The Richard H. Driehaus Architecture Competition seeks to revitalize traditional architecture in overlooked areas of Spanish towns, while promoting the work of local artisans and builders. In this first phase, municipalities submitted proposals to rehabilitate or remodel various architectural spaces. Out of all the submissions, Alzira (Valencia), Santa Cruz de la Palma (Tenerife), Santiago de Compostela (La Coruña), and Guadix (Granada) were selected.

To showcase the valuable output of Argentine universities, for the third consecutive year we launched an open call inviting our Argentine readers to submit their final thesis projects, sharing the work that launched their careers as newly minted architects.

After receiving more than 60 submissions from various Argentine architecture schools and cities, our editorial team selected nine projects, focusing on those that demonstrated critical thinking toward contemporary issues, formal resolution, and representation. The selection not only recognizes those projects that delivered the best possible architecture through simple design suited to their context, program, and users, but also highlights those showing a strong commitment to human scale, mediation, transition, and new ways of approaching urban architecture. This edition's jury was composed of Fabian Dejtiar, Managing Editor of ArchDaily en Español; Mónica Arellano, Editor of ArchDaily México; and Delia Bayona, Editor of ArchDaily Perú.

Read on to explore the selected projects in detail.

Recognizing outstanding heritage practices, the fourth edition of the European Award for Architectural Heritage Intervention AADIPA has announced 15 shortlisted works in Category A (Intervention in built heritage) and 10 in Category B (Exterior spaces).

On June 13, during the 4th International Biennial of Architectural Heritage Intervention—an event organized by the directors with the support of COAC, AADIPA, and the Generalitat de Catalunya—the finalists and winners of each award category will be announced.

Urban Sketchers Bogotá held its third exhibition through a competition organized in partnership with the Colombian Society of Architects and the Bogotá Public Space Biennial (BEPBOG) at the beginning of this second half of the year. Building on the momentum of the inaugural BEPBOG, the contest aimed to promote freehand graphic representation of the city's 30 most iconic public spaces.

This chapter of the article series by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit—which examines social housing in Latin America—presents recommendations for the sequence of actions required to generate housing in both rural and urban contexts. Review the previous installments and the new article below.

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The International Art Exhibition of the Venice Biennale opened its 58th edition on May 11, 2019, at the Sale d'Armi in the Arsenale in Venice, and will run through November 24. At this world-renowned event, Mexico presented its contribution to the national pavilions with Acts of God by artist Pablo Vargas Lugo. Curated by Magalí Arriola, the project seeks to establish a dialogue with the curatorial concept of the Biennale Arte 2019, May You Live in Interesting Times, to examine how we value our actions, the connections we establish between the natural world and geological time, and to question the origins of our moral choices and inherited values, such as the idea of redemption.

Through elements that once served a functional purpose in architecture—such as door frames, scaffolding, wheelbarrows, planters, or chairs—Colombian artist Sebastián Dávila assigns them a sculptural use, transmuting this obsolescence into the foundation for creating new scaled spatialities in cast concrete. In conversation with ArchDaily, the artist, sculptor, and near-architect explains how merging art and architecture transcends the stereotomic quality of concrete-generated space.

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A numerical coincidence links the municipality of Escobar with the life of architect Francisco Salamone. In 2019, the district celebrates 60 years since its creation—having achieved municipal independence in 1959—an anniversary inviting its residents to reflect on both its history and its future. August also marked the 60th anniversary of Salamone's death. In 1938, he was commissioned to design the Municipal Palace in Escobar. The project, however, was left unfinished due to budget constraints, making it the only project by the architect in Buenos Aires that remains incomplete today. To mark this double anniversary, the local government is revisiting the original design to finally complete the building.

Paying attention to Lima's many perspectives is something that should be a daily occurrence, though unfortunately, this is not the case in our city. Sometimes we do not even notice what happens in the streets; at other times, we have a biased view, or we simply prefer to look at the city from the most comfortable angle. It is important to turn our attention to the many urban actors whose multidisciplinary visions, when integrated, can offer an interesting, enriched, and diverse outlook on the city.

In tribute to this diverse city of nearly ten million inhabitants, the UNESCO Office in Lima has gathered academics, historians, archaeologists, urban planners, architects, artists, and Lima enthusiasts for the inaugural UNESCO Talks event, titled “Lima, muchas miradas”.

Miguel Eyquem walks with one hand resting on his bag, bringing a handkerchief to his nose. He says he has a cold and hopes it will not be an obstacle to our conversation. Like all those who embody history, Eyquem's ideas race ahead of him. He walks, speaks, stops, thinks, speaks again, changes the subject, and keeps walking.

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Of the two million people currently living in the region of Galicia, an estimated 5,000 work in the production and sale of crafts. Through the exhibition “Pensar coas mans. Las nuevas siete lámparas de la belleza artesanal” (Thinking with Hands: The New Seven Lamps of Craft Beauty), located at the Museo Centro Gaias in The City of Culture, Izaskun Chinchilla presents an art installation of 250 pieces. Created in collaboration with 65 artisans, the project seeks to restore the prestige of craftsmanship and prompt reflection on its collective value.

