Sometimes, architecture presents itself as an object of responsibility—an exercise in recognizing authorship, aiming to define and delimit it. We feel an urgent need to know who its author was, to credit whoever was capable of such inventions. Just as often, however, architecture does not claim any author; hence the terms anonymous architecture or "architecture without architects"—that is, a merely vernacular architecture. In the case of Carme Pinós, what is built inevitably speaks of who built it. Her architecture offers a glimpse of the energy that emanates from her persona: a vibrant, direct, tense architecture, swept by a continuous, dominating agitation. Within it, elements are in constant motion in a completely ungrounded way, rather than by their own virtue.

Color is considered one of the most influential phenomena when it comes to human emotions, attitudes, and decisions. It can impact an environment both positively and negatively, and workspaces are no exception.

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In an interview with El Espectador, Colombian architect Simón Vélez opens a debate on the state of the discipline, prompting us to question the role of the architect in both economics and politics.

The visual stimulus that triggered this research[1] was the suggestive ambiguity of the letter m/h. Less glamorous than roadside motels, these motel-hotels are an affordable invitation to sexual fulfillment. To capture both their material and intangible complexity, the work is structured as a fiction. In doing so, the narrator imagined within these motel-hotels the potential to reveal other component parts of herself—as if these places, in their ambiguity and anonymity, could facilitate this encounter. In a simultaneous process of liberation and frustration, the multiple narrators find agency.

The Bamboo Experimentation Laboratory at UNESP - Bauru is one of the leading centers for bamboo research in Brazil. The group of researchers associated with the lab has produced a vast portfolio of research and products ranging from orthopedic prosthetics, furniture, and shoes to building components. In this thesis, engineer Marco Antônio dos Reis Pereira, the laboratory coordinator, presents the Bamboo Project, which is the result of his academic and research work conducted since 1994. The thesis was presented in 2012 at UNESP - Bauru to obtain the *Livre-Docente* degree in the discipline of Bamboo Design and Construction. Read the author's abstract below.

Sculptural, elegant, and striking. Numerous adjectives can describe the stairs designed by Danish firm 3XN. With bold designs that challenge conventional vertical circulation, they add layers of inventiveness to the spatial experience, turning movement into a journey. 

The Passeia, Jardim Nakamura project is a pilot initiative focused on citizen legibility. By leveraging community engagement to build local connections, the project co-created and implemented a neighborhood signage system alongside residents of Jardim Nakamura, located in Jardim Ângela, São Paulo. The project was developed by Instituto COURB and SampaPé!, with financial support from Fundo Casa Cidades. With this proposal, the objective was to foster residents' sense of recognition of their neighborhood, while also ensuring greater comfort and safety for pedestrian mobility, encouraging spatial connection, and promoting the appropriation of local history. In this light, the initiative sought to make the territory easier to read, fostering appreciation for local history and neighborhood actors, while also mapping key locations, walking distances, and the local boundary.

The life story of São Paulo-born landscape architect Mina Klabin Warchavchik is deeply intertwined with the history of modern art and architecture in Brazil, especially in São Paulo. Her father, Maurício Freeman Klabin, a Lithuanian immigrant, had left Russia due to a decree prohibiting Jewish land ownership. Upon arriving in Brazil in the late 19th century, he began working in a workshop producing blank books for the typography market, a business he would acquire within a few years. 

The daily routine of psychologist and CAPS* (Psychosocial Care Center) coordinator Antoniella Santos Vieira centers on listening and walking: during the day, she listens to the stories of people experiencing homelessness, those struggling with alcohol and drug abuse, among other challenges. It is this challenging territory – half urban, half rural – that she traverses, showing that the center offers a range of services – such as yoga and pilates – in addition to psychological support.

In the book “Order Without Design”, Alain Bertaud mentions that indicators are crucial in urban management to give cities a real-time view of what is happening within them. One interesting indicator related to housing affordability is the so-called “Price/Income Ratio.” This is essentially the average home price in a city divided by the average resident's income. It is a highly generic indicator that does not account for differences between properties, such as location, nor does it address rental housing (still a minority in Brazil). Nonetheless, it provides a general overview of housing affordability in a city.

Rua Miguel Calmon has been the stage for significant transformations in Salvador. Until the early 20th century, before the land reclamation that created the left side of the street and a new port for the city, it was called Rua do Cais and was bordered by the sea. A century later, this street in the Comércio neighborhood has become the first Complete Street in the capital of Bahia, standing as a symbol of the interventions revitalizing its historic center.

