Articles

To showcase Uruguay's valuable academic output, we launched an open call inviting readers in the country to submit their final thesis projects.

Out of a total of 65 submissions, the editorial team—comprising Fabian Dejtiar (Managing Editor of ArchDaily en Español); Mónica Arellano (Editor, ArchDaily México); Santiago Baraya (Editor, ArchDaily Colombia); and Belén Maiztegui (Editor, ArchDaily Argentina)—selected six. The highlighted projects are those that addressed specific challenges, their chosen form, and their representation through critical, austere, and efficient thinking. We valued proposals that not only delivered the best possible architecture through a simple design suited to its context, program, and users, but also paid close attention to human scale, mediation, and new ways of approaching architecture in cities.

Explore the selected projects below.

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In early October, a new space opened in Mexico City under the name Design House at Público Coworking, showcasing a series of interventions that integrate disciplines such as design, architecture, and interior design. Over the past ten years, Design House has presented cutting-edge concepts from more than one hundred participating firms across various venues, collaborating with showrooms on the Design Route (Ruta del Diseño) that provide the pieces and accessories featured in the diverse installations.

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As part of an initiative by Makers México, a group of nearly 300 creative professionals from various fields continues to come together to address the COVID-19 pandemic. Architects such as Juan Carlos Baumgartner and Michel Rojkind, along with designer Ariel Rojo, have joined this effort to contribute in various ways, creating 3D-printed parts to be donated to hospitals across the country. Currently, they are working on a splitter—which allows two patients to be connected to a single ventilator in the event of a shortage—protective masks for doctors and patients, as well as other components to complement their operation.

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As part of the cultural programming of the Mexico City-based art gallery, MASA presents the exhibition Recover / Uncover, a space featuring unique and limited-edition pieces by designers and artists whose work seeks to challenge labels. In doing so, MASA celebrates contradiction as a reflection of an ongoing process of self-definition and evolution over time, presenting objects as tools for life and contemplation.

The government-mandated lockdowns in response to the COVID-19 pandemic—and, in some cases, the fear of going outside—have recently underscored the value of domestic space, transforming it into the stage for the most evident and characteristic human actions and reactions within a capitalist and patriarchal system.

Videos

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Chuchín is that endearing figure whom you always remember despite the passage of time, whether you are a student, architect, professor, staff member, or fellow worker. Felipe de Jesús Cortés Guevara—or Chuchín, as he is commonly known—seems to go nowhere else; he is always watching over what he considers his second home, the UNAM School of Architecture.

In the early hours of January 11, 1967, a polar air mass swept into the country, bringing snow to Mexico City and blanketing the entire capital under a soft, pristine white layer. One day, more than 50 years ago, our urban sprawl woke up covered in white. It was not smog, nor the pollution of an unrelenting beltway; it was pure snow. The last time it snowed in Mexico City was January 11, 1967. That day, schools closed, people went outside to build snowmen and throw snowballs, and emergency services were overwhelmed by the beautiful catastrophe of so much snow.

Charlas de Terraza is an initiative hosted at the office of OPUS in Medellín. It features conversations that extend beyond architecture and, adapting to the COVID-19 lockdowns, is currently being held virtually. Alongside these talks, there is another initiative dedicated to sketching called Club de Dibujo (Drawing Club). In this session, both formats merged as the Medellín-based practice, along with Alejandro Enriquez from Bogotá, discussed the sketch and its process.

This article by Alberto Bravo de Laguna Socorro was originally published in the 12th issue of revista rita_ under the title "Transgression, experimentation and communicability of the graphic in collective architectures: Indices of an engaged graphic expression."

Brutalisim is an architectural movement that emerged in Europe in the 1960s and became one of the most controversial yet popular styles worldwide. This was due to various factors, including its use of raw concrete and, more broadly, its ideals focused on public service through monumental works. Furthermore, it became a new medium for expressing contemporary political stances through functional public spaces.

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Driven by a personal quest to explore heritage and preserve Mexican traditions, architect Ana Ibañez has created a collection titled “Barraganescas,” featuring jewelry pieces inspired by the houses designed by architect Luis Barragán in the city of Guadalajara.

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This article is part of a collaboration with the website coolhuntermx and was originally published under the title "Housing Production in Rural Mexico."

Between virtual panel discussions and tweets sparking debate on housing and its role during the pandemic, addressing this issue in Mexico is as complex as the country's history and as vast as its territory. The article What About the Right to Adequate Housing in Mexico? offered an overview of the laws governing Mexico City and urban conditions. But what about housing in rural areas?

Peripheria Films shares a video about the emigration of a young Spanish architect couple "who thought that their reward would come after university."

On Tuesday, December 1, 2020, during the inaugural session of the new National Board elected by members in the 2020 CA Elections, the new Executive Committee and officers of the College of Architects of Chile were selected for the 2020–2022 term.

This interview is part of a collaboration with the digital magazine Hysteria.mx. It was originally published on January 24, 2020, under the title "Stories from the US-Mexico Border" as part of Issue No. 31, titled "Bodies and Territories," and was conducted by Tadeo Cervantes.

Alejandra Aragón is a visual artist, photographer, documentarian, and activist from Ciudad Juárez, Chihuahua—a city on Mexico's northern border infamous for the cases of femicide recorded from the early 1990s to the present. From this vantage point, Aragón narrates various aspects of daily life for women in a territory shaped by violence, conflict, and complexity.

On July 31, during the 103rd Ordinary Plenary Session, the CAU/BR Temporary Commission on Gender Equity released the 1st "Gender in Architecture and Urbanism" Diagnosis. Conducted online from July 2019 to February 2020, the survey was answered by 987 professionals (767 women and 208 men), with a margin of error of plus or minus 3.11%.

The following article is the result of a thesis research project by Colombian architect Sebastián Rojas (Pontificia Universidad Javeriana), which explores the materialities and vernacular construction techniques across 23 prototypes from regions such as the Coffee Axis, the Colombian Amazon, the Cundiboyacense Highlands, and the North Coast.

Bookshelves are one of the elements present in almost every interior space, whether in homes, retail, offices, or even pavilions. Yemail Arquitectura, a Bogotá-based firm, shares its exploration of this element, which plays a key role in the spatial configurations of its multi-use projects.