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A School to Educate with Dignity is an intervention at the Juan H. Álvarez Intercultural Bilingual Primary School in Xochistlahuaca, Guerrero, Mexico. Led by Judith Meléndrez Bayardo (M.Urb.), Arch. Antonio Plá Pérez, and Gabriel Konzevik Kabib (M.Arch.), the project arose from a request for expansions and improvements at twenty-three indigenous schools in the mountainous region of Costa Chica, Guerrero, which are affiliated with the Guerrero 50-50 Project. This program seeks to reinforce the identity of indigenous communities by preserving their native languages. Consequently, in this particular community, the native ñomndaá language carries significant weight within the educational system, and above all, in shaping cultural identity and understanding the environment. Therefore, transforming the space became essential for the architecture to contribute to this project of cultural resistance.

For more than three decades, Chile's Norte Grande region positioned itself as an important modern laboratory and a hub of development on both a national and international scale. It embodied the potential to decentralize access to services and infrastructure, as well as territorial management itself. Driven by an economic boom, a project of modernity was promoted, spanning comprehensive investment plans to the management and construction of modern architecture projects. However, following the coup d'état and the subsequent militarization of the border, resources were once again concentrated in Santiago, bringing this regionalist momentum to an end. Below are details of some of these hybrid works which, shaped by both the desert climate and European influence, responded to a local context defined by an incomplete project of modernity.

While the construction industry was once among the most technologically lagging, today automation in architecture is undeniably here to stay. 

At ArchDaily, this has been one of our most recurring topics of conversation. As a result, we asked our readers what they understand by automation in architecture (and how they believe it affects the design process).

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According to 2018 data from INEGI's National Survey of Demographic Dynamics (ENADID), the child population under fifteen in Mexico represents 25.3% of the overall total, which stands at 125 million people. The reality is that this population, despite representing just over a quarter of the total, has few to no spaces dedicated to their entertainment and development. With this figure in mind, this article reflects on public space and childhood in Mexican cities.

Located at Castelli 3902, this project is the result of a collaborative partnership between the architecture and urban planning organization Proyecto Habitar and COOPTEBA SM/3F, a housing cooperative of education workers from the Province of Buenos Aires, San Martín, and Tres de Febrero. In a world where unequal access to urban goods and services shapes the lives of much of the population, the designers sought to work collectively and interdisciplinarily to address existing social and spatial injustices. Read on to learn more about this experience.

​JKP Jaeger Kahlen Partner Architects provides architectural design services to a global clientele. Partners Johannes Jaeger and Peter Jaeger have repeatedly spearheaded the design and project management of internationally renowned buildings. The firm's portfolio spans corporate headquarters, commercial offices, mixed-use developments, residential districts, cultural facilities, and historic renovations. JKP firmly believes that exceptional service and design deliver extraordinary value to clients. Focusing on people-centric placemaking, the firm is widely recognized for its distinctive modernist facades that become urban landmarks.

#Business Manager, China Region 

ArchDaily, the world's most visited architecture website, and Architonic, the premier database for premium design and architecture products, are seeking an experienced, proactive, and highly motivated Sales Representative for the China region. Based in Shanghai or Beijing, this role requires solid sales experience and a deep familiarity with digital media, architecture, real estate, and manufacturing. Dedicated to providing architects and designers with essential inspiration, information, and services, we have served the architecture and design communities for over 13 years, building the world's largest online community of design professionals and an extensive network of industry resources. We invite you to join our international, open team to help shape the global landscape of architecture, design, and construction.

This article by Lina Toro Ocampo was originally published under the title "Mirada distanciada: conceptualización de la experiencia de Denise Scott Brown entre África y Londres, como motor y origen de Learning from Las Vegas*" ("The Distanced Gaze: Conceptualizing Denise Scott Brown’s Experience between Africa and London as the Impetus and Origin of Learning from Las Vegas*") in issue No. 23 of the Dearq journal on January 23, 2018 (DOI: https://doi.org/10.18389/dearq23.2018.01). This article aims to demonstrate the importance of valuing specific autobiographical circumstances within the educational framework of teaching and learning architectural design.

We present it below as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.

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They can be categorized into various typologies, such as play yards, parks and gardens, play streets, and urban sculptures, among others. They began developing around the world in the late 19th century and peaked during 20th-century modernism. In Mexico, it was not until the second half of the last century that the design of children's street furniture became a vehicle for experimenting with the artistic and sculptural explorations of architects, urban planners, artists, and even the first industrial designers—a trend replicated throughout the country, resulting in projects that were anonymous yet highly experimental.

This article by Pablo DeSoto was originally published in the 27th issue of the Dearq journal on July 1, 2020 (DOI: https://doi.org/10.18389/dearq27.2020.07). It is presented here as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.

Founded in 2010, Origin Architect seeks to root its practice in the complexities and conflicts of contemporary reality, drawing from them the power of symbiosis and integration.

