The City of São Paulo has begun the first phase of interventions to revitalize Largo do Arouche, a busy area in the city's central district. The project includes paving and leveling the square's promenade and installing new street furniture, including benches, bike racks, drinking fountains, bollards, and guardrails.

Over the course of a building's history, it may take on functions other than those for which it was originally designed. This is the case, for example, with houses that have become museums—either because they became architectural icons or because they eventually lost their original purpose and underwent renovation to host an exhibition space.

Imagine a setting worthy of Mad Max, but filled with high-tech art installations. This is what the landscape of Burning Man looks like, the American art and counterculture festival that every year builds—and immediately afterward destroys—an entire city in the middle of the Nevada desert to host the event. Now, however, Brazil is joining the lineup, hosting its own annual edition of the festival: Tropical Burn.

Architectural modernism emerged in the wake of the early 20th-century European avant-gardes. The movement was fueled by industrial capitalism and the thrilling technological progress unfolding before everyone's eyes. The break with the past had been deliberately ushered in by intellectual, artistic, and technical movements since the mid-19th century. The Crystal Palace, for instance, designed by Sir Joseph Paxton, was built in London to host the Great Exhibition of 1851 and represented a structural revolution in the use of lightweight materials such as iron and glass.

Tekôa is a space within Ekôa Park that explores solutions by bridging theory and practice. It is a hub for integrative permaculture practices based on two principles: developing a practical ecology and experimenting with low-environmental-impact solutions that yield positive social impacts, thereby inventing new ways of living, building shelter, and producing food. Sem Muros believes that to achieve an ecologically sound and socially just life, people must develop autonomy. To this end, the techniques used are simple, easily replicable, and tailored to the environmental context of the project's territory.

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Since 1980, with the first exhibition dedicated exclusively to architecture, titled The Presence of the Past and directed by Paolo Portoghesi, the Venice Biennale has positioned itself as a turning point in the history of contemporary architecture. Since then, 16 editions have occupied the spaces of the Giardini and the Arsenale, addressing themes ranging from the fundamental elements of architecture to the future of the discipline.

Anyone who has ever taken an interest in mobility knows that the advent of the car brought about several major changes to the built environment of cities and to people's lives. These transformations have been, and continue to be, widely discussed across various fields of study. In history, for instance, the car serves as a lens for the period of industrialization; in engineering, it is key to engine technology; and in urban planning, it is studied for its role in the process of urbanization. From its invention to the present day, the car has continuously gained ground and become increasingly ubiquitous in streets and buildings, embedding itself into daily life and the popular imagination.

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One of the constant considerations in residential design is how to divide spaces or define zones based on daily uses and dynamics without compromising the spatial quality of the building. While this exercise is inherent to architectural practice as a whole, when it comes to residential projects—particularly houses—the pursuit of comfort elements like natural light, ventilation, noise control, and privacy gains layers of complexity tied to the wide range of situations a home must accommodate.

The International Union of Architects (UIA) has launched a global competition to select the logo for the World Capital of Architecture, whose inaugural host city is Rio de Janeiro. The initiative aims to transform Rio, and future designated capitals, into open and creative platforms to discuss, exchange, and find solutions to urban challenges.

The 12th São Paulo International Architecture Biennale took over two of the most iconic public buildings in the capital of São Paulo. A major exhibition featuring works from various parts of the world remains open until December 8 at the Centro Cultural São Paulo (CCSP), while Sesc 24 de Maio has been occupied by a dozen installations and devices designed specifically for the building and its surroundings.

Here, we present the 10 devices that transformed the space of Sesc 24 de Maio, creating tension and establishing narratives in one of the most intensely used public spaces in downtown São Paulo. The works are divided into the three axes guiding the Biennale: Everyday Tales, Everyday Materials, and Everyday Maintenance.

Architects and urban planners evaluated the services offered by CAU/BR and the state-level CAU/UFs. Out of nine services analyzed by the professionals, seven received an average score above 7 on a scale of zero to 10. These and other findings are part of the CAU Evaluation Survey conducted by the Datafolha Institute in May. The study interviewed 1,500 architects and urban planners and 500 architecture and urban planning firms by telephone to assess the effectiveness of the Council's communication channels with professionals and society, as well as to gather information to support initiatives ensuring access to the entity's information.

The streets of Los Angeles will serve as a testing ground for a new asphalt compound made from recycled plastic. Developed by TechniSoil Industrial, the material incorporates plastic waste that would typically be discarded, mixing it with recycled asphalt reclaimed directly from the streets.

