UPDATE: This article has generated a much larger response than expected, and we feel it is our duty to clarify the situation. At no point does the article suggest that the project in Artur Nogueira is a plagiarism of the French project. Plagiarism, by definition, is presenting someone else's intellectual work as one's own, and this article makes no such claim. What it does state is that the project in Brazil is a copy of the French one, without accusing anyone of plagiarism or clarifying whether or not permission was granted to copy the design. We were contacted by the owner of Colégio Futura Plus, who informed us that during the design process, French architect Raphaelle Hondelatte was contacted and authorized the use of the elements mentioned in the text—specifically, the yellow giraffe and the cantilevered white volume. As soon as we receive new information, we will update the article again.
To what extent can architecture draw inspiration from references without being considered a copy of another building? This discussion raises diverse and controversial opinions that prompt us to reflect on the issue of architectural copyright and recall the infamous architectural replicas produced in recent years in China, which mimic everything from iconic buildings to the French capital itself.
San Rafael Hotel Building, a symbol of Punta del Este. Image via Flickr user: Gabriel Millos Licensed under CC BY-SA 2.0
Media and social networks are abuzz. This time, the controversy centers on a proposal by architect Rafael Viñoly to build a three-building complex—including a skyscraper rising well over 250 meters tall—on the site of the former San Rafael Hotel in Punta del Este, Uruguay.
A place of reference for the memory and identity of the Guarani people, the Tava, located in the area of the São Miguel Arcanjo Historical Site in São Miguel das Missões (RS), was built and inhabited by their ancestors at the request of their deity, Nhanderu. This sacred site has been recognized as MERCOSUR Cultural Heritage. The decision was made and announced at the XVII Meeting of the MERCOSUR Cultural Heritage Commission, held on October 30 and 31 in Montevideo, Uruguay.
Architecture is perhaps the built heritage that best expresses a city's history, highlighting major cultural figures whose work enriches the history of its people. The Porto Architecture Guide 1942-2017 follows the Lisbon Architecture Guide 1948-2013; together, they are the first two volumes in the Cities collection published by A+A Books.
The Mictlán Pavilion Competition was established as part of the activities for the 2018 Mictlán Festival, an annual event held in the municipality of Tlajomulco de Zúñiga in the state of Jalisco, Mexico. This event aims to celebrate the Day of the Dead traditions in this municipality, particularly along the Cajititlán waterfront.
For the competition, participants designed an intervention for the San Juan Evangelista pier in Tlajomulco, which served as a transitional space within the Day of the Dead Festival installations.
The call for entries for the international film competition on architecture, the city, and urban life—"The city is..."—organized by the Santiago Architecture Film Festival (ArqFilmFest), closed successfully with the submission of 1,518 audiovisual productions from around the world.
According to the organizers, they received more than 100 films from the United States (183), Iran (166), and India (160), and over 50 from Turkey (79), the United Kingdom (74), Italy (60), Brazil (58), and France (50), among many other countries across all continents.
Portuguese architect João Luís Carrilho da Graça has been unanimously selected as the winner of the inaugural Leon Battista Alberti Architecture Prize, awarded by the Leon Battista Alberti Center for Studies Foundation, named after the prominent Renaissance architect and art theorist.
Carrilho da Graça, who heads the eponymous firm Carrilho da Graça Arquitectos, is known for major projects in Portugal and other European countries, such as the Lisbon Cruise Terminal, the Theater in Poitiers, and the Orient Museum.
Originally published in 1995, Registro de uma vivência is an autobiography by Lucio Costa (1902–1998) composed of critical essays, memoirs, plans, projects, photographs, and drawings specifically selected and arranged by the author.
Out of print for nearly 20 years, the book has been reissued by Editora 34 in partnership with Edições Sesc SP. Fully preserving the original graphic design, this new edition features an introduction by Maria Elisa Costa, Lucio’s daughter, an index of names, and an essay by Sophia da Silva Telles, which seeks to decipher the significance of the work of this great architect and urban planner, who was also one of the most important Brazilian intellectuals of the 20th century.