Although the Olympic Pool of Arica, built in 1972 by architect Alicia Meza and former CORMU members Nelson Berthelon and Sergio Román, received widespread national and international recognition at the time, today it is far from being part of the collective imaginary of modern architecture in Chile.

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Growing up in the rolling coastal countryside of Dorset in West England, Fred Rigby drew creative inspiration from natural elements—a passion that ultimately shaped his design philosophy. Characterized by organic forms, natural symbolism, and earthy materials, his work fosters a deep connection to nature within indoor environments. Premium Scandinavian design brand MENU collaborated with Rigby to develop their latest office furniture collection as a response to the pandemic-induced shift toward working from home. By integrating the warm, soft, and nature-centric qualities of his work, the collection aims to bring a sense of calm to the anxieties of our time.

Founded in Shanghai in 2016, atelier tao+c’s practice spans diverse scopes and scales—from a single pendant light to an entire neighborhood, from urban micro-residential interiors to rural house renovations, and from street-front retail to youth communities. Alongside their practical work, they focus on research topics such as building adaptive reuse and the domestic settlement of objects in living spaces. Free from the constraints of typology and scale, the studio approaches every design with a focus on scale, construction, proximity and intimacy, and the reconciliation of the past with the immediate present. By reconstructing the exploration and understanding of typology, they seek to reveal the latent possibilities of each site.

This article compiles key insights from the research on air pollution conducted for Catalonia's participation in the 2021 Venice Biennale. The study was carried out in 2019 by 300.000Km/s under the direction of curator Olga Subirós.

"Domingos Libro" is hosted by Carmelo of Enorme Studio. Every two weeks, he takes a deep dive into forgotten architectural publications, exploring books and magazines from the 1960s, '70s, and '80s that hide the most fascinating backstories.

In this new episode, titled "La Casa de Muñecas" (The Dollhouse), he discusses the 1983 issue of the British magazine Architectural Design titled "Dolls' Houses," and how its editor, Andreas Papadakis, turned the search for a dollhouse for his daughter Alexandra into one of the most unusual and entertaining architectural competitions in history.

The team led by Cristóbal Tirado and Sebastián Hernández won first place in the public competition for the design of the First Fire Company Station of Coyhaique, located in the Aysén Region, Chile. Launched by the Aysén Directorate of Architecture of the Ministry of Public Works (MOP) in conjunction with the Regional Government, the competition aimed to completely replace the town's First Fire Company Station. The design was required to incorporate high energy efficiency standards while enhancing the urban image of the city of Coyhaique.

In November 2021, the Mayor Bruno Covas Augusta Municipal Park opened in central São Paulo. Despite the celebrations, the outcome could have been better. The decision to turn the area into a park was the result of a process that dragged on for years between developers planning to build residential and commercial towers on the site, and residents and activist groups advocating for a park on the same plot of land.

Estudio Planta, led by Irene Joselevich and Ana Rascovsky, proposes a new way of living for older adults. Located near the northern access to the Autonomous City of Buenos Aires, the project is set in the Florida Oeste neighborhood, proposing the construction of an architectural complex designed for the senior population. The goal is to provide a gathering space, a laboratory of ideas, and ultimately, a space for personal development to strengthen community bonds through a variety of activities on the path to enjoying the second half of life.

How can we design spaces that are healthy for our minds and bodies? This is the central question we will address this March as we focus on the topic of interiors and well-being.

This project represents the latest collaboration between Italian firm Mario Cucinella Architects (MC A) and WASP, marking the first time the two teams have used raw earth—a natural, fully recyclable material—for 3D-printed construction. Located in Massa Lombarda (Ravenna, Italy), the completed habitat is named TECLA. The earthen dome was constructed in 200 hours of continuous printing by multiple synchronized 3D printers.

Exploring the relationship between comics and architectural representation, the thesis of Isis Zúñiga Campos invites us on a journey through the “Quebrada Márquez” housing complex, demonstrating how these narratives, built from drawings and images, can convey and represent both ways of inhabiting and the architectural experiences that surround us. Through the use of various graphic tools, drawing characters becomes a fundamental part of understanding how spaces are lived. Indeed, as the author describes, architecture without people is not architecture. While comics still have a long way to go in representing modes of living, in the meantime they reveal the pathways, spaces, and daily uses people create, offering a perspective closer to reality.

Below, the author explains this in detail in her own words.

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It is well known that since its inception, the field of architecture has been predominantly composed of white, cisgender men, who to this day continue to occupy some of the most prominent positions in both architectural practices and prestigious awards. For this and many other reasons, the struggle to bring visibility to women in architecture has always been present, responding to the specific demands of each era and winning increasingly significant battles. However, inequalities persist, making it a challenging profession for women—and even more so for women of color, Indigenous women, Latinas, and those from disadvantaged economic backgrounds.

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The connection between interior and exterior is almost always cited in architectural projects. After all, bringing glimpses of the outdoor space into a building is one of the most widely used devices when thinking about the well-being of its inhabitants. In addition to contact with the surrounding landscape, an important factor of this strategy is allowing natural light into the space, as it can convey a visual message that transforms spatial perception.