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The Safe Cities Index (SCI) by The Economist Intelligence Unit ranks 60 representative cities worldwide based on indicators covering digital security, health security, infrastructure, and personal security.

Focusing on Latin America —and setting aside the repeated leadership at the top of the list by Tokyo, followed by Singapore, Osaka, Amsterdam and Sydney— where do this region's cities rank in terms of safety for 2019?

In this installment, as part of the series of articles by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit, we examine the importance of design sequences and generative codes in social housing in Latin America. Explore all previous publications and the new article below.

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The installation Hórama Rama by Pedro y Juana (Ana Paula Ruiz Galindo and Mecky Reuss) opened this summer as part of the 20th edition of the Young Architects Program 2019 at MoMAPS1. This architectural installation is an immersive jungle landscape set within a large-scale cyclorama that sits atop the courtyard walls of MoMAPS1 and runs from June 28 through September 2, 2019.

2019 brought a wealth of enriching experiences through some of Mexico City's most prominent events, including the inaugural Porto Academy Workshop, the annual Design Week Mexico festival, and the Abierto Mexicano de Diseño, among others. These events hosted design and architecture exhibitions that captured the creative output of the moment—showcases that will serve as future reference points for understanding the architectural discourse of this era.

Reading "Poéticas Colectivas" is a unique experience: the pages divide into two, three, and then become one. The boundaries of the pages dissolve, and both knowledge and architectural works intersect on both a literal level—the pages—and a theoretical one—the ideas.

This book by Bisman Ediciones brings together the work of Matéricos Periféricos and Arquitectura del Sur, two collectives of Rosario-based architects with shared ideals.

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Mexico City’s vecindades (traditional tenement housing) are urban settlements located primarily in the downtown area. According to the National Institute of Anthropology and History (INAH), these buildings first emerged in the late 18th century, though their peak occurred during the 19th century as a result of rapid population growth, serving to provide affordable housing for the city's most marginalized sectors.

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"SOM: Art + Engineering + Architecture" is an exhibition opening at the Antiguo Colegio de San Ildefonso in Mexico City. Presented in collaboration with MEXTRÓPOLI, the global architecture and urbanism festival organized by Arquine magazine, the exhibition offers a comprehensive overview of SOM's structural engineering practice, its integration with architectural design, and the firm's long tradition of collaboration with the visual arts.

The Chilean city of Valparaíso is comprised of 42 hills overlooking the Pacific Ocean. Its unique topography has prompted—or forced—residents to build a creative network of elevators, staircases, and alleys, connecting every corner of the city despite its rugged terrain.

With the launch of ODA19, this year we celebrate the eleventh anniversary of the Obra del Año (ODA) Award, the highest accolade in the architectural world where the winners are chosen by popular vote. Starting today, Monday, April 1, and for the next three weeks, our readers are responsible for determining which projects inspired us during 2018, faithfully representing the identity of our local contexts while shaping the way architecture is practiced around the world.

Over the next three weeks, the entire ArchDaily en Español network (Plataforma Arquitectura, ArchDaily México, ArchDaily Colombia, and ArchDaily Perú) will serve as the platform to celebrate the best built architecture in Spain and Spanish-speaking countries in Latin America.

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The Mexican state of Oaxaca is one of the most visited destinations in the country, drawing travelers from around the globe with its rich culinary, cultural, and architectural heritage. Located in the southeastern region of the country, it spans 93,757 km² and is divided into 570 municipalities, making it the fifth-largest state in Mexico.

Few may have heard of Hermosillo, a Mexican city of 850,000 inhabitants located in the middle of the desert, just 280 kilometers south of the United States border. It is a city of great strengths, but also immense challenges. In an increasingly urbanized world, cities have become platforms for innovation and change, particularly in developing countries. While megacities like Bogotá, Lima, and Mexico City struggle to distribute goods and services to their sprawling populations, intermediate cities like Hermosillo have the potential to offer a more sustainable alternative.

In 1986, an urban design competition was held in Argentina titled “Ideas Urbano-Arquitectónicas para Buenos Aires” (Urban-Architectural Ideas for Buenos Aires), more commonly known as “Las Veinte Ideas” (The Twenty Ideas). Organized as part of a cooperation program between the Community of Madrid and the Municipality of Buenos Aires during the mayoral administration of Facundo Suárez Lastra, this call for entries generated a high concentration of design concepts. With the participation of more than 400 architects, it yielded a total of 120 proposals for the city. Although unbuilt, these ideas hold significant theoretical and historical relevance; in many cases, they served as the seed or starting point for the development of subsequent urban projects.

In Bogotá, a third of all households live in gated communities. This phenomenon is a misguided application of the model idealized by post-war American suburbs, which projected an idyllic, safe, happy, and perfect life—a life where mobility prioritizes motorized vehicles, utilizing simple, replicable, and, of course, highly profitable construction models.

Ciudad Isla is an exhibition by architects and professors at the Universidad Nacional de Colombia, Ramón Bermúdez and Sebastián Serna, in collaboration with the Institute of Science, Technology and Policy (ISTP) at ETH Zurich, which brings this issue to light. It presents a collective research project on gated housing complexes and their relationship with public space in the city of Bogotá.