Seu Acervo, a platform for architecture final graduation projects, has released the results of the "Most Popular Project of 2017" open call, launched last November. The goal of the call is to expand the reach of the material available on the platform and encourage recent graduates to engage with digital publishing media.
The winners of this first edition of the award are Rogério Oliveira da Costa, from the Centro Universitário Belas Artes de São Paulo; Nayara de Paula, from the Universidade Anhembi Morumbi; and Hugo Rossini, from the Universidade Presbiteriana Mackenzie. See the winning projects below.
The 21 projects that make up the Official Selection of the Mexican Pavilion at the 16th International Architecture Exhibition of the Venice Biennale converge in latitudes, geographical regions, and echoes of the territory, drawing from the curatorial theme "Freespace." In four installments, we will share the works and insights of each of the participants representing Mexico in Venice. Read on to discover the third part of these projects.
A new renovation project is underway at the University of Guadalajara's Health Sciences Campus, led by Nr24arquitectura. Located at Sierra Mojada 950, Independencia Oriente, 44340 Guadalajara, Jalisco, Mexico, the project covers a total area of 10,000 m² and is expected to be completed by 2019.
Cia Hering Matriz - edifício da Nova Costura. Image Cortesia de Acervo Hans Broos
Born in Slovakia in 1921, architect Hans Broos began his career in Brazil in 1953, after graduating in Germany in 1949. His brief European career was marked by the reconstruction of Germany, during which he worked alongside architect Egon Eiermann as his assistant at the Technical University of Karlsruhe. During this period, Broos came into contact with Le Corbusier and his principles of modern architecture. Aligned from the beginning with the architects of the Modern Movement, Broos developed his first works in Blumenau and Florianópolis, in the state of Santa Catarina, far from major Brazilian urban centers. Throughout his professional life, the architect addressed a wide range of programs—from residential and industrial to religious, commercial, and social projects—over a career spanning more than 50 years and nearly 400 projects. Of these, approximately 100 were built in various states, including Santa Catarina, São Paulo, Pernambuco, and Goiás. The architect passed away in 2011.
Public attention turned to the protests in Puchuncaví and Quintero, municipalities designated as a "sacrifice zone" due to the presence of 15 major energy, chemical, and fuel companies, while Santiago works on the opening of a new green lung in the city center. This week is dedicated to the environment in this edition of La ciudad chilena en la prensa, the ArchDaily section where we cover what is happening in Chilean cities.
UNESCO has added 19 new sites to the World Heritage List, including the Caliphate City of Medina Azahara (Córdoba, Spain) during its recent 42nd session held in Manama, the capital of Bahrain.
The report prepared ahead of the session includes the evaluation and final conclusions of the International Council on Monuments and Sites (ICOMOS). Following a comparative analysis conducted both nationally and internationally, the council concluded that, alongside Medina Azahara, only Samarra (Iraq) stands as a well-preserved example of a caliphate city. Furthermore, among all caliphate cities, Medina Azahara is the only one that provides evidence of the culture and knowledge of the Islamic civilization that reached Europe.
https://www.archdaily.com/1113929/medina-azahara-of-cordoba-declared-a-world-heritage-site-by-unescoJavier García Librero
With the 2018 Venice Architecture Biennale approaching, ArchDaily Brasil interviewed the curators of the Brazilian pavilion – Laura González Fierro, Sol Camacho, Gabriel Kozlowski, and Marcelo Maia Rosa – to better understand their curatorial proposal and clarify details of public participation in this endeavor.
Read the interview below:
https://www.archdaily.com/1113931/a-conversation-with-the-curators-of-the-brazilian-pavilion-at-the-2018-venice-biennalePedro Vada
How many discoveries can a walk through São Paulo reveal? What if this expedition felt like a treasure hunt and was led by a friendly, highly curious dog? Inspired by the success of the Prédios de São Paulo trilogy, a project conceived by Matteo Gavazzi, comes Prédios de São Paulo para Crianças. Set to launch in July 2018, the children's book features text by journalist Tatiana Engelbrecht and illustrations by Daniel Almeida. The book is published by GAPS Editora.