Through their narrative forms, architecture exhibitions promote the dissemination of knowledge and inquiries within the theory and practice of the discipline. Beyond the direct appreciation of a specific object or architectural ensemble by experiencing that space, architecture exhibitions present content structured through narrative paths, classifications, associations, or juxtapositions. This expands architectural knowledge, if not through in-situ experience, then through the way graphic materials are displayed. In this light, curatorial and exhibition design practices can foster new questions in the field of architecture, encouraging visitors to engage in critical reflection.

Brazil has just surpassed the 2,000-megawatt (MW) milestone of operational capacity in centralized solar photovoltaic generation systems—large-scale plants connected to the National Interconnected System (SIN).

According to data from the Brazilian Association of Solar Photovoltaic Energy (ABSOLAR), solar photovoltaic power—based on the direct conversion of solar radiation into electricity in a renewable, clean, sustainable, and increasingly competitive way—reached a total of 2,056 MW of operational installed capacity, equivalent to 1.2% of the country's electricity mix. As a result, it becomes the 7th largest energy source in Brazil, surpassing nuclear power, which accounts for 1,990 MW (1.2%) from the Angra I and Angra II plants located in Rio de Janeiro.

Masonry is undoubtedly one of the most widespread construction techniques in Brazil. Brick, which can serve as both structural support and building enclosure, is an expressive and highly versatile material, easy to use due to its widespread production and the general availability of labor across the country.

A high-quality public space that prioritizes pedestrians, features organized urban planning, and invites people to stay, enjoy, and socialize. This was the guiding premise of the first phase of the urban revitalization of Rua Grande, in São Luís, the capital of Maranhão. The project began with the restructuring of the entire Deodoro Complex, which now offers visitors and residents a new perspective on the Deodoro and Panteon Squares and the Silva Maia and Gomes de Castro promenades.

The Association of Sabesp Engineers (AESabesp) has launched a competition to select the best architectural designs for the future São Paulo Water Museum. The goal is to find the best architectural concepts and alternatives for the restoration and expansion of the former water and sewage department building—currently known as the França Pinto Reservation Center—and the implementation of the cultural venue.

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Marked by the intersection and mutual reinforcement of curatorial design and institutional action, the 34th Bienal de São Paulo emphasizes the poetics of “relation” and adopts an innovative operational structure. This framework involves exhibitions and events hosted at the Bienal Pavilion starting in February 2020, in collaboration with a network of more than 20 institutions across São Paulo. Once the Pavilion is fully occupied by the exhibition starting in September 2020, these partner institutions will host, within their own spaces, exhibitions integrated into the 34th Bienal.

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The fanzine Architecture and Politics, produced days before the second round of the 2018 presidential elections, is a manifesto on the urgency of understanding the production of space in its intrinsic relationship with power. Foreshadowing the fate that the outcome of this election brought upon the country, it suggests a way of interpreting the Brazilian political landscape.

Since their university days, architecture students are taught that ventilating indoor spaces is crucial for removing excess heat. However, the specific conditions under which this practice actually achieves adequate thermal performance are not always clearly defined, especially regarding residential roof ventilation.

Standing 120 meters tall at the corner of West 56th Street and Eleventh Avenue, the first building by Álvaro Siza in New York is nearing completion. Named 611 West 56th Street, the residential condominium will also feature several amenities for its residents, including a swimming pool, a spa, a gym, a children's playroom, and event spaces.

Tasked with mapping contemporary Brazilian production, the ​Tomie Ohtake Institute AkzoNobel Architecture Prize ​began its activities in 2013 with loosely defined horizons. While there was the expectation of creating an unprecedented initiative on the national stage by honoring projects built over the last decade, there was also the clear challenge of establishing a prize without categories, dealing with a broad universe of programs and comparing initiatives of widely differing scales.

One of the most influential contemporary artists, American sculptor Richard Serra will have their first public artwork in Latin America installed in São Paulo. The headquarters of the Instituto Moreira Salles on Avenida Paulista will permanently house the sculpture Echo, created specifically for the cultural center, which will be open to the public free of charge starting next Saturday in the institute's outdoor garden.

Improving public transit requires close attention not only to vehicles and routes, but to how people access and exit them. All too often, urban planning fails to account for the diverse needs of all individuals and how they navigate a transit system.