In this article, I share the analysis and decision-making process we led at Königsberger Vannucchi Arquitetura when starting our BIM transformation in 2017. We conducted six investment studies between 2013 and 2017 before the plan finally became an active initiative. It was September 2017, and we had just embarked on what would be the most important, transformative, and risky investment of the KV2020 strategic cycle: adopting BIM as the office standard across 100% of our projects, throughout 100% of their lifecycles.

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Located in southern Mexico, bordering the state of Tabasco and sharing a border with Guatemala, the state of Chiapas is one of the most significant regions for Mesoamerican cultures like the Olmec, Maya, and Chiapanec. Consequently, some of the area's most important tourist attractions are the archaeological zones of Yaxchilán, Palenque, Chinkultic, Toniná, and Bonampak, which are crucial for understanding the construction, structural, and social processes that shaped this territory.

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Similar in nature to silos and granaries, the barn is an essential building typology within agricultural storage processes. Their designs are typically simple and functional. Serving specifically as facilities to store large volumes of raw materials, they are characterized by high ceilings, wide spans, and relative flexibility. These structures protect agricultural products—such as cereals, fruits, grains, straw, and hay—from the sun, rain, moisture, and pests.

Nearly sixty years ago, Flora Manteola, Javier Sánchez Gómez, Justo Solsona, Carlos Libedinsky, and Antonio Diaz envisioned a building with a capacity of 3,000,000 books and 500,000 magazines and newspapers for the National Library of Argentina preliminary design competition. Their proposal for a "large metal tent" would ultimately take second place to the concrete glyptodont by Clorindo Testa, Bullrich, and Cazzaniga that stands today.

From its inception, the proposal "prompted sensitivity toward new formal and structural directions," as noted in the jury's critique. In 2015, this design was featured in the exhibition Latin America in Construction, and today its original model and blueprints are in the official collection of the Museum of Modern Art (MoMA) in New York.

Below, we revisit the project through the words of Justo Solsona: 

There are many ways to define BIM methodology. One of them describes it as a set of processes that help us combine a project's geometry with the data required to complete its entire lifecycle. We could say that modeling in BIM is like virtually executing the construction process.

Another key aspect is that it allows us to work in a collaborative environment, helping to simplify the flow of information among different stakeholders and providing greater control over our projects. 

As part of an initiative by the Faculty of Architecture at the National Autonomous University of Mexico (UNAM), the Carlos Obregón Santacilia Bookstore is making a selection of its publications available to the public digitally and free of charge. These texts cover a wide range of topics, including research methods, analyses of administrative processes in the architectural field, theoretical writings by Alberto T. Arai, architectural history across various periods and contexts, structural systems, energy efficiency, urbanism, landscape, heritage, reconstruction, biennials, and guides to support the conception of new architectural projects.

As a human creation, architecture as an object always poses the challenge of its integration into the landscape. When a design opts to go underground, it can bring various design benefits, such as blending into the context, as well as technical advantages like increased thermodynamic efficiency.

Without a doubt, 2020 was a year defined by transformation and new paradigms. For the first time in more than a century since the Spanish Flu, we faced a pandemic that drove us into complete isolation inside our homes. Within the field of interior design, lockdowns forced millions of people worldwide to rethink their personal relationship with the home and its various spaces. In Brazil, despite a surge in renovations and furniture sales, the segment faced initial downturns. Nevertheless, the construction sector's Gross Domestic Product (GDP) is projected to grow by 3.8% in 2021, according to data from the Civil Construction Industry Syndicate (Sinduscon-SP) and the Getulio Vargas Foundation (FGV) published on the Época Negócios website.

Analyzing the Brazilian interior design projects published in recent months, combined with our daily curatorial experience, we have mapped out 22 trends pointing toward the future of interior design in Brazil for 2021 and beyond. To provide a coherent overview, we have divided our selection into five major conceptual categories: Colors; Finishes and Surfaces; Spatial Integration; Efficiency and Space Saving; and Repurposed Construction Materials in Interiors. Read on below:

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In 2018, a flexible and ephemeral space was erected in Mexico City's Alameda Central, demonstrating the luminosity and plastic versatility of joining 2,500 water jugs to form a conical blue oasis. Today, this pavilion is located within the Huerto Urbano Roma Verde, where it has hosted various events and activities, shedding the transience and impermanence that originally defined its essence.

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Traditional architecture is based on a complex understanding of dwelling, the collective production and transmission of knowledge, and construction through mutual-aid community processes that strengthen the social fabric, cultural identity, and territorial bond. In other words, it is a practice of community self-production where the inhabitants themselves, without intermediaries, manage the multiple processes involved in materializing their habitat, always relying on collective intelligence. Today, architecture has shifted from being a communal asset to an exclusive language of a few where, despite still requiring the organized participation of various actors, its production is credited to a single author: an individual entity who, without possessing the diverse knowledge required to complete a work from start to finish, is recognized as the mastermind behind all processes. The professionalization of architecture has not only individualized its discourse and complicated the transmission of knowledge; it has also discriminated against and rejected the knowledge produced outside of academic, professional, and governmental institutions, labeling it as precarious—thereby opening the door to racism.

