Children playing on Paulista Avenue on a Sunday. Photo: Eduardo Augusto de Carvalho.
The theme of children's absence in the contemporary city, and the search for solutions that enable their mobility with greater autonomy and playfulness, guided a study of about 130 children, aged 7 to 12, from different social backgrounds, residing in the Consolação district of São Paulo. After walking, talking, and drawing with the children to map an ideal route between the local square and school, an intervention proposal [2] was developed, weaving together the Vila Buarque and Higienópolis neighborhoods, aimed at bringing children out to play in groups, outdoors, every day.
According to the 2016 report by the United Nations Human Settlements Programme (UN-Habitat), there are 881 million people living in slums in cities across the developing world, and it is estimated that by 2025, another 1.6 billion people will likely need adequate and affordable housing. In light of these projections, there has been much discussion about Social Interest Housing (referred to as HIS in Brazil) and how projects in this field can help address the housing deficit. But what, exactly, does this term mean?
There is something compelling about the way air—an incredibly fleeting and invisible medium—can shape a wide variety of forms. This fascination has captured our imagination since childhood, when we were first drawn to the lightness, color, playfulness, and variety of inflatables.
Occupying rooftops is an ancient practice; however, it was only with the Modern Movement and Le Corbusier's five points of architecture that the "fifth facade" began to be explored to its full potential. Pilotis, a free plan, ribbon windows, and a free facade combined with the rooftop garden to establish the guidelines for this new architecture. While Modernism as a universal language collapsed, many of its principles endure in contemporary architecture.
The 5th edition of Portugal's PNAM (National Wood Architecture Prize) was awarded on November 8 at the Monastery of Alcobaça. Organized by the Association of Wood and Furniture Industries of Portugal (AIMMP), the Portuguese Chamber of Architects (OA), and the Portuguese Construction and Real Estate Confederation (CPCI), the biennial award is open to Portuguese architects who choose wood as a primary material for their projects.
We can initially understand the concept of revitalization as a design practice or a socio-spatial process strategically led by specific groups associated with contemporary urban planning. The structuring of the contemporary city depends, according to Meyer (2000), on large-scale strategic urban projects. The strategic value of such projects, according to the author, hinges on their ability to trigger significant transformations in metropolitan space, enhancing its attractiveness and influence. Rather than simply offering localized and specific urban improvements, contemporary urban planning reveals itself, through the intentions of its proponents, as an instrument capable of promoting the cohesion of the metropolitan territory and organizing flows to prevent functional and spatial dispersion.
Keys to facing a studio presentation or exam in the first years of architecture. Image via Facultad de Arquitectura, Planeamiento y Diseño UNR
Quacquarelli Symonds (QS) has released the 2019 edition of its annual ranking of the world's top universities in the field of architecture. This year, UCL (University College London) took the lead, a position held by the Massachusetts Institute of Technology (MIT) in the United States for the past four editions.
In Latin America, institutions from Chile, Brazil, and Mexico occupy the top three spots, respectively. See the top 10 below:
In Brazil, an increasing number of people are choosing to live in apartments rather than houses. Mirroring this trend, the supply of residential buildings with diverse floor plans and typologies has grown at a similar pace. In this context, and aiming to evoke the feeling of a standalone house, developers are increasingly offering lofts and duplex apartments. These layouts foster spatial openness, functional design, and enhanced natural light and ventilation through large openings and glass expanses. Additionally, double-height ceilings establish a visual connection between different floors, among other features that provide greater comfort to residents.
Figura 1. Diagrama de estructura de los 10 criterios de diseño para edificios (Fuente: elaboración propia). Image Cortesía de Dra. María Beatriz Piderit M.- Ms. Matías Tapia Maureira
The following research, developed within the Master's in Sustainable Habitat and Energy Efficiency program at the Universidad del Bío-Bío by C. Matías Tapia Maureira and María Beatriz Piderit M., addresses the integration of resilience and sustainability criteria in the design of educational buildings in Chile. Read a summary of their work below.
https://www.archdaily.com/1121178/resilience-criteria-for-the-design-of-educational-buildings-in-chileMaría Beatriz Piderit M. y Matías Tapia Maureira
The final thesis project represents a major milestone in earning an architecture degree, and one of the fairest ways to honor it is through promotion and visibility. To discover the valuable output of Peruvian universities, in January we launched our open call, inviting architects to submit their respective final graduation projects (PFC) defended through 2018. Although we originally published a compilation of undergraduate theses in 2015, this is the first official call in Peru on par with previous editions held in other Latin American countries such as Argentina, Mexico, Colombia, and Brazil, placing us at the heart of this international dialogue.
This first edition received 75 submissions from 17 universities across various cities nationwide. After an exhaustive evaluation, 15 final projects were selected by the editorial jury of ArchDaily en Español. The selection values precision and detail, a cohesive line extending from the design to its presentation, and above all, the boldness to advance revolutionary ideas in the face of a seemingly harsh yet diverse reality. They do not necessarily result in a building; rather, they suggest the promise of architecture without limits, demonstrating critical thinking and a firm stance on the country's major (and urgent) issues. In doing so, they pave the way for multidisciplinary, collaborative work that strongly emphasizes the social role of the architect. All of these architectural projects maximize the capacity to imagine, experiment, and design, proving to be not only the culmination of a well-learned academic chapter but also the beginning of building those dreams. Let us not forget this transformative spirit as we cross the threshold.