On Thursday, October 11, a new space named Design House opened in Mexico City, showcasing a series of interventions that blend design, architecture, and interior design. Over the past nine years, the event has presented cutting-edge proposals from 100 participating firms across various venues. This is done in collaboration with showrooms along the Ruta del Diño (Design Route), which provide the furniture and accessories featured in the various spaces.
For this year's edition, Design House features 24 renowned architecture and interior design firms. Guided by their unique visions, they have transformed different spaces, drawing inspiration from prominent personalities across various social spheres in Mexico.
Designed by El Equipo de Mazzanti, the Fundación Santa Fe de Bogotá has been selected as the winner in the 'Healthcare Architecture' category of the 2018 Building of the Year Awards, making it the only Colombian project—and one of only two Latin American representatives—to win in the competition organized by ArchDaily, the network of websites to which ArchDaily Colombia also belongs.
The Building of the Year Awards are presented annually to the best projects published on our English-language edition—the most visited architecture website in the world—with winners chosen by the readers themselves, who can vote across 15 typological categories in two stages. In this edition, the competition reached 100,000 votes from around the world within a two-week period.
Videos
Jardín botánico en distrito central. Image Cortesía de Perkins Eastman
José Joaquín de Olmedo Airport—Ecuador's second busiest—will relocate to the outskirts of Guayaquil in 2022, freeing up 240 hectares in the city center. In response to the unprecedented urban opportunity presented by this relocation, the firm Perkins Eastman has revealed the first images of Nueva Ciudad, a 2-million-square-meter master plan in Guayaquil.
Stephen Forneris, head of the Ecuador office, explained that the project "can be a catalyst for economic growth, cultural activities, and entertainment; it will be the spark that begins Guayaquil's journey to becoming the city of the future."
Videos
Barça's third kit for the 2018/2019 season. Image via FC Barcelona on Twitter
Barça’s history is closely tied to Barcelona, the city where the soccer club was founded in 1899. Today, the reigning Spanish league champions paid tribute to the city with the launch of their third kit for the 2018/2019 season.
The third jersey features a pale pink color crossed by a diagonal sash running from the left shoulder to the bottom right. The stripe pays tribute to Avinguda Diagonal, one of Barcelona's most important avenues, and is superimposed on a reddish-toned satellite image of the Eixample district.
The challenge proposed by the competition, aimed at students, was to redefine the highway motel typology, creating a building that would engage with the Rio de Janeiro skyline and focus on design and entertainment for its guests.
According to the jury, “Many proposals focused on autonomous volumetric design, as if shifting volumes to meet a functional solution could account for the complexity required for urban integration. Therefore, the most critical evaluation criteria were program innovation, proper circulation planning, and the interaction between architecture and open spaces. In this regard, the proposals that managed to leverage the site's potential achieved the competition's objectives: the creation of an URBAN Motel.”
At the end of each year, we issue a call for submissions for graduation projects from our Portuguese-speaking readers. Through this, we aim to select the most interesting proposals to present inspiring visions and foster debates for our entire audience.
For this edition, we received 466 proposals from all over Brazil, as well as cities like Lisbon and Luanda. Before presenting the 30 selected by our editorial team, it should be noted that this list does not necessarily feature the "best" projects received. Instead, it highlights the works we found most well-presented, graphically engaging, and with themes that seemed particularly relevant for a final graduation project. Rather than simply resolving a design program satisfactorily, we believe that a final graduation project—as a culmination of a student's efforts during the transition from academia to professional practice (while, importantly, still part of their academic journey)—should raise questions and provoke discussion about the proposed theme.
It is worth noting that several submissions did not follow the guidelines of the call and were disqualified or lacked sufficient material for evaluation.
Below is our selection* of the best final graduation projects from Portuguese-speaking countries, accompanied by descriptions provided by their authors.
Undoubtedly, 2018 has been one of the most important years in the history of ArchDaily México. Through both our existing and newly introduced tools, we have succeeded in providing inspiration, knowledge, and tools to architects currently facing the challenge of designing the future, aiming to improve the quality of life for those living in the world's urban centers.
This year, we connected more closely with our readers through various tools that fostered dialogue, participation, and the work of our Instagram community, aligning more closely with your interests. This community now consists of 71k followers who actively participate daily to discuss the present and future of architecture.
