In Peru, communal kitchens (ollas comunes) are self-managed neighborhood initiatives located in vulnerable areas. Driven by the food and educational insecurity triggered by the pandemic, these spaces have assumed a vital role in child development, transforming themselves into neighborhood schools. Within this context, "DIT: Building a Space for Children" emerged—a project selected for the XII Ibero-American Biennial of Architecture and Urbanism. Through this initiative, architects Gian Franco Pedreschi, Sergio Iván Puch, and Jhordano Zabanick, together with the community of the AA.HH. Horacio Zevallos, intervened in the public space adjacent to a communal kitchen in the Rímac district, improving the residents' quality of life.

+ 5

At the end of June, the exhibition marking the end of the First Stone program opened at the National Coach Museum in Lisbon, Portugal. Initiated in 2016 by the cultural association experimentadesign, the program involved 36 architects and designers from 15 different countries, including Michel Rojkind, Álvaro Siza, Amanda Levete, Bijoy Jain, Carla Juaçaba, Eduardo Souto de Moura, Elemental, João Luís Carrilho da Graça, Manuel Aires Mateus, Mia Hägg, Paulo David, Studio MK27, Vladimir Djurovic, Claudia Moreira Salles, Estudio Campana, Fernando Brízio, Frith Kerr, Ian Anderson, Jasper Morrison, Jonathan Barnbrook, Jonathan Olivares, Jorge Silva, Michael Anastassiades, Miguel Vieira Baptista, Pedro Falcão, Peter Saville, Philippe Starck, R2 Design, Ronan & Erwan Bouroullec, Sagmeister & Walsh, Ai Weiwei, Alexandre Farto aka Vhils, Carsten Höller, Fernanda Fragateiro, Julião Sarmento, and Marina Abramovic.

In the latest edition of the FAD Awards for Architecture and Interior Design, the Kindergarten in the Cerro Colorado Community, located in the city of Arequipa, was selected as a 2022 International FAD Finalist. Designed by architects Ander Bados Sesma and Betsaida Curto Reyes, the school was developed as an expansion of the Villa Magisterial school by the NGO All Hands and Hearts following severe flooding in the city.

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The National Architecture Award of Chile is presented by the Colegio de Arquitectos (Architects Association) to recognize "a lifetime dedicated to the service of architecture," according to the organization. First awarded in 1969, the inaugural recipient was Juan Martínez, architect of landmark projects such as the Law School at the University of Chile and the Votive Temple of Maipú.

The DNA Paris Design Awards have announced the winners of the 2022 edition in the categories of architectural design, interior design, landscape design, product design, and graphic design. The results were announced at the end of June, and the awards ceremony will take place in Paris in September 2022.

+ 7

On October 1, architect Rozana Montiel presented the exhibition "Blanco en tres actos" (White in Three Acts) at the Colegio de San Ildefonso in Mexico City. The exhibition invites visitors to experience the design processes of the architect's studio in three moments: "Habitar el vacío" (Inhabiting the Void), "Hojas en blanco" (Blank Pages), and "Un manifiesto" (A Manifesto) within an interior space covered in paper, seeking to reframe the blank page through a shifting of time and textures. On this canvas, fifty projects hand-sketched at various scales form a grid that reveals the mysterious moment when an idea is conceived.

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The public architectural design competition for the Velodrome in Gibraltar Metropolitan Park in Bogotá, D.C., was organized by the District Institute for Recreation and Sport (IDRD). Located in the Kennedy locality, the competition—with advisory support from the Colombian Society of Architects (SCA)—aimed to select a preliminary architectural proposal for the design, technical studies, architectural and technical coordination, and related design tasks.

The jury comprised architects Leonardo Álvarez Yepes (representing SCA Bogotá D.C. and Cundinamarca), María Elvira Madriñan Saa and Fernando Montenegro Lizarralde (representing the SCA National Presidency), and Nelson Yovany Jiménez and Felipe Alberto Morales Sánchez (representing the District Institute of Recreation and Sport). Out of 17 submissions, three prizes and several honorable mentions were awarded. Read on to learn more about the winning projects.

El colectivito came into being about five years ago. Lacking both a name and a defined shape, it brought together, in an almost casual way, a group of students interested in critically reflecting on architecture and territory. Its name ironically references the historical moment of its birth: it views itself as just one of countless architectural collectives, adopting a diminutive suffix to reflect its awareness of its own budding development. Today, it serves as a meeting space where architects and architecture students from the province of Misiones, Argentina, share and discuss interests and concerns regarding the architectural culture of the unique region they inhabit.

Architect and archivist. She designed the three buildings for the Antorchas Foundation in Buenos Aires. She carried out the assessment, adaptive reuse proposal, budget, and equipment study for the completion and commissioning of the National Library in Buenos Aires. She also served as Director of the ARCA Center (Civil Association for the Archive of Contemporary Argentine Architecture) between 1998 and 2002.

On this day 117 years ago, Juan O'Gorman—the first Mexican functionalist architect—was born, whose work marked a turning point in the architectural production of his era. He trained at what was then the National School of Architecture, where he completed and integrated his studies in architecture and engineering. Considered the father of modern architecture in Mexico, O'Gorman trained in the style of Le Corbusier and the stripped purism of Villagrán, eventually evolving toward the "New Mexican Baroque" movement. His works were characterized primarily by the use of reinforced concrete, asymmetric exteriors, and a constant search for air and light.

The growing focus on sustainable architecture drives architects to explore alternative sustainable construction materials that can be implemented in new buildings. The research “Totora as a Thermal Insulation Material: Properties and Potential” was published by architect Leyda Aza Medina as a master's thesis in 2016 and won the ADUS 2021 academic practice award. The study offers a sustainable alternative, utilizing the renewable resource of totora reeds to develop thermal insulation for buildings in the Peruvian highlands.

