This article is part of our new "Material Focus" series, which asks architects to elaborate on the thought process behind their material choices and sheds light on the steps required to get buildings actually built.

The Mipibu House, designed by Brazilian firm Terra e Tuma Arquitetos Associados, measures 170 square meters, and uses exposed concrete blocks to complement an expansive layout. Located in an unusually sized site in Brazil, a key element of the architects' design involved the consideration of the possible - or rather the inevitable - verticalization of nearby buildings. In response to this challenge, they designed a compact, complex design that answers the needs of their customer with creativity in the selection and use of materials. We talked with architect Danilo Terra to learn more about the choices of materials and the challenges of the project.

Forty-seven years after their first appearance, Lina Bo Bardi's iconic glass easels have returned to the gallery at São Paulo's Museum of Art (MASP), displaying some of the museum's most valuable paintings, spanning from the medieval to the modern, in an exhibition on the second floor of the museum.

Removed from display in 1996, the concrete pillars, wood and glass easels were reviewed by METRO Arquitetos, who became part of MASP's curatorial team -- in charge of exhibition design -- last December. Having carried out various exhibitions this year at the museum - such as Brazilian Art Through the 1900s - METRO Arquitetos decided to end the year by bringing back the easels, in an exhibition similar to the original one conceived by Lina, which almost five decades later, continues to impress with its innovative way of exhibiting art in museums.

We had the opportunity to visit the exhibition montage and speak with architect Martin Corullon about the return of the easels and the process of recovering the space as conceived by Lina for the museum. Read the complete interview below.

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