The “KnitCandela” prototype represents the first application of this technology at an architectural scale, a five-tonne concrete structure on display at the Museo Universitario Arte Contemporaneo in Mexico City.
The office building Torre Reforma in Mexico City has won the prize for the world’s most innovative high rise awarded by the Deutsches Architekturmuseum (DAM). One of the world’s most important architectural prizes for tall buildings, the International Highrise Award is presented every two years to the project that best exemplifies the criteria of future-oriented design, functionality, innovative building technology, integration into urban development schemes, sustainability, and cost-effectiveness.
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
In 776 BC, the Olympic Games of antiquity were hosted at the Olympia stadium in Peloponnese, Greece, an arena widely believed to be the world’s oldest stadium. The elongated U-shaped track and stand had a capacity of up to 45,000 people.
The scheme, already under construction, has been described by the incoming president as a “bottomless pit” and that “the plan is to provide the Mexican people all the relevant information, truthfully and objectively, so that we can all decide together on this important matter of national interest.”
https://www.archdaily.com/900642/future-of-foster-plus-partners-mexico-city-international-airport-to-be-decided-by-public-voteNiall Patrick Walsh
ArchDaily and Airbnb were both founded in 2008, but for two very different reasons. Since then, ArchDaily has amassed a vast database of tens of thousands of buildings, located in cities and countries all around the world. Meanwhile, Airbnb has revolutionized the way in which we explore these countries, and use these buildings, even if just for one night.
You wouldn’t think it looking at Mexico City today—a densely populated metropolis, where empty space is hard to come by—but decades earlier, following a devastating earthquake on September 19, 1985, more than 400 buildings collapsed, leaving a collection of open wounds spread over the cityscape.
Exactly thirty-two years later, the anniversary of that disaster was ominously commemorated with an emergency evacuation drill. Then, in one of those odd occurrences in which reality proves to be stranger than fiction, a sudden jolt scarcely two hours after the drill led to what would be yet another of the deadliest earthquakes in the city’s history. Buildings once again collapsed, leaving a rising-by-the-hour death toll that eventually reached 361, as well as swarms of bewildered citizens wandering the streets, frantically attempting to reach their loved ones through the weakened cell phone reception. “We’d just evacuated for the drill,” people said, like a collective mantra. “How could this happen again?”
Fusing elements typical to Mexican architecture with local London references, the pavilion centers on a courtyard enclosed by two rectangular volumes constructed using the characteristic celosia method.
So, what is happening in Latin America? Montevideo, the capital of Uruguay, once again occupies the top position. "Although they are challenged by economic and political turmoil," experts at the consultancy explain, "cities in emerging markets are catching up with major cities, after decades of investment in infrastructure, recreational facilities, and housing for the purpose of attracting talent and multinational businesses," they add.
In its twentieth edition, the consultancy, which specializes in advising multinational companies in employee transfers, evaluates more than 450 cities around the world, analyzing 39 factors divided into 10 categories, including political and economic environment, socio-cultural status, hygiene, educational institutions, leisure, housing, the market, and natural disasters.
It’s a slate-gray day in Mexico City’s Colonia Narvarte neighborhood and mounting gusts signal imminent rain. Centro SCOP, a sprawling bureaucratic complex, rises sharply against this bleak backdrop. The building is a masterful, if not intimidating, example of Mexican Modernism, an H-shaped assemblage of muscular concrete volumes designed by architect Carlos Lazo, covered in an acre-and-a-half of vibrant mosaic murals.
At its peak, the building accommodated more than 3,000 workers for the Secretariat of Communications and Transportation (SCT). Today, save a security guard in its gatehouse, it is empty.
This week we present a selection of the best images of brick houses published on our site. These 11 Mexican projects reveal the diversity of expression that architects in the country have achieved through creative arrangements of the brick modules. read on for a selection of images from prominent photographers such as Carlos Berdejo Mandujano, Onnis Luque, and Patrick Lopez.
This project emerged during the summer of 2015, when CHOPEkE Collective, together with Paúl Pérez, a seminarian and active member of the group, visited the community of Santa Luisa de Marillac, located in the central periphery of Ciudad Juárez. At the time, members of the community had an "unworthy" space -as they called it- for their meetings and spiritual activities.
There's an old, weary tune that people sing to caution against being an architect: the long years of academic training, the studio work that takes away from sleep, and the small job market in which too many people are vying for the same positions. When you finally get going, the work is trying as well. Many spend months or even years working on the computer and doing models before seeing any of the designs become concrete. If you're talking about the grind, architects know this well enough from their training, and this time of ceaseless endeavor in the workplace only adds to that despair.
Which is why more and more architects are branching out. Better hours, more interesting opportunities, and a chance to do more than just build models. Furthermore, the skills you learn as an architect, such as being sensitive to space, and being able to grasp the cultural and societal demands of a place, can be put to use in rather interesting ways. Here, 3 editors at ArchDaily talk about being an architect, why they stopped designing buildings, and what they do in their work now.
Results have been announced for the 5th Global LafargeHolcim Awards for Sustainable Construction, with three women-led teams awarded the gold, silver, and bronze positions. The design competition asked participants to speculate on future methods of balancing environmental performance, social responsibility and economic growth, “exemplifying architectural excellence and a high degree of transferability.”
The history of Mexican photography has contributed to highlighting Mexico's presence in the world. Photographers like Elsa Medina, Lola Álvarez Bravo, Graciela Iturbide, Maya Goded, and Juan Rulfo have masterfully portrayed the life of the buildings, houses and the streets of a rapidly built, nineteenth-century Mexico.
As a consequence, the contemporary scene of Mexican photography has become a fundamental tool for architecture and has contributed to a better visual understanding of the works that are erected every day.
Photography and architecture are two disciplines that go hand in hand and whose relationship has been reinforced thanks to the digital tools that we currently have. For that reason, we have compiled the work of contemporary Mexican photographers who record our walk through the world we live in and contribute to constructing the image of contemporary Mexico.