+ 1

Following the 60th anniversary of the iconic Casa en Jean Mermoz—a precursor to the ideas of Ciudad Abierta in Ritoque—Igor Fracalossi, PhD, proposed a reconstruction of its wooden formwork system. He knows the building well; since 2012, he has dedicated his research to studying "the most complex residential project in Chile to date.”

While walking through the exhibition of the reconstruction in the gardens and galleries of the Centro Cultural Las Condes in 2022, he explains in detail the innovative and unique construction aspects of this demolished work. The house was originally designed by Fabio Cruz Prieto, architect and founding master of the School of Architecture and Design at the Pontificia Universidad Católica de Valparaíso.

Solar Greenhouse is a greenhouse designed for energy generation and self-sufficient food cultivation. Its creators define it as the next step toward a greener agricultural transformation and an advancement in the fight against food and energy poverty. The project was carried out by a group of students, professionals, and experts from the Master in Advanced Ecological Buildings and Biocities (MAEBB) at the Institute for Advanced Architecture of Catalonia (IAAC) Valldaura Labs, and was built in the Collserola Natural Park on the outskirts of Barcelona.

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Like the armadillo from which the studio takes its name, Tatú Arquitectura is based in the southern reaches of Latin America. From there, the Montevideo-based group quickly launched its practice, receiving an award in the competition organized by the Universidad de la República for the RIFA 2014 house. Their work has expanded through a steady, persistent presence in architectural competitions and their first private commissions. The studio's exploration presents itself as an unyielding dialogue with the landscape, regardless of the scale of the commission.

ArchDaily presents the following interview, where the young Uruguayan firm shares details about their projects, motivations, challenges, and ways of working.

Many of us agree with Roman Mars of 99% Invisible when he says that "we tend to not notice well-designed things"—yet many also agree that design is often perceived as being for only a select few. Consequently, we must ask ourselves what is truly democratic when it comes to design, and from there, help define and contribute our vision toward a more just society.

From the perspective of design and architecture, we can approach the democratization of design from various angles—from incorporating design into everyday needs to designing inclusively. At the core of it all lies the search for solutions that improve accessibility and livability in our daily lives.

The construction industry is one of the largest producers of pollutants and waste globally in its daily operations. To put this into perspective, in the mid-1990s in Great Britain, construction processes generated nearly 10 million tons of post-industrial waste. Approximately a decade ago, over 3.5 billion new bricks were used annually, while around 2.5 billion were demolished; of that total, only about 140 million were reused, with the rest sent to landfills.

When addressing the recycling process of construction materials, several obstacles stand in the way of achieving a comprehensive and effective outcome. First, careless demolition can make the process highly complex, as materials destined for different recycling streams are often mixed together. Furthermore, not all materials can be recycled or processed efficiently, as many still require costly or overly complex processes. However, the construction industry—a major contributor to waste production and greenhouse gas emissions—has also developed multiple new technologies to improve its practices. This is where the WOOL2LOOP project comes in, aiming to resolve one of the greatest challenges in applying a circular approach to construction and demolition waste.

Massimo Paolini shares the following article, originally published in El Salto, presenting new reflections on urban mobility and the future of cities.

Born in Quito in 1947, Guadalupe Ibarra settled in Cuenca during her adolescence due to her father's military career. It was there that she decided to study architecture, enrolling at the University of Cuenca in 1963. An outstanding student, Ibarra earned her degree in 1970, becoming the first Ecuadorian woman to graduate as an architect in the country. 

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As part of the activities at the Casa del Lago cultural center, located in Mexico City's Chapultepec Forest, the installation "Ephemeral Bubbles" by Plastique Fantastique will be on display in the venue's gardens from March 24 to April 2. Based in Berlin, Germany, the creative laboratory experiments with temporary interventions and carries out artistic projects worldwide.

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Architectural visualization is a branch of the profession that has gradually evolved to show more than just a final image of the projects presented. Over the years, with new tools made available by technology, it has become increasingly interesting to explore the different facets that speak not only to an author's language, but to a firm's own processes. At ArchDaily, architectural visualization has been a topic we have explored through various articles that reveal different ways of working, but above all, of communicating.

Over the years, the practice of architecture has maintained a very clear line regarding the solutions and services it offers to society. However, given the fast-paced and shifting context we inhabit today, it is far more common to find emerging firms establishing themselves through new discourses that promote transparency and horizontality in the profession. Today, it is fascinating to see how younger generations are increasingly adopting a perspective that borders on theater and the arts, shaping a scene that complements and draws inspiration from other disciplines, rather than remaining confined within the boundaries of architecture itself.

In its 2022 edition, the Colombian Biennial of Architecture and Urbanism celebrates 60 years of highlighting projects that preserve and enhance the urban, environmental, social, historical, and cultural values of the contexts in which they are built. Organized by the Colombian Society of Architects since 1962, the event has announced the 97 selected projects competing for the Biennial Award across nine categories covering different fields of architecture: Interior and Ephemeral Architecture; Urban Design and Landscaping; Dissemination; Social Habitat; Heritage Intervention; Research, Theory, and Criticism; Urban and Regional Planning; Architectural Project; and Single-family, Two-family, and Three-family Housing.

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On February 8, at Torre Glorieta Cibeles and as part of Mexico City Art Week, MASA Inc. presented an exhibition showcasing pieces by Manuel Bañó, Hollie Bowden, Frida Escobedo, Héctor Esrawe, Mario García Torres, Adeline de Monseignat, Marrow, Brian Thoreen, Joe Sweeney, ROOMS Studio, EWE Studio, and VISSIO.