Articles

Doris Mary Clark Núñez is considered the first female Peruvian architect. With a life marked by difficulties, scrutiny, and restrictions solely due to being a woman in a professional world that had traditionally been male, Clark Núñez stands as a model of activism and resistance, as well as a pursuit of subversion and paradigm shifts in traditional debates and structures. Her life was dedicated—through teaching, political action, and academia—to laying the foundation for expanding the field of influence for women in architecture.

Over its 457-year history, the built landscape of Rio de Janeiro has taken shape in diverse ways. During its first few centuries, the city developed around Rua Direita (now Rua Primeiro de Março), consisting primarily of two-story row houses, typically featuring a single door and two windows on the ground floor. This layout stemmed from the measurement standard of the era, the *braça* (fathom), with plots usually measuring three *braças* wide (each *braça* equivalent to 2.2 meters). Rio's land ownership profile has always driven its urban form, and the Portuguese plot—with its narrow frontage and deep lot—defined an era and left an indelible mark on the city's development. 

The vulnerability found in countries on the periphery of capitalism, such as Brazil, has wide-ranging consequences that are evident both in statistics and in how the occupied territory is shaped. Peripherization and the struggle to access fundamental rights—such as healthcare, education, and housing—are among these consequences. Addressing these challenges falls to organized social groups striving to build alternatives within this context, as seen in social movements and Usina CTAH, an architectural practice dedicated to providing technical assistance to organized social groups.

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For a long time, cars were the primary protagonists of major cities. This prioritization resulted in territories occupied mostly by highways, leaving them uninviting to people. In recent years, however, many cities have undergone spatial transformations, seeking to reshape their relationship with automobiles and prioritize pedestrians and the human scale. 

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María Luisa Dehesa Gómez Farías (1912–2009) was a Mexican architect from Xalapa, Veracruz, who became the first woman in Mexico to earn a degree in architecture. Her professional training began in 1933 when she entered the Royal Academy of San Carlos. This required her to relocate to Mexico City—renting a rooftop room in Coyoacán from which she commuted by streetcar—to join a class of 113 students, only five of whom were women.

YouTube is the social network with the highest number of monthly active users—around 2 billion, nearly double that of Instagram. As a search engine, it ranks second, behind only Google. It comes as no surprise, then, that the fashion, music, and beauty industries have embraced the platform with open arms. By contrast, design and architecture have lagged behind.

The Federation of Colleges of Architects of the Republic of Mexico, A.C., invited all Mexican architects to participate in the XVII National and International Biennial of Mexican Architecture 2022. This event sought to identify the country's best architectural works, as well as publications, research, and theses, recognizing their authors and promoting the most outstanding projects to foster, through analysis and critique, a reflection on responsible contemporary architecture and sustainable solutions. In this biennial, a single Gold Medal was awarded, and the projects were classified into 23 categories, featuring various Honorable Mentions and Silver Medals. Read on to discover the winners.

“Don't build walls, no more; Or the city dies.” I discovered this poem on a solitary wheatpaste poster stuck to one of the endless walls that make the city of São Paulo a worse place to live. I must admit that every time I take my youngest son to get vaccinated at the local health clinic (UBS) in Vila Romana, I think it would be nice to have a can of spray paint to graffiti the poem onto the walls of one of the apartment complexes recently built right across the street, which occupies nearly an entire block in the neighborhood.

What are the stories of the first Ibero-American women architects? This is the central question we seek to answer in celebration of this month's ArchDaily topic: Women in Architecture.

In seeking to present their motivations, inspirations, and career paths, we conducted research to bring visibility and recognition to several figures who have historically been overlooked. Meet Doris Clark Núñez, Guadalupe Ibarra, Matilde Ucelay Maórtua, Filandia Pizzul, Dora Riedel, Luz Amorocho, María Luisa Dehesa, Arinda da Cruz Sobral, and Julia Guarino below.

For the eighth time, the MEXTRÓPOLI Architecture and City Festival held the Arquine No. 24 | MEXTRÓPOLI 2022 Pavilion competition, a platform where architecture, urban planning, and art meet to contemplate and celebrate Mexico City. The event also aims to engage citizens by occupying public space with architectural installations that can be activated by visitors. Celebrating public spaces or offering a fresh perspective on everyday routes is the driving force behind MEXTRÓPOLI’s exhibition of these ephemeral architectural installations.

