Applications for the Escola da Cidade lato sensu postgraduate program are open until August 13, 2021. Established over 10 years ago, the program consists of seven courses and is structured around two central pillars: practice and design, both understood as research and strategies for engaging with space across its multiple scales. The program’s overarching theme, "Civilization America: A Look Through Architecture," seeks to understand and address the historical, geographical, territorial, and social conditions that define us. With this perspective, the postgraduate courses at Escola da Cidade aim to connect professionals working in architecture, urbanism, and related fields with research and critical reflection applied to design and teaching.

The book focusses initially on the philosophical, artistic, and scientific forces that impacted on the humanist of the late Medieval and Renaissance period, profuse in the exchange of ideas and discovery. Behind much of which was the impact of Dante’s Divine Comedy with a message which continues to reverberate through the centuries. What has also persisted is the perpetual tension between science, religion, and design because of their perceived contradictions. The book explores how we might gain inspiration and motivation to embrace a consistent artistry and sense of exploration in the face of an ever-expanding knowledge-based frontier.

For the fourth time, the Lisbon Architecture Triennale presents the Début Award to an architect or a practice in order to celebrate their achievements and stimulate their career.

Our Voices II: the DE-colonial Project will showcase decolonizing projects which work to destable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong and neo‐liberal systems work to continuously subjugate Indigenous involvement in decision‐making processes in subtle, but potent ways. However, we are not, and have never been cultural dopes. Rather, we have, and continue to subvert the colonial value sets that overlay our places in important ways.

12 Projects in 120 Constraints reviews a set of Plan: b projects in Colombia through the environmental, social, and voluntary constraints the projects faced, and the interim agreements built around them. The book details a reconstruction of these buildings' central facts through an "inverse" exercise — explaining each project based on contextual constraints rather than singular architectural ideas. As a prelude to the projects, the book examines other authors' work and how they understand the limitations and difficulties that are part of their creative activity. This revision generates a broad reflective base to approach the architectural projects and the predominant role that restrictions have played in them.

On July 6 at 7:00 PM, the book "Brasil de dentro – Heartland Brazil" by photographer Elaine Eiger will be launched. The event will feature a discussion with the author and guests Adélia Borges, José Marconi Bezerra de Souza, and Fernando Serapião.

MOVYT has created a tool to support, among other things, the design of Mobility Plans that municipalities must implement under the new Public Space Contribution Law. The launch will take place on Thursday, July 8, at 10:00 AM via our digital platforms, where participants will be able to download the cards for free.

Terra. It’s the 6th edition of the Triennale for 2022.
It will take place between October and December 2022, chief-curated by Cristina Veríssimo and Diogo Burnay. “Terra explores how new paradigms are changing our ways of place-making in a globalised Planet. Terra addresses how climate cha(lle)nges, pressure on resources and socioeconomic and environmental inequities are profoundly intertwined”.

The 2021 Summer School will focus on water and public spaces in urban areas.

The exhibition With Love from Spain in Aalborg, Denmark, is a collaboration between Utzon Center and the Aarhus School of Architecture. It is based on the research project “Escandinavia - Architectural dialogues between Denmark and Spain”, which investigates the fortunate parallelisms, influences and translations between Nordic and Spanish architectural cultures. The origin of this long-term affinity is to be found in the significant interest that Spanish architects had in Nordic architecture, extensively focused on its Modern Masters: Alvar Aalto, Erik Gunnar Asplund, Sigurd Lewerentz, Sverre Fehn, Arne Jacobsen, and Jørn Utzon.

The disruptive impact of Industry 4.0 is spreading across all fields of knowledge, changing and transforming how we interact with objects and people. Although the effects of this revolution are not yet as noticeable in the field of Cultural Heritage, it is safe to assume that current and future experiments and applications will lead the fields of preservation, conservation, management, and appreciation of Cultural Heritage toward new and unexpected horizons.

The Council of Architecture and Urbanism of Rio de Janeiro (CAU/RJ) is conducting an unprecedented study to profile architects and urban planners working in the state of Rio de Janeiro. The survey primarily aims to gather data on professionals working outside the capital and those employed in the public sector. The initiative also seeks to gather input for the council's strategic planning for the 2021–2023 triennium.

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Saint-Gobain has announced the results for the 16th edition of its international Multi Comfort Student Contest. This year, the challenge was to convert the post-industrial area of the Coignet company in Saint-Denis (France) into a space for living, learning, and leisure in the heart of a large green space, respecting both the historical heritage and the needs of sustainable development of modern neighborhoods, in collaboration with the city of Saint-Denis.

Learn more about the top three winning projects below.

A fascinating insight into Britain’s industrial past as evidenced by its buildings, richly illustrated with intricate line drawings.

This book is Michele Saee’s life’s work. A collection of projects, built, unbuilt, conceptual, and experimental which expands over more than three decades. There
are over 50 projects in different cities, countries, and continents, all with different programs, scales, and sizes on sites varying from the hillsides of Tempio, Sardinia in Italy to the Champs Elysees, Paris in France to the ocean front of the Pacific in California, USA to an apartment condo in newly developed towers in Beijing, and a new aquarium in Shanghai, China. This book is about an architect’s journey of discovery—a fluid emotional exercise in life, love, work, and architecture.
The projects are presented based on their individual original design and their development. There are hand and computer sketch, drawings, and model studies of different stages of their development. The book covers everything from conception
of the projects in their early stages through the process of their creation. The book clearly shows Michele’s way of working and his personal exploration in establishing his architectural philosophy and language.

In rural China, an informal wave of building jump-started by economic and social transformations over the past 40 years has rendered some villages unrecognizable. The resulting building boom, taking place in a context of few regulations, has created densities more often found in urban areas. At the same time, the availability of new materials and industrial construction methods has led to remarkable hybrid experiments where rural self-builders adapt, modify, graft, cleave, and wrap traditional building types. These unexpected and innovative solutions address some of contemporary architecture’s most pertinent issues.
As Found Houses argues that the manifold evolution of the vernacular is part of the everyday practice of villagers’ lives. The book documents surprising design decisions in the domestic architecture of rural China and is a resource for thinking about new ways of living together.

The contemporary building industry is addicted to new materials in an era that necessitates smarter practices. The concrete industry alone accounts for 8% of global CO2 emissions with alarmingly little attention paid to the inevitable obsolescence of that material. These buildings are destined for the landfill with concrete occupying the vast majority of that mass. THE CANNIBAL’S COOKBOOK mines solutions from an ancient practice known as cyclopean masonry—a practice that intelligently consumes the rubble of building stock to provide new structures. This book contextualizes these practices, deciphers the mysteries embedded in their cryptic geometries, and provides a series of recipes that can be adapted, automated, and applied today. Is the key to recycling our building materials locked inside the cryptic cyclopean masonry walls suspected of being built by primordial giants? THE CANNIBAL’S COOKBOOK challenges the inappropriate practices surrounding concrete by learning from the myths and legends of architectural cannibalism.

7th International Forum on Architectural Heritage Brazil-Portugal: All Worlds - The Heritage That Unites Us
PROARQ/UFRJ - UA - IAB - UIA