Walking is more than just a mechanical movement: it is a daily reclaiming of urban space. It is being active in the urban environment, noticing the city and the details that shape it. However, this choice does not always depend solely on individual willpower; it is also tied to external factors, such as people's physical and social conditions and the presence of infrastructure that enables this choice.

The debate over materiality and how it shapes the spaces housing our entire social dimension lies at the core of architectural discourse. Although architects define a concept, a *parti*, and adhere to a program that can even influence urban life, ultimately it is everyday life and each individual's cultural repertoire that dictate how a place is experienced. The understanding that there are multiple layers in society capable of building invisible walls—which dissolve architectural poetics and unfold into other issues crucial to understanding the system in which we are embedded—is one of the reflections proposed by Nova República, a project created by anthropologist Hélio Menezes and the architects of Cape Town-based Wolff Architects for the São Paulo International Architecture Biennial.

As awareness grows regarding the importance of using BIM technology for project development, many companies in the construction industry have struggled to find a BIM Manager. Much uncertainty arises, primarily because recruiters or the companies themselves often do not know exactly what they are looking for, how and where to look—let alone which candidate is best suited for the task.

Although some projects conceal it, structure is always a primary concern in architectural design. Defining the structural system is among the first crucial decisions to be made, and it will likely shape a series of other aspects of the building. There are, however, extreme cases where architecture is seen and read simply as structure—projects whose character and image are largely defined by the chosen structural solution.

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The minimum size of housing units has become a controversial issue. Several neighborhood associations oppose allowing the construction of highly compact units. This opposition runs counter to contemporary needs, as this type of apartment would cater to a large population of young singles, divorcees, and seniors who require smaller homes with lower maintenance costs.

The Armando de Arruda Pereira Housing Complex, known as the Japurá Building, submitted to the IAPI in 1945 by architect Eduardo Kneese de Mello, stands out as a pioneering experiment in affordable housing in the central area and represents one of the earliest applications of the Corbusian unité d’habitation concept in the country.

From domestic rooms to public infrastructure, the library is an architectural typology that must address various specific requirements tied to its core responsibilities: preserving books and publications, and providing spaces for reading, study, and research. Regardless of scale, libraries must efficiently manage natural light and ventilation, since they often combine leisure and work activities that require distinct qualities of environmental comfort.

The notion of authenticity is inseparable from theoretical discussions and actions in the field of Conservation and Restoration, and is directly related to the perception of values associated with a given cultural asset—whether tangible or intangible. Authenticity constitutes a foundational and structuring principle of the ethics that sustain and align criteria, concepts, and justifications within the realm of preservation. Like any process of cultural construction, authenticity cannot be understood or defined in absolute, pre-established terms, and its recognition is intrinsically linked to the context to which it refers—at a given time and in a given place.

The steady escalation of complexity attributed to architecture and other fields of art over the past century—driven by a long process of disciplinary redefinition since the Modern era, coupled with an effervescence of experimentation and hybridization—has fostered the creation of innovative solutions designed for the human environment, while simultaneously giving rise to new challenges of categorization.

The design of educational spaces is perhaps one of the most compelling areas of architecture. It is also one of the fields in greatest need of development. Designing a school goes far beyond sizing classrooms and administrative areas; it involves conceiving spaces for gathering and exchange, connecting (or separating) specific areas, defining lighting and ventilation strategies, and studying color theory, to name just a few of the complexities involved.

Urban transformation and development processes can often lead to side effects or unintended consequences when these movements are organic and unplanned. These outcomes are not always positive and can trigger phenomena like gentrification, which can become a major social problem, directly impacting low-income populations. Nonetheless, it is also clear that certain transformations typically associated with this phenomenon can bring improvements and reactivate underutilized spaces in urban centers; the threshold between this scenario as a virtue or a detriment remains a subject of ongoing debate among architects and urban planners.

In 2018, anyone who passed by an empty lot in the heart of Paraisópolis—São Paulo's second-largest community—on Mondays and Thursdays encountered children with dirt-dusted knees, playing with objects like tires, paper boats, and twigs in endless games. This was the Brincreto project, an initiative by the Coletivo LUB – Laboratório de Urbano de Brincadeiras.

In a recent analytical exercise, we examined the main narratives surrounding Brazilian inequality for an internal training program at the Pólis Institute. It came as no surprise that income occupies the center of the debate, whether in media outlets or academic studies. Our goal with this study was to understand how the Right to the City [1] can contribute to analyses of inequalities and serve as a tool of struggle to close the gap between citizens.