An exceptional small house, right there among all the other homes dotting the hillsides of Lima. At first glance, it might seem out of place, but once we learn its history and process, it couldn't be more relevant.
This article was originally published on May 23, 2019.
‘Appearance Stripped Bare’ is the exhibition that opened on May 19 at the Museo Jumex. It establishes a parallel fold right in the middle of the twentieth century, bringing face-to-face some of the most representative works of Marcel Duchamp and Jeff Koons—key figures in global contemporary art—to address concepts of objects, commodities, and the artist's relationship with society.
Bamboo is a building material that has been used since antiquity in various structures. Thanks to its countless benefits, it has proven superior to newer materials like plastic and steel, while its unique aesthetic appeal has established it as one of today's most prominent architectural trends.
Teatro del Libertador General San Martin. Image Cortesía de Natacha Escarguel
The construction of theaters in the Province of Córdoba, Argentina, was closely tied to the second wave of immigration that arrived between 1880 and 1930, alongside the expansion of the country's railway network. Today, the city boasts a large number of theaters, most of which date back to this period and form an integral part of Córdoba's cultural heritage, despite having suffered for many years from the neglect of successive governments.
Sometimes, architecture presents itself as an object of responsibility—an exercise in recognizing authorship, aiming to define and delimit it. We feel an urgent need to know who its author was, to credit whoever was capable of such inventions. Just as often, however, architecture does not claim any author; hence the terms anonymous architecture or "architecture without architects"—that is, a merely vernacular architecture. In the case of Carme Pinós, what is built inevitably speaks of who built it. Her architecture offers a glimpse of the energy that emanates from her persona: a vibrant, direct, tense architecture, swept by a continuous, dominating agitation. Within it, elements are in constant motion in a completely ungrounded way, rather than by their own virtue.
Color is considered one of the most influential phenomena when it comes to human emotions, attitudes, and decisions. It can impact an environment both positively and negatively, and workspaces are no exception.
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Screenshot from Simón Vélez's interview in "El Espectador"
In an interview with El Espectador, Colombian architect Simón Vélez opens a debate on the state of the discipline, prompting us to question the role of the architect in both economics and politics.
CityMakers is working alongside ArchDaily to publish a series of articles, conversations, and interviews with the diverse actors in city co-production behind the Barcelona CityMakers Lab 2019, an event taking place from October 14 to 20, 2019.
For this installment, we have compiled excerpts from a conversation with architect and urban planner Victor Torres, Creative Director of CityMakers,who invites us to reflect on the need to rethink traditional models of making and learning to build cities, and on CityMakers, a community that seeks to inspire change through on-site knowledge transfer in exemplary cities around the world.
“In ancient Peru, textiles reveal the economic, social, political, and religious development of each culture. Their importance lies not only in their use as garments, but goes far beyond. The dimensions of some fabrics suggest they were used as canvases to cover walls—as is the case with painted textiles—or as funerary shroud wrappings,” reads an open book in the museum. This textile history, dating back to around 8000 BCE, is exhaustively preserved and narrated at the Amano Pre-Columbian Textile Museum, whose collection has been declared a national heritage.
Faced with the spatial challenge of housing such a treasure, how should architecture respond? Should museums be iconic infrastructures within the city? What is the best way to arrange spaces for this museological vision?
Continuing the series of articles by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit on the study of social housing in Latin America, this installment discusses labor processes and the operating system of construction. Review past publications and the new article below.
https://www.archdaily.com/1120542/social-housing-in-latin-america-working-with-or-bypassing-the-systemNikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy & Ernesto Philibert-Petit
Malaquita is a project located on the terrace of the Hotel City Center in the heart of the Historic Center. Its design is conceived as an escape from the bustle of Mexico City, a place where the passage of time across the different eras that shape the territory is palpable: pre-Hispanic, colonial, modern, and postmodern coexisting in constant resilience.
Last week, we announced the 15 finalists for the 2019 Building of the Year Award, which since 2008 has celebrated the best built architecture in Latin America and Spain, inviting our readers to select their favorite completed projects. Today, the time has come to announce the winners of ODA19.
We are pleased to present three architectural works from Peru, Chile, and Ecuador, where the winners not only showcase the architectural diversity of the region but also serve as examples of the public impact that architecture should deliver. Meet the three winners!
It is true that designers, architects, and the general public share an endless fascination with abandoned architecture. Throughout history, shifting economies, disasters, regime changes, and sheer incompetence have forced the evacuation of striking architectural structures, which today serve as curious—and even haunting—monuments to bygone eras.
This fascination has led to the publication of several articles on our site exploring the mysteries of some of the most famous sites through text and photography. Yet, this curiosity has also driven individuals to venture out and document their experiences firsthand. Such is the case of Mike Corey, a YouTuber who, through his channel Fearless & Far, has dedicated himself (among other pursuits) to exploring some of Mexico's most famous abandoned buildings.