itself.

In its 2022 edition, the Colombian Biennial of Architecture and Urbanism celebrates 60 years of highlighting projects that preserve and enhance the urban, environmental, social, historical, and cultural values of the contexts in which they are built. Organized by the Colombian Society of Architects since 1962, the event has announced the 97 selected projects competing for the Biennial Award across nine categories covering different fields of architecture: Interior and Ephemeral Architecture; Urban Design and Landscaping; Dissemination; Social Habitat; Heritage Intervention; Research, Theory, and Criticism; Urban and Regional Planning; Architectural Project; and Single-family, Two-family, and Three-family Housing.

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On February 8, at Torre Glorieta Cibeles and as part of Mexico City Art Week, MASA Inc. presented an exhibition showcasing pieces by Manuel Bañó, Hollie Bowden, Frida Escobedo, Héctor Esrawe, Mario García Torres, Adeline de Monseignat, Marrow, Brian Thoreen, Joe Sweeney, ROOMS Studio, EWE Studio, and VISSIO.

Gathering spaces in rural areas play an important role in improving the quality of life for local communities. In April 2022, Fundación Mi Parque launched the book “Rural Public Spaces: Community, Architecture, and Landscape” as both a contribution and a guide for a design discipline that seeks to highlight and address the need for meeting spaces in rural environments. The book is the culmination of five years of fieldwork, during which 37 community spaces were built, benefiting more than 26,000 residents in the Choapa Province of Chile's Coquimbo Region.

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“Mercado Retablo” is the winning proposal of the II Semilla Competition organized by MURU, presenting a new design for the Playa Grau Municipal Market, located in the city of Ayacucho. Architects Santiago Nieto Valladares and Lucía Uribe Osores explain how “the market proposes quality public spaces that establish it as a gathering place, moving beyond a mere site for transit and commerce to host and foster social interaction.”

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Two decades ago, at the "International Congress on Construction in Architecture and its Teaching" held in Barcelona, Helio Piñón spoke of attention to materiality and construction as a fundamental condition of conceiving architecture. Today, in 2022, Equipo 01 Architecture & Design—composed of Jesús San Vicente and Franca Colmenarez—reverses this statement by presenting the National Paradores Pavilion at the FITUR 2022 International Tourism Fair.

The Municipality of Avellaneda, in partnership with the Association of Architects of the Province of Buenos Aires (CAPBA), launched a national ideas competition for a new urban public park and the National Football Museum. The project is to be located near the urban center of Avellaneda, in the province of Buenos Aires.

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The historical memory and research project "Clásicos Mexicanos"—which recovers the work of key figures in mid-20th-century Mexican design by manufacturing some of their most iconic pieces—once again opens its doors to celebrate the work of Armando Franco (b. 1921), a key figure in the Mexican architecture and design scene.

The Municipality of Tandil and the Association of Architects of the Province of Buenos Aires / District 8 launched a provincial ideas competition for the construction of an urban landmark along with the design of its adjacent public space at one of the main entrances to Tandil, a town located in the southeast of the province of Buenos Aires.

The bookstore and publishing house Arcadia Mediática, alongside the architecture, design, and construction magazine Arkinka, began 2022 with the launch of their first joint editorial project, “Ideas de Hábitat. Arquitectura en Perú 2010-2020”. Through built projects of varying scales and territories represented by more than four generations of architects, the book aims to showcase the finest works of contemporary architecture in Peru over the last decade.

In November 2022, the Network of Latin American Architecture Biennials REDBAAL will mark its first ten fruitful years, celebrating this milestone by launching the Fourth Edition of the Oscar Niemeyer Award for Latin American Architecture, the prestigious ON-04 Prize. This August, the jury's decision was announced, revealing the top three winners and recognizing the work of architects from Brazil and Mexico.

The first woman to receive an architecture degree in Argentina was Filandia Pizzul in 1928 from the University of Buenos Aires, more than 50 years after the program was first established. Starting in 1874, the architecture program operated independently of the Department of Sciences, where these studies had been housed since 1865. She was a pioneer in several fields, also becoming the first woman to complete courses at the Civil Aviation Directorate in 1928, earning pilot's license No. 181.

The first “Urban Life Competition: Ideas for Sustainable Urban Transformation” was launched as part of an initiative by the Spanish Agency for International Development Cooperation (AECID) in collaboration with the Ibero-American General Secretariat (SEGIB), under the framework of the LAIF City Life initiative and with the support of the European Commission. On June 15, 2022, the appointed jury announced the winning ideas, selected from over 90 proposals from 15 Latin American countries.

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