
Massimo Paolini shares the following article titled 'Barcelona: Destructions of Use.' It presents the latest projects and debates surrounding the future of the city.

Massimo Paolini shares the following article titled 'Barcelona: Destructions of Use.' It presents the latest projects and debates surrounding the future of the city.

How important is color in architecture? The choice of color for a facade or a space can have complex effects on people, directly influencing their sensations and perceptions. The possibilities are endless, ranging from bold contrasts to complete achromatism.
The following list is our index of articles, news, and projects covering everything you need to know about the importance of color in buildings—from design strategies and the latest trends to its application in projects and materials.

When we speak of passive climate control, we refer to techniques that, with little to no energy consumption, create the appropriate temperature, humidity, and air quality conditions for comfort and habitability, partially or fully replacing active mechanical systems. Typically, these strategies are based on natural environmental parameters—such as air currents, the earth's thermal stability, and solar paths, among others—to regulate heat gain in the summer and heat loss in the winter, achieving optimal thermal comfort.
“What is the essence of ceramic craftsmanship in Pomaire?” asks Kengo Kuma of Rodrigo Veliz, a potter with a long family tradition, with whom he is collaborating on the Clay Route in Chile.
"Domingos Libro" is hosted by Carmelo from Enorme Studio, where every two weeks, he delves deeply into forgotten architectural publications, books, and architectural magazines from the '60s, '70s, and '80s that carry the most interesting stories behind them.
This latest episode focuses on the 1989 double issue 181/182 of the Catalan magazine QUADERNS, specifically examining an unfinished house by Paco Alonso, an architect from the Madrid School who never completed any of his works and was once dubbed "The Builder of Ruins" by a colleague.

TEN Arquitectos is a practice based in Mexico City, New York, and Miami. Founded by Mexican architect Enrique Norten, the firm has 33 years of experience designing with a global perspective that yields a consistent international sensitivity when creating new spaces. This trajectory has been recognized with various national and international awards, including the Mies van der Rohe Award for Latin American Architecture, honors from the national American Institute of Architects (AIA) and several US chapters, Architectural Record, Architect Magazine, Architizer, Biennials in Mexico, Argentina, and Ecuador, and the Royal Institute of British Architects (RIBA), among others.
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In any planning process, a series of documents—comprising both graphic and textual materials—establishes a framework for future development. In urban planning, the master plan stands out as one of the most common instruments for this purpose.

“Arquitectos” is a micro-documentary series produced by AvantVisual and directed by Mauro Alfaro on the life and work of prominent Chilean architects. The series was originally scheduled to premiere at the XXI Chile Architecture and Urbanism Biennial, “The Common and the Everyday.” However, due to the suspension of the Biennial in the wake of the 2019 social uprising, the premiere could not take place.

Out of necessity, buildings change uses over time. Churches become libraries, and abandoned warehouses are transformed into cultural centers. Although much has been written on the subject since N. John Habraken's concept of open building in the 1970s, a fascinating global debate is currently underway. Do we really need so much square footage dedicated to offices when the pandemic proved that much of our work can be done remotely?

"The Value of Medialab-Prado as an Original Work on Urban Heritage and Institutional Good Practice." This is the title of the open letter written by the movement defending a cultural center with nearly 20 years of history in Madrid—housed in the historic Serrería Belga building in the Barrio de las Letras.

The construction sector's contribution to today's climate crisis is deeply concerning: between material production, construction, and building operations, the sector is one of the largest emitters of greenhouse gases. Meanwhile, as urban populations grow at historic rates, we find that in the development of major energy-intensive cities, reducing the discipline's environmental impact seems to rely on niche interests and individual initiatives rather than large-scale actions from academia, the profession, or policymakers.
History has shown us numerous construction techniques and applications of local materials that have proven sustainable over time—relying on the efficient use of resources that require no intensive industrial processing and eliminate the need for long-distance transportation. In some cases, at the end of their life cycle, these materials can even be returned to the environment, as is the case with adobe and wood.

It took nearly 60 years to build the San Carlos Canal, an engineering feat that drew water from the Maipo River to irrigate the lands of southeastern Santiago.

How can we design spaces that are healthy for our minds and bodies? This is the central question we will address this March as we focus on the topic of interiors and well-being.

This project represents the latest collaboration between Italian firm Mario Cucinella Architects (MC A) and WASP, marking the first time the two teams have used raw earth—a natural, fully recyclable material—for 3D-printed construction. Located in Massa Lombarda (Ravenna, Italy), the completed habitat is named TECLA. The earthen dome was constructed in 200 hours of continuous printing by multiple synchronized 3D printers.

This week's featured career opportunities come from two design firms based in Beijing and Shanghai: IN.X Design and SLT- STUDIOLITE. Specialized in projects of varying scales and themes, both practices are highly active across diverse design sectors and are looking to recruit like-minded design talent to join their teams.

Contrary to popular belief, it is impossible to separate law and urban planning. Both disciplines have served as instruments to establish the rampant inequalities we live in—one through the administration of state force, the other through the accumulation of territorial power. Yet both also hold the keys to creating more equitable cities. The only way to build a true right to the city is through interdisciplinary dialogue, particularly now that a reform proposal seeks to recognize this right in the Political Constitution of the United Mexican States. This article aims to open a space for dialogue among those of us working in law, architecture, and urban planning.

The connection between interior and exterior is almost always cited in architectural projects. After all, bringing glimpses of the outdoor space into a building is one of the most widely used devices when thinking about the well-being of its inhabitants. In addition to contact with the surrounding landscape, an important factor of this strategy is allowing natural light into the space, as it can convey a visual message that transforms spatial perception.
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Architect Martín Luis Gutiérrez Martínez was born in Gómez Palacio—a city in the state of Durango, Mexico—in 1927, and he never left behind his Northern roots or any of his lifelong convictions. During the brief and cherished time I shared with him, our conversations were always filled with his exceptional memory, enlivened by an untiring passion for living and feeling architecture.