Terra. A term used to define the planet we live on, the soil we walk on, and the raw material for the most diverse works. From it derives the word territory, which, beyond its symbolic meaning in shaping culture and worldviews, is also the foundation of any settlement and of nature itself. The power of all the meanings this word carries is taken as the title of the 6th Lisbon Architecture Triennale, which explores themes concerning the human relationship with its context and the revolutionary processes spanning the most diverse scales of architecture.

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Initiated by Patio Efímero—a collective of young creatives—the open call for the "Patio 3 Competition: Encounter of Ephemeral Interventions" was launched in early 2022. Organized in collaboration with the National System of Art Creators of the Federal Ministry of Culture, the Puebla State Ministry of Culture, Museos Puebla, the Municipal Institute of Art and Culture of Puebla, the Municipal Ministry of Economy and Tourism of Puebla, and the Historic Center and Cultural Heritage Management Office of the Municipality of Puebla, the call invited established and emerging graphic, visual, and multidisciplinary artists, as well as architects, to participate in the third edition of Patio Efímero.

The importance of connecting with nature is the subject of numerous studies. Research by the Harvard T.H. Chan School of Public Health indicates that living near woodlands, parks, and gardens is associated with a lower risk of developing kidney and respiratory diseases, as well as reduced rates of depression. However, those living in major urban centers cannot always bridge this gap, whether due to a lack of parks, a shortage of time, or simply the distance to the nearest green space. In such cases, an alternative is to bring nature indoors, relying on the power of plants as an integral part of home decor.

"I Book on Sundays" is hosted by Carmelo of Enorme Studio, delving into forgotten architectural publications, books, and architecture magazines from the '60s, '70s, and '80s that harbor the most fascinating stories.

Following a hiatus in 2022, the series returned with Episode 19, titled “Always Young”, telling the story of Ettore Sottsass Jr., and "No One Is a Prophet in Their Own Land", a tribute to the late master of architecture, Ricardo Bofill. Now, he brings us "Only the Best Products Go to the Museum", the first part of a two-part episode dedicated to the American "architects" of SITE—James Wines, Alison Sky, and Michelle Stone—and how they elevated BEST showrooms to the pinnacle of art.

It was a close call, but the first round of the presidential election was unfortunately not enough to determine the country's next political leader. As a result, candidates Luiz Inácio Lula da Silva, of the Workers' Party, and Jair Bolsonaro, of the Liberal Party, will once again face the popular vote on October 30.

The next President will have, among many other responsibilities, the task of providing federal support for the development of Brazilian cities — home to approximately 87% of the country's population. To contribute to the debate and, if such a task falls to ArchDaily, help undecided voters make up their minds, we have compiled below the proposals of both presidential candidates for the future of cities, according to their respective government plans, covering topics such as housing, infrastructure, transportation, culture, sustainability, environment, and energy. 

It is clear that cities worldwide must make concerted efforts to encourage more people to choose sustainable modes of transportation—such as walking, cycling, and public transit—over cars and motorcycles. But what drives us to choose one mode of transport over another? What factors lie behind our choices? Are they, in fact, conscious decisions or merely "automatic habits"? Understanding this process is an important step toward promoting sustainable mobility.

In recent years, several extreme weather events around the world have devastated cities, including those in Brazil. In 2022, heavy rains battered the mountainous region of Rio de Janeiro, especially the city of Petrópolis, which recorded 250 landslides in a single day.

A similar situation occurred in Pernambuco, where above-average rainfall triggered landslides. In late 2021, in the state of Bahia, severe storms pushed at least 72 municipalities into a state of emergency. As in previous cases, these disasters caused casualties and left numerous families displaced. Globally, the situation is no different, even if the specific hazards vary.

On October 14, the first edition of the TAC! Urban Architecture Festival will begin. This year, the festival will be held in the city of Granada and will run until November 14. The opening of the event will be marked by the inauguration of the temporary pavilion “AIRE,” the winning project of the open call, located in Plaza del Humilladero and designed by P + S Estudio de Arquitectura.