Have you ever had to convince your friends or family that an exposed brick wall can be more interesting than a plastered surface painted white? Or that exposed building systems can offer major advantages when it comes to maintenance? These are recurring scenarios in the professional lives of architects and design firms.

Amid century-old buildings, a major bus terminal, and a thriving commercial sector, Curitiba has implemented a complete street. Completed in February, the revitalization of Voluntários da Pátria Street has made the thoroughfare safer for pedestrians moving through the central area and more inviting for staying, featuring new benches and widened sidewalks. It is a reclamation of the past that makes the present more welcoming and strengthens the construction of a more humane future for Brazilian cities.

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Are artists connected to the territory and the community?

Todo por la Praxis presents their project Monumento Residencia, an active research initiative addressing the space of artistic residencies and the resident's engagement with their context.

Videos

At a time when we only have room for immediate priorities, many designers in our discipline work detached from the actual context where their projects will be built. Yet, some still dedicate the time and passion to experience these realities firsthand and build hand-in-hand with the users. 

Videos

Chiloé is a production by Glaciar Films, directed by Diego Breit and David Guzmán, consisting of five episodes that showcase the architectural identity of the Chilean island and its key figures. Architects, carpenters, artisans, and residents weave together a narrative charting the island’s building history and how it now faces imminent change and the adoption of modern paradigms.

The complete series is available to watch below.

Videos

The Post_Arq student collective of the Leopoldo Rother Architecture Museum at the National University of Colombia shared with us the interview series titled "Siete Imaginarios, Siete Arquitectos" (Seven Imaginaries, Seven Architects). The interviewees include prominent figures such as Sebastián Serna, Santiago Pradilla, Leonardo Álvarez Yepes, and Lorenzo Castro, among others.

Below, you can explore the interviews conducted with these renowned figures of the Colombian architectural scene, several of whom were winners or received honorable mentions at the XXVII BICAU.

For over 80 days of protest, our streets and buildings have been covered daily in slogans, posters, illustrations, and an endless array of visual material referencing the social demands of a country that claims to have awakened from a 30-year slumber. Meanwhile, public monuments throughout Chile are being tagged, altered, destroyed, or removed from their original sites, becoming a primary target for protesters—or, as the newspaper El Mercurio¹ puts it, for “vandals.”

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Vacío is a temporary intervention that seeks to redefine the boundaries and experience of the space in which it is located. It is crucial to understand the environmental impact of ephemeral projects. 
To construct this void, we used four floating curtains made of repurposed sheets of paper collected from other architecture firms, bathed in indigo to erase the drawings, texts, and prints of their previous life. 
The installation's lightness allows the airflow to constantly reshape the defined geometry of the prism. Inside, the space mutates and interacts with visitors, almost compelling them to move as the floating sheets seem to breathe.  

This article by Maria Inés García-Reyes Röthlisberger (Pontificia Universidad Javeriana) and Stefano Anzellini Fajardo (Universidad de los Andes) was originally published in issue 24 of Dearq journal on 01/01/2019 under the title "Saberes compartidos del hábitat: una arquitectura para el paisaje rural" (https://doi.org/10.18389/dearq24.2019.03) and is part of a joint dissemination partnership.

This article by Julián García Muñoz and María de los Ángeles Beltrán Fernández was originally published in the second issue of rita magazine under the title "La prefabricación de bóvedas de ladrillo: Una utopía latinoamericana" and is part of a joint publishing collaboration. The following is an overview of the history of these prefabricated vaults, aiming to reclaim their value.

Chilean architect and urban planner Germán Bannen, renowned for his work in the municipality of Providencia, is thoroughly examined in a new documentary by visual artist Gabriel Del Favero and journalist Ana Rodríguez. La ciudad de Germán Bannen traces the key milestones of his projects—such as the design and construction of Nueva Providencia Avenue—through a compilation of photographs, plans, archival footage, lectures, architectural drawings, and a dozen interviews.

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The single-family housing prototypes presented here arose from the need to validate the construction system developed by CAUH. As with all prefabricated and industrialized systems not considered traditional construction methods, it is necessary to undergo a process of empirical certification and validation. This process is required to obtain the CAT (Technical Aptitude Certificate) issued by the Undersecretariat of Housing of Argentina. To achieve this, not only are individual components of the system tested, but a full-scale prototype or model home is also built to endure two seasons, allowing its on-site performance to be verified.

Fazendinhando is a movement for physical, cultural, and social transformation in Jardim Colombo, created by and for its residents through the reclamation of public spaces and art and culture initiatives aimed at community integration.

The movement's primary focus is the transformation of a 1,000 m² area, known as Fazendinha, into a park. The development of this space relies on physical site remediation paired with a continuous cultural and artistic program that engages the local community and regular users of the space.

To showcase the valuable output of various Argentine universities, we held our open call for the fourth consecutive year, inviting our Argentine readers to submit their graduation projects.